Xiph.org Releases Theora Alpha One 219
Pajama Crisis writes "Xiph.org, the crazy guys behind Ogg Vorbis, have released the first alpha version of Ogg Theora, an open video codec. Downloading, hacking and smashing into little pieces is cheerfully encouraged. Theora has been mentioned on Slashdot before. Also, Xiph has been working with a couple different companies to bring Vorbis to a portable near you; stay tuned."
What I want... (Score:1, Offtopic)
Re:What I want... (Score:2)
Re:What I want... (Score:2)
so? (Score:1, Troll)
Re:so? (Score:3, Insightful)
And a second point: what would be more "together", 2 totally diffrent codeds slapped together, or a dual thought out codec. I figure they use similar measuers to make both. If the do, you might only need 2 chips on a Ogg: AV displayer (handheld device). A Ogg decoder, and a video displayer. Just an idea.
Re:so? (Score:2)
Can you provide evidence of this ? I thought the ogg team were very careful not to infringe any patents.
Re:so? (Score:2, Insightful)
At worste, it doesn't do any harm. At best, it may serve as the basis for a resonable, sensible multi-media platform at last. So what's your problem? It's not like anyone is making you use it.
Killer App (Score:5, Insightful)
Re:Killer App (Score:1)
Many times opensource coders are forced to play catchup with propietry software because the Open Source movement wasn't as widespread as it is today.It would be nice to be on the forefront.
Re:Killer App (Score:4, Insightful)
Yeah - I'm sure the MPAA is going to let that happen.
They sue you into oblivion [com.com] just for making an unlicensed DVD player. Just imagine what they'd do to a company trying to distribute a packaged DVD ripping solution. If there were a "scrotal electrocution" clause in the DMCA, it'd be reserved for this.
mplayer/mencoder (Score:3, Interesting)
Re:mplayer/mencoder (Score:2)
Re:Killer App (Score:1)
Re:Killer App (Score:2, Interesting)
Re:Killer App (Score:2)
KDE's Konqueror does exactly that. Just stick an audio cd in and type audiocd:/ in Konqu's location and see what happens...
Re:Killer App (Score:2)
Re:Killer App (Score:2)
The script is called cddbrename. It automatically looks up the CD against CDDB and makes the appropriate artist/album subdirectories, and copies the tracks there with appropriate names.
There are a couple of steps:
cd ~/ogg
(insert audio CD)
cdparanoia -B
ls *.wav | cddbrename
cd (**artist name/album name**)
oggenc *.wav
rm *.wav
Surely this can be automated. But it's not hard to do. Oh, sometimes a pregap will be saved as a zero track. Just delete it.
---
#!/usr/bin/perl
# Er, uh, GPL distributions terms.
open(D,"cddb.pl|");
my @cddb =
close(D);
my $album = '';
my $artist = '';
my @tracks;
foreach (@cddb) {
chomp($_);
$_ =~ s/\r//g;
$_ =~ s/ $//g;
$_ =~ s/\//-/g;
last if ($_ eq '');
if ($_ =~
$album = $1;
} elsif ($_ =~
$artist = $1;
} elsif ($_ =~
push @tracks, $1;
}
}
open(D,"ls *.wav|");
my @files =
close(D);
foreach (@files) {
chomp;
$_ =~ s/\r//g;
last if ($_ eq '');
if ($_ =~
my $srcfile = $_;
mkdir("$artist");
mkdir("$artist/$album");
#my $dstfile = "$artist/$album/$1 $tracks[$1].wav";
my $dstfile = "$artist/$album/$1 $tracks[$1-1].wav";
print "$srcfile -> $dstfile\n";
rename($srcfile,$dstfile) or die("Cannot rename(): $!\n");
}
}
---
Re:Killer App (Score:2)
And that weirdo looking line should be:
my @files = <D>;
Slashdot interpreted it as:
my @files =
Re:Killer App (Score:2)
Of course the only file format/architecture up to the challenge for that is Quicktime and maybe MPEG4.
Re:Killer App (Score:2)
GordianKnot (available here [doom9.org]) helps to automate the button. Someone should ask the author for an 'idiot' button. Select the soundtrack you want, resolution, size of the finished product, and click 'rip'.
Of course, there are enough open source and free apps that could be automated, its not stopping anyone from making their own home-brewed gordianknot. To piss off the big guys, remember, make it a win32 binary with very easy setup. :)
Real Killer App (Score:2)
My idea of a killer app is close, one that would let you take any music you like and grab video snippets from multiple DVD's or other video sources to create your own amazing music video, then spit out the result on your DVD writer or email it off to some friends. I think people would be drawn in and it would absorb teenagers to no end.
