Ultra High Definition Video 338
mr.henry writes "Engineers at the Japanese Broadcasting Corporation (NHK) have developed a prototype ultra high definition video (UHDV) system. How good is it? When it was shown to the public, some viewers experienced nausea because of the ultra realistic visual effect of speed without the usual physical sensation of movement. 18 minutes of UHDV takes up 3.5 terabytes." 4,000 horizontal scanlines. Excellent.
Hight Definition Porn (Score:4, Funny)
oh, and Star Trek will look nice as well.
Coincidentaly (Score:4, Funny)
Let me know when they have a TV that improves the script.
Re:Coincidentaly (Score:3, Funny)
well (Score:2)
At last there is another use for those penis enlargement spams.
The hard disks you will need for this kind of video will put pinocchio to shame.
.
Re:2 Lessons from UHDTV: Adult Videos and H-1Bs (Score:3, Insightful)
Premise 1: The Japanese had established an HDTV standard prior to 1989
Premise 2: In the 1990s, the Americans developed an HDTV standard based on digital techniques.
Premise 3: Once the H
Framerate? (Score:2)
Does anyone know which framerate(s) this system supports? 30/60hz seems likely since this is in Japan. And do they use interlacing?
Damn! (Score:3, Funny)
Frame Rate (Score:5, Interesting)
I'm starting to wish they would shoot movies at 60fps.
Re:Frame Rate (Score:3, Funny)
With wonderful films such as Gigli and Justin and Kimberly bing made every day, I'd be happy if they just shot the movies, period.
Re:Frame Rate (Score:2)
Into the bargin something filmed at 100fps could be converted to 25fps or 30fps without to many artifacts. (There is nothing worse than 30fps video converted to 25fps, most of the motion is reduced to a flickering blur.)
72 is the magic number (Score:3, Interesting)
TV's are limited to 60 (well 59.94), so that's why for games they try to achieve a rocksolid 60 fps. We on the pc side get to benefit from beyond 60 fps. But if you getting 125 fps in a game with vsync off it's just a waste. Tu
Re:Refresh rates (Score:3, Interesting)
I recall that this had something to do with detecting predators/prey moving in the periphery and then looking towards the motion to get a detailed image. I suppose this helps reduce the amount of information that your brain has to process at any given moment.
Re:Frame Rate (Score:2, Informative)
Re:Frame Rate (Score:3, Interesting)
I hate roller coasters -- last time someone conned me into going on the Matterhorn with them my arms ached for two days because of how tightly I was gripping the side
Re:Frame Rate (Score:3, Informative)
Actually, some movies HAVE been shot at 60fps (or at least sections of them). "Brainstorm" was one such film.
In fact, Douglas Trumball as at one time a very vocal advocate of trying to get Hollywood to transition to 60fps.
Too bad it did not happen. There are PLENTY of advantages to doing so.
An expense (Score:3, Informative)
2.5x as high film costs
1/2.5 as many minutes of shooting between changing film canisters
2.5x higher light requirements for the same grain, since each exposure would only be 1/120th of a second. High light requirements are quite expensive, because of the additional setup required. The greater light sensitivity of CCD v. film is one of the big reasons behind the misnamed "DV revolution."
Because perhaps 24fps is better for film (Score:5, Informative)
"When Douglas Trumbull developed Showscan (70mm at 60 fps) in 1976, he noted a profound psychological reaction among his test audiences when the frame rate hit 60 fps: The film ceased to be a film and was more like a window into reality: It just wasn't any good for storytelling, Trumbull claimed. Showscan was thus relegated to theme park immersive venues, and a grand experiment in theatrical storytelling frame rates was shunted aside.
Re:Because perhaps 24fps is better for film (Score:2, Insightful)
What film is better: "Star Wars: Episode IV", or "Star Wars: Episode I". Technically, Episode I beats IV hands down. But what film would you rather own on DVD, I'm betting Episode IV, the first movie, because "Phantom Menace" just sucked. "A New Hope" has that emotional element. I suppose "Phantom Menace" has a large emotional element too - disappointment.
The objective test wou
Re:Frame Rate (Score:2, Interesting)
3 500 000 000 000 / 18*60 sec / 6000*4000 pixels / 3 bytes per pixel = 45
Re:Frame Rate (Score:2, Informative)
I agree that it would be fantastic to see >24fps in movies. There is just to much mon
Re:Frame Rate (Score:2)
Re:Frame Rate (Score:3, Funny)
lots of info (about deinterlacing, fps and other interesting stuff) is avalibe here [100fps.com].
