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Compressed Beyond Recognition: An MP3 Compendium
from the tea-in-harbor-or-tears-in-teacup? dept.
Point Of Order, Point of Clarification Justin Maurer writes:
"it's come to my attention that a lot of news organisations, and napster themselves, have been twisting words around in this whole napster case. if you'll bear with me for a second, i can try and clear up a little bit of it.everyone (including napster) keeps saying that the judge ordered napster to be shut down. this is not the case. the judge ordered them to make sure no one is trading copyrighted material, and the result is that napster is telling everyone they've been ordered to shut down. if you'd like, i can provide sources for this information, though i'm going to bed now :)"
[Note from timothy: Here is a link to the Preliminary Injunction Brief (pdf file) from the RIAA site; given the way Napster works, though, it does seem like its grant would have effect of shutting all but the chatroom, doesn't it?]
Are Bassists Smarter Than Drummers? JHancock17 reminds anyone who hasn't to read Courtney Love's speech as reprinted by Salon a while back, and res0 points to this ABC News interview with Chuck D. in which the P.E. frontman continues his eloquent tirade against the music industry as a whole. But Mr. D and Ms. Love have been famous outspoken in favor of Napster and electronic music exchange for a while: Now those stalwarts are joined by another big name. srcosmo writes "Radiohead have become the first British band to condemn the injunction against Napster. Their bassist, Colin Greenwood, showed enthusiasm for the availability of Napsterized live recordings, saying "We have just finished a tour, we played in Barcelona, the next day the entire performance was up on Napster and three weeks later when we got to play in Israel the audience knew the words to all the new songs and it was wonderful." An interesting change from the Metallica look at things- hopefully more artists will follow their lead."
Follow Your Conscience: What You Can Do cLn writes "Napster has been shut down and irc mp3 channels are being flooded by desperate mp3 junkies. What they don't know is that there are ways around this small problem. Napigator is a windows program that'll help the napster client connect to other servers other than the few it trys. Tripnosis works alot like napster, but you can download other files (zip, arj, rar, mov, avi, mpeg, jpg, gif, ect...), you can also search through online users files using the sites search engine."
And DrEldarion points to "http://www.kripto.org/blocks/, "an anonymous distributed file transfer system designed for people with permanent 'always on' Internet connections;" good explanation on the site itself of how it differs from other such systems.
Mad Ross (Ross McKillop) writes "Everyone now knows of the recent decision about napster's future. This is unfortunate and many still agree unreasonable but I am attempting to gather all the open source clients and alternative servers in one place and create an organised network of replacement napster servers... If anyone is interested in helping by...
- contributing a client
- helping as a server operator
- running a napster server
- etc...
What Else You Can Do: Alert The Media (Mavens) battery841 writes "In light of Napster getting an injunction against it by the courts, someone decided to register riaaboycott.org and setup a petition. You sign the petition, and once it's gotten enough signatures, it's going to be sent to numerous sources, including Napster and the RIAA." And as CmdrTaco posted the other day, there are boycotts in the air.
Another Angle On The Big Picture: Danse writes "Salon is running an article with reactions from all sorts of people connected to the music industry, Napster, Napster alternatives, etc. It's pretty interesting reading. Everything from the arrogance of Jack Valenti to the apparent cluelessness of Erwin Drake to the insightfulness of Glenn Reynolds to the amazingly short (obviously not written by Lars) comment by Metallica. To sum things up, the industry thinks this is a big win and that they now have a chance to offer consumers music downloads on their own terms. This displays their current lack of understanding of the real problems that users are seeking to remedy with Napster and the other music/file trading options. Napster supporters and alternatives feel that it's a loss for free speech, but that in the long run it will only hurt the record industry as people move to litigation-proof solutions."
Stand Your Ground (Score:3)
http://www.gnu.org/philos ophy/reevaluating-copyright.html [gnu.org]
Perhaps instead of boycotting... (Score:4)
As some people have said, boycotting the RIAA may just be a very small drop in the bucket.
A more positive thing might be to go to MP3, and shell out $10 for a non-RIAA artist. If 10,000 people don't buy CDs at Tower, it'd be a pretty small blip.
If 10,000 people went to MP3.com and bought a CD there, it'd get noticed.
That'd be a way to say "Online music distribution is important" without saying "I want to steal my music."
An idea for harder-to-track Gnutella (Score:4)
This may be totally off the wall, but an idea just occurred to me...
