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So what's the problem? "When you sign up for this, you're signing your life away, and you're keeping yourself from any other franchises out there," says an agent whose client is one of the stars of Episode VII. "They will not let you be in another franchise. They're going to be cranking out a new movie every year. These actors never get to read the script before signing on. They don't even know which [subsequent] one they are in. And then they become known for that role, and it's hard to see them in [another] kind of movie." Still, agents keep pursuing roles in the upcoming films even though newcomers can only command a meager $65,000 to $125,000 for Episode VII. "It secures all involved a place in film history," says agent Sarah Fargo, "and guarantees a huge global audience, enhancing an actor's marketability."
But there's more to it than that. A lot more. How about the years'-long wait for Act IV of Starship Exeter : "The Tressaurian Intersection"? Or Yorktown: "A Time to Heal" — an attempt to resurrect an aborted fan film from 1978 starring George Takei? For fans of old-school Star Trek (the ones who pre-date "Trekker" and wear "Trekkie" as a badge of honor), not since 1969 has there been a better time to watch Star Trek: The Original Series.
(Oh, and there's plenty content out there for you "Trekkers" and NextGen-era fans. It all varies in quality, but it doesn't take much effort to find them. This is truly a Golden Age. Recognize it and enjoy it while it lasts.)