Frame Rate is 60p (Score:3, Informative)
Check the original paper at:
http://www.studio-systems.com/broadfeatures/MarAp
doom! (Score:2, Funny)
Re:doom! (Score:2, Funny)
Re:doom! (Score:2, Funny)
Just one step closer (Score:5, Funny)
Re:Just one step closer (Score:3, Funny)
nausea? (Score:2, Funny)
Re:nausea? (Score:2)
Sincerly,
CEO, vomit bags Inc.
They have to be careful with the video (Score:5, Funny)
The train effect (Score:2, Informative)
Re:They have to be careful with the video (Score:5, Funny)
I thought you said they might die of freight
yuk yuk.
At what point do they have to be careful? (Score:2, Interesting)
And speaking of which, is there a resolution to the human eye?
Re:At what point do they have to be careful? (Score:5, Informative)
There is no exact "frame-rate" of the human eye, because different parts of the eye respond differently to change, some parts have higher refresh than others. This is why screen-flicker is easier to detect by looking at a screen sideways (the edge of vision has higher refresh rates, probably an evolutionary left-over, being able to detect movement quickly near the edge of vision is the closest we can come to having eyes on the back of our head).
As for resolution, this is highest near the center of your eye's field of view, and is mainly dependant on how close together the light-sensitive cells are in the middle of the eye. In practical terms, max resolution of most people's eyes is a couple of arc-minutes (1 arc-minute = 1/60 of a degree). To put this in real terms, 1 arc-minute is the angular size of an object when viewed from a distance 3437x its size, so a 1.8m (6ft) human being seen at 6.2km (3.9 miles) is about an arc minute high.
For a Computer monitor, that means that people with good vision (say 2 arc minute resolution) sitting 1 foot (30cm) away from a monitor, should be able to distinguish a pixel 0.09mm (0.0034") across, but only just. Typical LCD-screens have pixels 0.25-0.30 mm across.
Interseting note: (Score:3, Interesting)
Half the audience jumped up to avoid getting wet.
Practical? (Score:2, Interesting)
Possible uses (Score:2)
I would suspect this has a lot more potential for now in the scientific fields. Being able to capture video at such high quality could be useful for everything from video telescopes to microscopes.
If it does reach the consumer/entertainment end of things... I can only see it replacing IMAX, not TV.
Re:Practical? (Score:2)
Nausea (Score:2)
I don't think it's really a measure of how sharp a display is. Ever been in an Omnimax? That's a lot more immersive than a flat display, and higher resolution too. Seems like these same nauseous viewers would get the same reaction watching a regular film movie.
Yeah, right (Score:2, Funny)
This is the japanese after all, even Pokemon gave thousands of them seizures.
Great... (Score:2)
Sounds good, but I would like a look (Score:2)
(that was supposed to be funny)
Practical end user application? (Score:3, Insightful)
Maybe it's time to give those data-over-electric-lines people a kick in the pants.. get things moving along a little.
Re:Practical end user application? (Score:2)
Only a technical achievement (Score:2)
Sounds like Omnimax... (Score:2)
Technology marches on (Score:3, Insightful)
Damn it! (Score:5, Funny)
Yep its completly useless (Score:2)
Bah (Score:2)
I suspect that, at 6k scanlines, the cause of the nausia wasn't the quality, but the low FPS. 6k scanlines would be a lot to push, period. You'd need a very, very hardcore system (or set of systems) to get that to a screen at something sane. Many of the females I know were made ill by the first few generations of FPS games, due to how they pushed the hardware (low fp
Not that exciting (Score:5, Funny)
>because of the ultra realistic visual
>effect of speed without the usual
>physical sensation of movement
Ummm, my 13" VGA monitor proved as powerful in 1991 when I played Wolfenstein 3-D. Half the dorm couldn't watch. Hell, 1995's Midi-Maze produced the same sensation of movement and nausea on my high-tek Atari 520 ST.
nausea (Score:2, Funny)
I think the nausea was caused when they were shown the suggested retail price.
MPAA's dream (Score:3, Funny)
Re:MPAA's dream (Score:2)
Guess I'll just start recording and collecting commercials...
Re:MPAA's dream (Score:2)
Imagine a... oh dammit! (Score:3, Funny)
Ah well.