The central reason why you can't hide your IP after establishing a connection is because the connection is directly from your machine to the other person's machine. The idea is this: why not drop the requirement of a direct connection? You can route your connection through another machine...
And who says this has to resemble anything like Napster's centralized topology? Any arbitrary client machine can act as a "router". In fact, you can even be simultaneously a "router" and serving files through another "router" to mask your identity. And this doesn't have to be just one level deep; you can have several "router" machines between you and the client. And you don't have to worry whether one of the "routers" in the chain will break; since the whole protocol is distributed anyway, I'm sure it's possible to come up with a self-correcting protocol that will allow alternative routes easily.
One way to implement this is for the protocol not to publish IP's of where files are, but just say, "123.123.123.123 is a machine that knows where file XXXX resides", so if you're looking for file XXXX, you connect to 123.123.123.123, which doesn't have the file but knows where it can get the file from (which, itself, may be another router).
I know network people will scream "INEFFICIENT!" but it's just the turn-around time that's slowed down. Once the file transfer begins, it's basically a pipeline between the source host and the destination client, so the throughput will still be reasonably fast. And since any participating machine can act as a "router", there won't be a problem of router congestion.
What do you network experts out there think of this idea? :-)
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Re:The tip of the iceberg (Score:3)
Sadly, CuteMX (great software, stupid name) lockedd their users out yesterday. They have central servers and are could be sued. Besides, they had a lot of people trading movies. Well, corrrection: they had a lot of people talking about trading movies; the vast majority had connections too slow to succeed in actually getting any movies.
In spite of my respect for Justin Frankel, Gnutella is more interesting politically than as an actual program. None of the clients seemed to be easy to use, or very effective at searching. Also, Gnutella lacks chat and the ability to browse other users lists. The whole idea is to see what people with tastes similar to your taste like.
BTW, a nice looking Napster client will be released today: Naphoria's audioGnome [homestead.com]. It has resumeing, the ability to view multiple servers at once, the ability to search across multiple servers. Joe Bob says check it out. No, no Linux client yet.Gnutella (Score:3)
MODERATORS please browse at -1!!! (Score:4)
Why is it lately that all
I propose that when a moderator adds +1 to a 4-score post, they actually SPEND FIVE MODERATOR POINTS.
Why charge so many points? Because some moderators are lazy, or just want to enforce their ideology and bump up already high like-minded posts. Since these people do seem to value their moderator points, weighting the price of +1 would encourage deeper digging. Moderation is supposed to be a bell curve, and you can't get a feel for the community when you have a dozen posts ALL at 4 or 5 points when the curve looks like a "M".
I thought about posting this Anonymously, but I know only a minority of moderators would ever read a 0-score post.
Re:MP3.com (Score:3)
To me, this is the crux of Napster's case: they should demonstrate that the RIAA, by refusing to embrace on-line distribution, is denying the Artists the legitimate opportunity to earn income from their work.
(Yes,I have purchased from both mp3.com and Emusic.com, as well as managed to "back-up" ~75% of my vinyl collection from Napster)
Re:Non-RIAA CDs [Slightly OT] (Score:3)
Doesn't sound like used CD stores were putting him out of business, sounds like pathetic music was putting him out of business.
Re:Ebay! (Score:4)
This was the exact argument made by the MPAA in the 2600 DeCSS case. Their argument at trial was that when you buy a DVD, you are only purchasing a license to play that DVD on an MPAA-authorized and licensed DVD player.
Re:I wonder about the impact on sales. (Score:3)
Napster's current message:
We're getting a lot of questions about what people can do to help.
Here are three things you can do right away.
It's going to be impossible to prove anything either way. Up, down or sideways. This is about bullying and potential cooption. One of the major record labels will likely own Napster within the year.
*sigh* (Score:3)
Barcelona, the next day the entire performance was up on Napster and
three weeks later when we got to play in Israel the audience knew the
words to all the new songs and it was wonderful." An interesting change
from the Metallica look at things- hopefully more artists will follow their
lead."
Ok, so I'm a little tired of all this Metallica bashing.
I took the time to read the major press releases and watch the wonderful piece of pulitzer prize winning journalism that was the MTv news special.
Granted that Lars is not one of the great orators of the 21st/22nd century, so it takes a little digging to find out what he was saying.
Metallica does not object to bootlegging. In fact they greatly support it. So the comment above about Radiohead's view being different from Metallica's is not correct.