Allowing consumers free and easy mixing of various copyrighted media is the ultimate nightmare of RIAA and MPAA though!
Re:Killer App (Score:2)
Please please please give us something small, cheap, and with lots of hard drive space! If you make it play
Re:Killer App (Score:2)
Where I was going was that adoption of standards don't really happen by dictate of use or by people going "oh that's a really cool technology." Nor, does it even reside with quality. It resides with ease of use.
No matter how good or how bad this codec is, if someone makes a utility that is just so pathetically easy to install and use, then it will gain adoption because people won't abandon it for the wrong reason.
Now, yes, I'd have to concede that it's likely that people will engage in illegal activities. However, let's face it, they'll do that with whatever is at hand -- AVI and MPG being a good example, and those have dozens of codec choices. Ironically, if the "copyright breaking bad guys" flood the net with stuff in this codec, the technology and applications will mature faster, much the same way you're benefiting from the VCRs, recorable CD-ROMs, dual layer DVDs, high bandwidth internet, and streaming video technologies the porn industry funneled lots of money into.
I say a technology is neutral, and it's user is where the ethical standpoint resides. But it's demonstrated through history "great technology" is not the factor that leads to a win, it's adoption by the masses. And that means making something so simple to use that the masses can use it -- the good part, however, is that when the open source community does that, they don't skimp on quality to make a buck.
Ogg Theora? (Score:2)
Re:Ogg Theora? (Score:1)
Re:Ogg Theora? (Score:2, Informative)
Actually, if you check the FAQ, that's exactly where it came from.
Re:Ogg Theora? (Score:1)
Q: Why the name 'Theora?'
A: Like other Xiph.org Foundation codec projects such as Vorbis or Tarkin, Theora is named after a fictional character. Theora Jones was the name of Edison Carter's 'controller' on the television series Max Headroom. She was played by Amanda Pays.
Re:Ogg Theora? (Score:2)
Re:Ogg Theora? (Score:2)
Meritocracy OpenSource Progress (Score:1)
And the community responds if they like the idea.
Open Source..Its the real Meritocracy.. Good ideas progress. Dumb ones die. (well most of the time :) )
Re:Meritocracy OpenSource Progress (Score:3, Insightful)
Re:Meritocracy OpenSource Progress (Score:3, Insightful)
This is why every commercial package gets bloated and reinvents the wheel numerous times.
So, what's so special about Theora? (Score:2, Funny)
Its benefits sound, well, theoretical to me.
Theora... (Score:1)
Re:Theora... (Score:2, Insightful)
Re:Theora... (Score:2)
vp3 (Score:5, Informative)
from vp3.com:
NOTE TO ALL VP3 DEVELOPERS:
Monday, September 9, 2002 -- Starting today, all source code development and maintenance for the VP3 open source codec has moved to a new home: www.theora.org. Piloted by the open-source wunderkids at xiph.org who brought you Vorbis audio, Theora heralds a new era of open and license-free multimedia.
from theora.org:
What is Theora? Theora will be a video codec that builds upon On2's VP3 codec.
So, in case anyone was wondering (like I just was), there you go.
Re:vp3 (Score:2)
Will the features in VP4/VP5 ever be folded in to the open source version? (a la Aladdin Ghostscript) Are the differences between VP5 and VP3 enough for us to care? Are any On2 developers actively working on Ogg Theora?
Basically, is On2 playing the version game to force customers into upgrading (and getting more money), or are there real improvements in VP4/5 that Ogg users will want?
Anyway, kudos to On2 in any case. I will definitely be using it.
-- Bob
Re:vp3 (Score:2)
Shouldn't the last bit be '2=0'?
Where's the link?!? (Score:4, Informative)
Oh come on! News like that and no link or credible source?!?
For those who don't know - iRiver is the company that makes Rio's Volt lineup of portable CD MP3 players. Top notch players, but up until now they only play MP3 and WMA.
The Rio Volt's lack of Vorbis support is the only reason I haven't switched to encoding all my music in Vorbis. I've got to believe that the lack of hardware supporting Vorbis is the number one reason for its modest adoption rate.
Re:Where's the link?!? (Score:2)
"Pajama Crisis" is Emmett Plant, Xiph's CEO.
Re:Where's the link?!? (Score:2)
Soon as the video codec is released, and then production tools, we should see video hardware follow. I hope they dont make the same mistake as DIVX and have 20 different versions.