MPA's new copy protection scheme (Score:2)
It will work just as well as their previous schemes - i.e. not at all, as people reduce the rez to something meaningful.
Seriously, this is something I've wondered about for IMAX/Omnimax style theaters - if they could go to a 60 Hz or better refresh rate it would really help on the long pans and flyover sequences, but since the screen is so large (or more precisely sinc
Re:MPA's new copy protection scheme (Score:2)
Why? If you remember back to when HDTV was cutting edge and CRT's didn't get that high-res, the FCC demo'd the technology with a light-valve projector called the Eidophor 52HD [mindspring.com] (Greek for "light bearer") from Gretag which was capable [spgv.com] of displaying the HD signal. Now, I know light-valve projectors are all but dead due to LCD and DMD/DLP units, but I wonder if they could resurrect the technology for these very-high-res units. In theory, a li
Need a bigger HD for my TiVo (Score:5, Funny)
This remids me of the old Sierra games. (Score:4, Funny)
Such a long way to go... (Score:2)
Who knows what the future will hold? If they can reproduce this resolution on a pair of VR goggles some day, computer games will take on a whole new experience =)
Better than IMAX? (Score:2)
From IMAX's website: "The 15/70 frame is 10 times larger than the 35mm used in regular theatres and three times larger than standard 70mm film used in classic Hollywood epics."
So if 35mm is ~= 6 megapixels, IMAX ~= 60 megapixels? IMAX still looks better on a huge screen?
Mind you, seeing this kind of resolution on a smaller screen should be am
Data transfer (Score:2, Insightful)
Good tv as well (Score:4, Funny)
How big of a screen does this need? (Score:3, Interesting)
Comment removed (Score:5, Interesting)
Re:What compression did they use? (Score:2)
The best compression ratios are typically yielded by the most processor intensive algorithms, and it's possible these algorithms scale poorly with a 16x increase in image area. Interframe compression schemes might take up much more memory also than just loading one frame at a time, displaying it, and copying over that with the next frame.
Though it seems like the huge bandwidth and storage required to do without compression would be a h
Re:What compression did they use? (Score:2)
Re:What compression did they use? (Score:5, Interesting)
First, they probably are using MPEG or MPEG2, or maybe MJPEG, but that's pretty unlikely these days. Just because they're using the codec doesn't mean they're going to use the full compression it allows them. Remember that there's a trade-off there; the more it's compressed the more quality they lose. The bottom line is, if they want to show off the technology they will be compressing it as little as possible, because the degradation will be visible to someone who's an expert.
One of the things that has hampered digital technology in filmmaking is the quality of the final image. At 2k lines digital becomes competitive, in fact with a 2k telecine (converts film to video) you can just start to make out the grain of the film. At 4k digital is better than film, and thats going to win over a lot of directors and producers who never would have considered it otherwise. For myself, movies in the theater look a little fuzzy to me. Not bad, but noticable. I would welcome the improved quality this tech will bring.
I strongly suspect that's the market this tech is aimed at, because nobody is going to be broadcasting uncompressed 4k video.
Additionally, the rule in the industry is that you never compress your source material. A lot of that is superstition at this point IMHO, but the fact remains that there is going to be a need for this. That stance is kind of ironic, considering that most broadcasters will compress what they're sending out as much as they can get away with.
I very much doubt that the problem is scaling processing power to do the compression. Any pro-level setup has dedicated hardware to do that, and if one encoder chip can't handle the bandwidth itself than they just use multiple chips. Moving the data around the rest of the system is a bigger design challenge than the compression is.
One more point (bordering on OT, but it is related), video is the most demanding application that hard drives are used in. I have to torture test every single drive we send out myself, using our own methods, because none of the standard drive testing tools/suites even compare to what we consider "normal" use of our product.
For most data applications one only needs to worry about capacity and bandwidth. Latency is rarely considered at all, it doesn't matter if the data arrives 500ms late. For video, that isn't the case, latency is a very big issue. That 500ms delay represents a very annoying glitch on the output.
Here's some numbers to chew on: What we consider high quality standard definition NTSC video is about 50Mbps (that's about 100,000 bits per field for MJPEG, double that for MPEG), TV broadcasts are typically in the 10-15Mbps range. A 5 drive RAID3 (4 data drives + 1 parity drive) array of 73GB Seagate Cheetah Vs (10kRPM) attached by fibrechannel can handle simultaneous record and playback of 2 50Mbps streams, with about 12 hours of record time total (less than that actually, since it's highly recommended that you leave about 10% of the drive free). That doesn't include audio, and I honestly don't know what accompanies the video on that stream, but I do know that there is some vertical synch info added to make editing MPEG less of a PITA.