Metallica objects to having their studio recorded digital masters released on the internet without their permission. The straw that broke the camels back was being able to download their MI2 single from Napster before they had even finished recording it. (technically for this to happen someone first had to actually steal a copy of the song from the studio. This is not the "grey" area of mp3's but the black area of actual larceny)
Metallica went to Napster and asked them to restrict the trading of Metallica's studio mastered songs (*not* the bootlegged live concerts). Since Napster was designed to share live music, they should not have object to this.
Napster refused, essentially saying "ha ha prove it you morons". (Note: do not dare a rock star to do anything, especially when they survived a decade of chugging Jagermeister)
This lead to the media circus we all know and love. After the circus, Napster banned 300,000 users.
This ban is not what Metallica asked for, nor was it what they wanted. Lars has stated this publicly again and again. Metallica basically asked for a filter to be applied to Napster searches.
If they had done this comparatively simple task, Metallica and the people that Napster alienated would be on the side of Napster instead of against them.
Given Napsters actions to date, I am not surprised by their story of being shut down:
everyone (including napster) keeps saying that the judge ordered napster to be shut down. this is not the case. the judge ordered them to make sure no one is trading copyrighted material, and the result is that napster is telling everyone they've been ordered to shut down
Turning off napster = more bandwidth for us (Score:3)
Non-RIAA CDs [Slightly OT] (Score:5)
The tip of the iceberg (Score:3)
Now I don't really think that what Napster doing was completely legit, nor do I believe the "It's for trading uncopyrighted music" because we all know what it's for. Pirating music, plain and simple.
But as it's been noted countless times before there are at least half a dozen alternatives to Napster, including Gnutella, CuteMX, Freenet, OpenNAP, IRC #mp3z and #mp3s, etc. The RIAA won't touch many of those. They're just getting bad press, that's all.
Why not make the people happy? They'd be accomplishing the exact same thing!! And they'd also gain the general public's trust and liking, too.
Just a few thoughts.
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Turning a blind eye. (Score:3)
Re:Too Many Options? (Score:3)
Virtually all of the servers were split, except for a test group that my wife discovered last week. They had been planning to link all the servers before all this nonsense happened.
For those who are curious, the linked servers were:
Tonight And The Rest of My Life is Artist Direct!! (Score:3)
Hasdi
Re:Jack Valenti's quote from Salon (Score:3)
I create different sorts of music because there are sounds I want to hear that I'm not hearing from anybody else. This can be as direct as having a little analog synthesizer with a resonant filter that I hacked so it can feed back and overload, and wanting to hear an album based on that sound ('Cirrus'), or wanting to hear synthesisers playing in rhythms you normally don't get to hear ('Dragons') or what a dog would sound like as music ('anima').
I could try to find somebody to sell me music like this, and in fact often I have (for instance, I have a big King Crimson record collection bought largely because of my fascination with the unusual time signatures Krimso often uses). But now I do have the capacity, often, to produce the sort of music I'd want to hear- myself. I've found that when I do that, some people simply don't like the result, but then some other people like it a whole lot- or fixate on some small element of what I do, and like that a whole lot.
I feel I'm better off sharing my music for free, and allowing people to show enthusiasm in a direct fashion by downloading more, or by picking up a $5.99 CD, because I am entirely unwilling to 'summarise' my musical interests into one clearly labelled category so people can know what they're buying. You _don't_ know what I'm going to release next. I might do a new age piano album (got new tech- Kurzweil Micropiano and Lexicon Reverb) or a deep reverby 'ambient' album or an album of very well-tuned drum 'n bass. If I need to be able to do that, people need to be able to audition what I'm doing for free so they can _be_ warned how different all the CDs are, and go listen to _everything_ in case they might really connect with some of it.
And of course they can, mp3.com/chrisj [mp3.com] is for just that purpose. I just redesigned it to explain better what each of the albums are like, it's no longer necessary to sit there lo-fiing or downloading track after track just to get a sense of what the music is like- or to try just 4 tracks and mistakenly think the whole catalog is like that ;) And all of it is still free- my expectation is that _some_ people will want CDs too, and those that don't are at least giving it a listen. I swear, there is a 'business model' in that- it just doesn't include _guilt_ of giving out 'shareware' music. Imagine it like this- my mp3.com page is the ultimate radio, one I'm very proud of. By using it I can convey broadcast music anywhere in the world at any time of the day or night- anytime someone listens to one of the mp3s, that magic super radio is going 'bzzzzt' and broadcasting it out to be listened to, at no cost to me- in fact, I get a little bit of money for the initial download! It's not much- the total over all the months I've been doing it is about $300, but that's nearly enough to get a Yamaha DX7, and some music that I do would be much better if I got to program a whole Yamaha DX7- it's a six operator FM synth and the one I've got is only a two output 4 operator FM synth. So it does help me make better music, pretty directly...
