
Netflix CEO Counters Cameron's AI Cost-Cutting Vision: 'Make Movies 10% Better' 24
Netflix Co-CEO Ted Sarandos pushed back on director James Cameron's recent assertion that AI could slash film production costs by half, arguing instead for quality improvements over cost reduction during Netflix's first-quarter earnings call Thursday. "I read the article too about what Jim Cameron said about making movies 50% cheaper," Sarandos said. "I remain convinced that there's an even bigger opportunity to make movies 10% better."
Sarandos pointed to Netflix's current AI implementations in set references, pre-visualization, VFX sequence preparation, and shot planning. He said AI-powered tools have democratized high-end visual effects that were once exclusive to big-budget productions. The executive cited 2019's "The Irishman" as a benchmark, noting its "very cutting-edge, very expensive de-aging technology that still had massive limitations." In contrast, he referenced cinematographer Rodrigo Prieto's directorial debut "Pedro Paramo," which employed AI-powered de-aging at "a fraction" of The Irishman's cost. "The entire budget of the film was about what the VFX cost on The Irishman," Sarandos explained. "Same creator using new tools, better tools, to do what was impossible five years ago."
Sarandos pointed to Netflix's current AI implementations in set references, pre-visualization, VFX sequence preparation, and shot planning. He said AI-powered tools have democratized high-end visual effects that were once exclusive to big-budget productions. The executive cited 2019's "The Irishman" as a benchmark, noting its "very cutting-edge, very expensive de-aging technology that still had massive limitations." In contrast, he referenced cinematographer Rodrigo Prieto's directorial debut "Pedro Paramo," which employed AI-powered de-aging at "a fraction" of The Irishman's cost. "The entire budget of the film was about what the VFX cost on The Irishman," Sarandos explained. "Same creator using new tools, better tools, to do what was impossible five years ago."
Give me attention! (Score:4, Funny)
Re: Give me attention! (Score:2)
If I could, I'd like to see Nick Cage's face on Rose in Titanic. "Draw me like one of your French girls."
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Nic Cage does _not_ approve Al
Netflix movies 10% better now (Score:2)
So they're aiming for a 10% Rotten Tomatoes rating, apparently.
What needs improving? (Score:5, Insightful)
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Re: What needs improving? (Score:2, Flamebait)
It's the young, useless generation. They are just reheating the same cold pancakes over and over again because they spend too much time caring about how they look on socials and trying not to offend anyone instead of honing their creativity.
So fun fact about Netflix films (Score:2)
First you've got the general dumbing down of dialogue to make it so they can dub it into Chinese more effectively. Also you've got to take a lot of themes out of anything you write again for the Chinese market.
But even in addition to that you've got an entirely new problem with writing. People work. Non-stop now. 50 60 70 hour work weeks aren't uncommon with people under 50.
So Netflix founded people were watching Netflix while working.
Re:So fun fact about Netflix films (Score:4, Interesting)
People who've never experienced real discomfort or adversity tend not to produce good art. Maybe it's good enough for a Netflix series, but it's not something that will be remembered one hundred years from now, let alone next year.
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late stage capitalism.
No such thing exists. Capitalism isn't a thing. Capitalism is simply the absence of a coercive violation of people's inalienable rights to have their own things and do what they want with them. The alternative to capitalism is a coercive system that's resulted in mass murder and totalitarianism literally every single time it's been tried.
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My objection to the term "late-stage capitalism" is that it implies that this concentration of wealth and power is the inevitable result of any form of capitalism.
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That's the point. The term itself by definition presupposes the inevitability and necessity of that happening and the inherent evilness of their straw man of capitalism. It's no different than if they walked around saying "Doubleplus ungood capitalism" every time.
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Wealth is always created in a concentrated man
The problem is not cost (Score:4, Insightful)
The problem is executives who hate creativity and continue to insist on sequels, remakes, reboots, franchises and other assorted retelling of old stories
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It's their evaluation of risk/reward ratios. Maybe they are right.
Netflix "qualtiy"... (Score:2)
What about when AI makes movie making REALLY cheap (Score:2)
I think a way more interesting question than what's being asked here is what do people think about the potential for AI to make movie making REALLY cheap. Like one person with the proper software studio setup can afford to make whatever movie they want with a reasonable amount of effort. I ask because I think this is a realistic expectation for something that will happen in my lifetime.
A lot of very talented actors and crafts people would be out of work to be certain. I feel like the fact that anyone could
A 10% increase... (Score:2)
mo bettah (Score:2)
10% better is still 89% garbage.
How long before studios and directors are gone? (Score:2)
I would love to say "<voice assistant name here> make me a 20 episode, 45 minute per episode series reminiscent of <insert book name here>. Use idealized actors. Limit gratuitous sex and violence. Make the actors hot without sexualizing them. Prefer European fashion over American. Use clear civilized accents and dialects. No nose talkers. Avoid Southern US t