I don't work on HD stuff right now, but I can tell you that we typically run it at 70Mbps and the RAID described above cannot handle 2 of those streams.
Finally, while I don't know all the details, my company does offer a 4k telecine, and IIRC it uses 16 1Gbps fibreoptic cables in parralell to move all the data around.
3.5 terabytes (Score:2)
Uncompressed data of any format takes up a huge amount of storage. Standard MPEG2 compression could probably reduce that 18 minutes to perhaps 8 or 9 gigabytes.
I got to see this back in May (Score:2, Informative)
And it is awesome. I didn't experience any nausea, but the scale and clarity of the image did throw me a bit, as it is VERY realistic. Beats the pants off 35mm film. Other than sheer size, IMAX has nothing on it.
They had the camera set up in the previous room, live on an object. Walking into the next room was like seeing the same object, except larger. The
No mention of a higher frame rate (Score:2)
Showscan's R&D efforts demonstrated years ago that humans can see differences in frame rate up to about 80-100FPS. So that's where the technology should be going.
Motion co
Their new slogan... (Score:2)
What the hell were they watching anyway?
--Joey
Damn... (Score:2)
nice, but... (Score:5, Interesting)
Widescreen 1080p, 120fps. Now *that's* what I'd like to have. And interlaced formats should be banned from the face of the Earth. Suitable only for spammers to view. *bleh*
Re:nice, but... (Score:2)
Since we have all these terabytes to throw around, why not use 16 bits per color channel rather than 8 for increased dynamic range. And 100 KHz audio, non-lossy compression (which will have bandwidth insignificant compared to the video requirements, lossy or no).
Re:nice, but... (Score:2)
I wonder how much bandwidth all that would take...
computer monitor...? (Score:2)
So... (Score:2)
Screenshots? (Score:2)
-Rob
How can this be streamed? (Score:2)
I do hope that this does make it to fruition, but I'm not holding my breath about being able to own one within the next decade, at least not until we have some sort of ultra-speed holographic storage dev
3.5 TB??? (Score:2)
Cool! Anyone has a bit-torrent link to an example video?
The poor Japanese... (Score:2)
WTF compression are they using? (Score:2)
Yeah, Just try to download a full-length movie... (Score:2)
So good, it can make you vomit! (Score:2)
Define "Good" (Score:2)
How good is it? When it was shown to the public, some viewers experienced nausea
Hey, I get that all the time! Especially on Fox News.
In terms I can understand, DVD's (Score:2)
And that's just 18 minutes. For a full length movie, say 120 minutes, that's 4360 DVD's, or about 37 DVD's per minute.
That's some freaky bandwidth, never mind that you'd wear out the tray on the DVD player before the opening credits finished.
bandwidth (Score:2)
Finally! (Score:2)
Waste of bandwidth (Score:2)
Eventually there will be home theater setups and storage media afforda
Hurl-o-vision (Score:2)
Great! Now all they need is to replicate the sensation of being vomited upon by the drunken lout behind you in the stands, and it'll be perfect!
I can hardly wait!
Excellent? (Score:2)
Bah! (Score:3, Funny)
Bah! I'm not going to shell out coin for anything less than super-duper-pooper ultra high-definition video.
Re:Who wants to bet... (Score:4, Funny)
Sometimes lack of resolution is a good thing...
Re:porn (Score:2)
If 18 minutes takes up 3.5TB this means that your MTBF is around 5m42s
Re:According to a newsletter I read... (Score:2)
I think the real limit is much higher. Playing Quake at 70 fps compared to 30 certainly shows a world of difference.
Re:According to a newsletter I read... (Score:2, Informative)
since the human eye has on the order of 100 million rods/cones, it should have a maximum resolution of about 10 000*10 000 pixels if the object you are looking at fills your entire field of view.
True, the majority of rods/cones (cant remember which is which) only see shades of gray, but when you combine this ability with the color-sensing of the central 6 million or so, you get a nice synergistic effect which lets you enjoy the full resolution... (only in w
Re:Um, what about that extra dimension.. (Score:2)