Too Many Options? (Score:5)
Wouldn't it be better to move to a single (or at least as few as possible) communites - possibly something which would have a harder time being shut down? Of course, there would probably be a whole bunch of flaming with respect to chosing those few communities...
Being with you, it's just one epiphany after another
Paying for MP3's (Score:3)
I have said and always will maintain that my problem with the RIAA is by inability to purchase single songs at a reasonable price. If they want to offer me downloadable music on a song-by-song basis for about $1 a song I'd be happy to pay. Until then piracy is the only option if you cant afford the whole CD for 1 song. You don't need to shut Napster down to convince me to switch and sharing still has its legitmate uses for unsigned bands and concert bootlegs.
MP3.com (Score:3)
The CDs usually run you about half of what they'd cost from an RIAA affiliated band, too.
Re:The tip of the iceberg (Score:3)
I know i am going to get flamed, but... (Score:5)
BUT Napster also highlights the problems with the concepts of IP, fair use, and copyright, especially the model that is currently being forced down our throats by the RIAA.
Some of my very best friends are independent producers. Their music is up on MP3.com. MP3.com has ways for the artists to promote themselves, to link to other artists they like, runs contests and promotions to encourage the artists. I have found some great people whose music I would have never heard otherwise... because people whose music I already respected suggested them. This is a model that can, and does work. And a quick comparision of mp3.com to Napster leaves Napster very much lacking in these sorts of features, which ARE the features that link the artists directly to their listeners.
MP3.com has my full support. Napster... I have a hard time justifying it. Its VERY grey...and I think we all need to pick our battles carefully on this one.
just my thoughts.... *dons flameproof suit*
Freenet is anonymous (Score:3)
Re:Non-RIAA CDs [Slightly OT] (Score:3)
why doesn't the RIAA (Score:3)
The RIAA has a problem with MP3's. It's not just they don't want people trading copyrighted material, they don't want them doing anything with a format they don't have any control over. I want to see the RIAA sue Microsoft to attempt to force Microsoft to remove support for MP3's from Windows Mediplayer. Obviously all MP3's contain illegally acquired copyrighted material (never mind all the songs I download because it's easire for me to download songs I have the CD for than for me to rip them myself), so of course an MP3 player should be illegal as well! Please. This is ludicrous to say it's the deathknell of whatever it is the RIAA thinks they're fighting.
Moller
Are Bassists smarter than Drummers ? (Score:3)
Q. What is the difference between a drummer and a drum machine ?
A. You only need to punch the information into a drum machine the once
Q. Why does every band have a bassist ?
A. Cos some f***er has to drive the van
Roblimo said it best (Score:4)
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Re:Another victory for the forces of mediocrity. (Score:3, Insightful)
by roblimo (roblimo.nojunk@slashdot.org) on Monday March 27, @09:54AM
EDT (#77) (User Info)
More aptly, what if 95% of all popular music was controlled by only four or five record companies and those companies formed a trade association whose main purpose was to keep its members' products selling for high prices instead of allowing "the market" to determine what a given song was worth?
The end result would probably be wholesale music piracy using technology the record companies couldn't control.
Not that anything like this could ever happen in real life, mind you; this is just Monday morning speculation on Slashdot...
- Robin
Hell with Napster, use Gnutella or Freenet! (Score:4)
Now, if you really want to do this sort of thing right, you don't start a company and advertise what you're doing. That's dumb. You also don't have a centralized server whose operators can be sued. Instead, you set up a decentralized system where everyone is a client and a server. Gnutella [wego.com] is one possibility, but it still allows you to identify where the pirated files are located (on various servers, identifiable by their IP addresses, which may be dynamic but do have a specific meaning at any given moment). Freenet [sourceforge.net] is better still; the files are distributed in such a way that you can't tell where they are, and in fact a given file may not be in any one place in its entirety. Now that's tricky to sue.