Re:Where's the link?!? (Score:2)
Coincidentally, it is also the only reason why I haven't bought a Rio Volt.
Here's the link! (Score:2, Informative)
We'll see if they're able to get it into an upgrade of their current firmware.. Even if they don't its still quite exciting news for the future.
Here it is (Score:2, Informative)
Re:Where's the link?!? (Score:4, Informative)
We demand benchmarks! (Score:2, Interesting)
If we need a killer on video formats, it better be a damn high compression ratio...
Compression. (Score:2)
The problem is really the quality that comes out of the encoding process. The real comparison done nowadays is to encode the same movie at the same bitrate with two different codecs and compare the quality. Of course, this is a subjective and nontrivial process...
--grendel drago
Clarification... (Score:1)
Xiph.org is coming up with a video codec entirely on their own called Ogg Tarkin, and it will have been made entirely from scratch.
File Extensions (Score:1, Interesting)
Are we gonna have to change them to
Or, are they going to make all decoders smart so you send all
(And yes, I know..very FEW operating systems base their file associations on the extension. However, it does happen.)
Re:File Extensions (Score:2)
Other people already using OGG as a movie format use
Re:File Extensions (Score:3, Interesting)
If they're smart, .avi. Make it a codec that plugs in alongside XviD, Huffyuv, etc., and you'll have a sizable amount of capture/editing/playback software that'll be able to use it right off the bat.
Re:File Extensions (Score:2)
It's usually not supported by most programs (maybe not even by the Video for Windows and DirectShow APIs), but you can have multiple audio and video streams in an AVI. At work, we have some lossless video-compression code that deals with multiple video streams in an AVI. We had to write our own AVI-handling code to create some of the test files used since we didn't have anything on hand that would do that for us, but one of the test files used has three or four video streams in it. Play it with Windows Media Player and you only get the first video stream, but that's a DirectShow limitation. I'd post a link to the relevant specs, but they didn't turn up after a few minutes of googling (it's not my project, or I'd more than likely have the link in Mozilla).
Re:File Extensions (Score:2)
We didn't break anything:
http://msdn.microsoft.com/library/default.asp?url= /library/en-us/dx8_c/directx_cpp/htm/avirifffilere ference.asp [microsoft.com]
In fact, it turns out that Windows Media Player (v6.4, anyway, which is the newest version that I'll use) is able to play multiple video streams in an AVI simultaneously, which surprised me. One stream plays in the WMP window, while the other streams open additional windows and play in those.
Re:File Extensions (Score:2)
Re:File Extensions (Score:2, Informative)
Then what's a "media type"? (Score:2)
Just like Mov is a quicktime container that can be any number of different codecs, as well as avi, asf and wmv.
True. However, containers typically have their own associated most common codecs. For instance, a .avi file is generally either some sort of uncompressed video or MPEG-4 video, along with either PCM audio, MP3 audio, WMA audio, or Vorbis audio. Likewise, .mov typically implies Sorenson video with QDesign audio.
Calling a Theora file .ogg is perfectly valid
Not for file systems that determine a file's media type (e.g. audio/ogg vs. video/ogg) and disposition (e.g. open in background in an audio-player style interface vs. open in foreground in a video-player style interface) from its extension. The common uses of the common Windows and UNIX file systems have this limitation. In this case, a fellow could use .ogg for audio but .ogm for a multiplexed audio/video/caption stream; this appears to be the convention that has arisen among users.
Re:Then what's a "media type"? (Score:2)
I'll leave the avi/mov descriptions alone, they are a bit incorrect, but your point that remains true is that the extensions of
But with regard to mime-typing, the audio/ogg vs. video/ogg is handled by some systems as just saying application/ogg, which is supposed to be neutral but in actuality seems more wrong than either one. A media/ogg or something might be more fitting. The intent from the beginning was to have a truely flexible media format and some programs have recognized this. However, the extreme delay in production of 'endorsed' codecs (Theora and Tarkin) has created the convention that
But this just goes to show that sometimes a beautiful vision just can't work with practical usage. It would take one hell of a UI for a player to truly deal appropriately with a format that could be a very simple audio file to something with DVD-level complexity. No single UI can be fit to all of them. WMP tries and fails miserably.... I guess the answer is a single app that radically modifies its UI based on content.... Until that is here, you are right,
Opening every file in a folder is slow. (Score:2)
Wouldn't it be better to associate *.ogg with a configurable wrapper which then spawns the appropriate media player?
And then have the operating system have to search inside the file when you Start > Search > For Audio... The shell wants to know very quickly (i.e. from the directory, not from opening the file, which incurs an additional rotating-media seek per file) whether to display an "eighth note" icon or a "filmstrip" icon.