So I think it's pretty stupid for people to be talking about setting up new Napster servers. You want to get sued? Fine, go ahead. Your pockets are probably a lot less deep than Napster's, but the RIAA will be happy to take whatever you've got. In the meantime, those of us with clues will be working with Gnutella and Freenet, doing essentially the same thing you are, but not getting sued. Take your pick.
Re:Too Many Options? (Score:4)
To draw a riff from Pink Floyd, "The only thing we need to do, is keep talking." :)
Oh really? (Score:5)
I dont think the music industry has any lack of understanding when it comes to the problems we "pirates" are trying to remedy. They know their distribution mechanism is severly flawed, but it is flawed entirely in their favor. They control (for the most part) the media that influnces what you buy (think radio and MTV). They countrol the distribution method so that they, make the most out of it (and of course the few artists that have mass appeal due to their help). Everyone else get the short end of the shaft.
Why would they want that to change? Even if things like napster caused people to go out and buy MORE music, it may not be the music they are promoting. Having that kind of power over the masses is something I dont think many individuals would give up, much less a corporation. I am not naive enough to think that this is for monetary reasons only. The music industry has power over poeple, power that is clearly illustrated by the fact that as sharaing technologies became more prevalent, the majority of what you see is MAINSTREAM music, Nsync, Brittany Spears, Eminem, ect. Most of the music is fun yes, but talented and emotional, probably not. However it is what is getting crammed down peoples nural pathways by radio and MTV at the cost of millions of dollars. That in and of itself show the gullibility of the masses, and that is what the RIAA and the MPAA exploit.
I myself am a musician. Not a very good one, but you know what my opinion of my music is? I do it for ME. It is a release of my creative energy, my emotion. If other people hear it and like it then great, but if not no loss because I did it for ME. Now yes, I put my music up on places like mp3.com and napster for public exposure. Why? Because no matter how bad I suck, I want to hear other peoples opinions and critiques (sp?).
I have mad all of about $10 from the mp3.com pay for play program, and also put my music out through napster, normally before releasing it on mp3.com. Now what? The RIAA has spent millions, silencing ME an artist, by shutting down one of my distribution channels. Even if I was good, I would never distribute or promote through corporations that behave like that.
I think the RIAA is fighting this battle more for the POWER than the MONEY. The fact that they are still breaking profit records I think proves that.
Ok... rant over.. return to your lives people...
www.mp3.com/Undocumented [mp3.com]
I wonder what Will Smith would say (Score:3)
For some reason, we tend not to associate rock/rap/pop music with sophisticated thinking. But to find out how many of these guys actually hold academic posts -- it is far higher than a lot of people think, and that surprises people.
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7/28/2000 - Slashdot Gets Slashdotted (Score:4)
"[the injunction against Napster] is like trying to smooth out lumps in a waterbed," said
Slashdot, a news forum for self-styled "geeks", is a leading advocate of free software (including many free Napster alternatives), Star Wars, and Hot Grits.
"People are realizing that only through free software can men be truly free, t'was always thus, and always thus will be." Said Slashdot's verbose Mr. Antonius Coward, "People understand that Gnutella (a Napster alternative) can never be blocked, sued or injuncted. It has been a great coup for our wicked underground agenda".
Recording industry's slow suicide (Score:5)
What do you do when you have a song stuck in your head? Since there are no lyrics databases left to search openly, I go straight to a text search engine like Altavista or Google and find whatever fragment of a phrase I can scrape together. Most popular lyrics seem to be online somewhere, and I usually find the song in a few searches.
Since the record companies have done absolutely nothing to help find one song on an album, let alone make it possible to buy just that song, hello Napster. Custom CDs are not the answer. When blank CDRs are for sale at KMart, it's a little late to try and convince us that CDs are hard to make. If I want one song, I want it now, and I don't want to be forced into buying 10-15 other songs for $20 and having to wait a week for delivery.
Music has been digital for years, and that means that there are no originals. Everything is a copy, the only original is the music being recorded. Without copies, there is no music. There is absolutely no difference between the content on a CD I purchased today and 10,000 of the same album purchased anywhere around the world.
I'm glad Radiohead came forward, again they prove to be among the most forward thinking musicians out there. I'm also glad I own all their albums. And I'm going to go download their live shows right now...
Re:Non-RIAA CDs [Slightly OT] (Score:3)
One label that I like, fortunately, isn't an RIAA member. DivaNation, the producers of the now defunct My Scarlet Life, has several good bands, and actually appreciates their fans.
Check their stuff out @ http://www.DivaNation.com
Offtopic story: My Scarlet Life was a pretty good trip-hop type band. Their stuff is slightly similar to Delerium's Karma album. One day I went looking for their web site, trying to get to another concert. Well, I found out they broke up, and the members had other bands. One of which, Scarlet Life, was rumored to be similar in style to Scarlet Life but definately not the same.
they had a printable discount ticket to the concert on the web site. I clicked the link, it was broken. Seeing no contact info at the time, I called the company, also trying to get more info on the concert. End result of that: I talked to a band member, got 5 tickets mailed to me, and drove 7 hours to see one of the best concerts I ever have. I got to meet all 4 of the bands there (Gaberdine, Breather, Butterfly Child, Scarlet Life- mostly unheard of, but they have a loyal following), got pictures, and couldn't have enjoyed it more. I STRONGLY suggest them because of this, the great treatment I recieved as a fan. Also, while talking with Breather, I found out that they love MP3s, and use them online freely as much as possible. Now that rocks too.
PS- Most of these bands are Chicago based, and don't travel much, but they do have CDs that are well worth checking out.
RIAA could work with Thomson Multimedia. (Score:4)
<O
( \
XGNOME vs. KDE: the game! [8m.com]
Re:Turning off napster = more bandwidth for us (Score:4)
I do agree that many Napster usera are leeches, but there are as many people who buy more music because of it. I have a collection of songs by Neil Diamond and Elton John that I have only come to appreciate because I got the songs for free (though not on Napster). Had I not gotten them for free, I likely never would have had any interest since my primary musical interest is 80's punk. I think it makes good marketing sense -- I am now CONSIDERING a purchase that I otherwise would not have made. Call that leeching if you want, but I disagree.
Personally, I question why the software company I work for has T1 internet access. We host our own servers and provide Internet services, but those run on their own T1. We as employees have a separate T1 for Internet access at our desktops, and I'd be incredibly surprised to discover that even 1% of the traffic is for "legitimate" purposes. I spend an hour on
Re:Non-RIAA CDs [Slightly OT] (Score:3)
Also check out:
ObRIAA/Napster: As a way to access bootlegged music, it's awesome. I do think it's only fair that the artists (directly) receive some sort of compensation for their studio-recorded material. As much as I dislike advertising, why couldn't compensation be derived from tacking on short audio adver-bytes onto the front of every nth Napster-like download? That way the user doesn't have to micro-pay for downloads, but if they want to guarantee no-advert recordings, they have to buy the CD.
(ObPlug: Of course you're more than welcome to listen to our [webhop.net] stuff... And cast one vote [101xfm.ca] for Today's High to open for Edwin at Navan Fair [navanfair.com]. Voting ends today. :-)
OLGA: those who do not learn from history... (Score:5)
The RIAA would go well to examine the saga of OLGA, the On-line Guitar Archive.
Years ago, people started posting guitar transcriptions on USENET. Someone started collecting them on an FTP site at, IIRC, the University of Arizona; later, this evoloved into a web site, olga.net.
The Powers That Be didn't like this very much - in their minds it meant that they were losing money since people weren't buying books of transcriptions anymore. (Never mind that there's a huge difference between not making money and losing money, that these books were overpriced and sucked, that people have been showing each other how to play songs since the beginning of time, and that composers were getting performance royalties when someone like me played stuff they'd learned off the net down at the local bar.) So they brought down their legal might and crushed OLGA.
Which led to dozens of new guitar tab sites springing up all over the web.
You can't stop people from sharing information. Gnapster has built-in support for OpenNAP. Need I say more?
Famous last words... (Score:4)
But really, I tried using Gnutella and I couldn't make it work, so I'm not as worried about it as I was about Napster. I spoke to about 20 people who agreed. Of course, anybody who wants to steal music will do it; the diligent pirate will always succeed, but that doesn't mean we should allow it to become mainstream.
If the history of bleeding edge apps which serve a purpose has taught me anything, it's that rapid improvment comes quickest to those packages which are potentially the most useful. Mr Howard A. King doesn't know it yet, but he should be far more worried about Gnutella than he is now. Napster was easy to sue - public, high-profile, has management in suits etc. Gnutella (and other desperately subversive tools like IRC and ftp) will just take up the slack - untraceable and impervious to lawsuits.