Top 10 things still missing from all Ogg software: (Score:5, Funny)
2) Make it impossible to uninstall.
3) Necesitate a live web connection to play files.
4) Upload information to a "security" server every time I play a music file or insert a CD.
5) Utilize DirectSound.
6) Get rid of *nix versions.
6) Release only binaries so terrorists don't get the source code.
7) Use attorneys to bring down all mirror site distributions.
8) Pick sellout a$$hole to pump out CD that installs trojan uninstallabe player onto people's system. Is Peter Gabriel available? http://www.theregister.co.uk/content/4/27272.html
9) Make sure user interface is horrbile, avoid simplicity and good design (so see QuickTime and WinAmp for what NOT to do).
10) Add interoperation with future .NET (Passport) purchasing system.
Re:Top 10 things still missing from all Ogg softwa (Score:3, Funny)
Re:Top 10 things still missing from all Ogg softwa (Score:2)
6) Release only binaries so terrorists don't get the source code.
6) Get zelots to start a religious war over formats
About the name (Score:4, Informative)
A: Like other Xiph.org Foundation codec projects such as Vorbis or Tarkin, Theora is named after a fictional character. Theora Jones was the name of Edison Carter's 'controller' on the television series Max Headroom. She was played by Amanda Pays.
DAMN they have cool names for their stuff. I wish other people would follow their lead (bloody "Opteron").
Re:About the name (Score:2)
I'm such a nerd.
Not worldwide, and it was 15 years ago (Score:2)
Finally we can have... (Score:1)
They never actually say... (Score:2, Interesting)
Either way, I'm stoked. Ever since I discovered Ogg Vorbis, I haven't regretted it and haven't looked back since. Hopefully I'll be able to say the same about Ogg Theora.
Re:They never actually say... (Score:4, Informative)
Previous tests by places such as Doom 9 have shown that VP3 is beaten by the various pseudo-MPEG4 encoders, although not embarassingly. I imagine that this situation will continue: DivX/XviD/etc. will continue to have marginally better quality.
Re:They never actually say... (Score:2)
It's come up in one or two places that I've lurked that a lot of the niceties of the video codec quality actually come from pre- and post-processing, so improvements may very well come for it. As you say, though, they may not come from the Ogg Theora project directly.
I WILL, quite frankly, be happy to see an encoder and decoder that I can use for vp3 on my Linux box, though. The CVS repository seems to have been dead for months...
I get the IMPRESSION (purely from various readings, not from experience) that VP3 could, in the end, be as good or marginally better for a lot of 'live' footage than mpeg4, while mpeg 4, tending to be 'sharper', may give better quality for 'sharp' images like digital "movies" (i.e. 'cutscenes' from games) and some types of animation.
Just a purely subjective, speculative observation though. I'm most interested in the 'free as in free-from-patent-lawyers-suing-you-for-distributin g-stuff-in-this-format' aspect of it :-)
How does he know? (Score:2)
"Also, Xiph has been working with a couple different companies to bring Vorbis to a portable near you; stay tuned."
How does he know this? Can anyone confirm this? I'm a NEXII owner and have been emailing Frontier Labs for a bit now. (Every friend that I recommend this to, that has subsequently purchased a NEXII(e) have been harassed by me to email them as well). But I've never heard any official word from them that they're even working on it. Is it true!? If it is! Woohoo! Anyone have links to at least one other site that has these rumours?
Re:How does he know? (Score:2)
"Pajama Crisis" is an alias for Emmett Plant, CEO of Xiph.org. He would know. :-) (It isn't all new either -- browse through some of the previous Vorbis stories and I'm sure you can find a few comments regarding it.)
/* Steinar */
Re:How does he know? (Score:3, Interesting)
I've been talking to the Xiph guys, it's true, I believe Monty himself will be starting work on a flash for the NEXII/IIe within a couple weeks, if it turns out to be technically possible.
Sweet! I don't see why it wouldn't be technically possible though? What's in one of those NEXII(e) anyways? Or is it possibly the firmware size won't fit? Anyone know how big the flash ROM for the firmware is?
Re:How does he know? (Score:2)
IRivers Response (Score:4, Interesting)
http://www.iriver.com/user/user_view.asp?page=1&i
Thats clipped from their forums.
Linux? (Score:2)
Will there be support, I wonder....
Re:Linux? (Score:2)
Unfortunately, I'm getting a bunch of errors from automake when I do this, so I can't test it...
Re:Linux? (Score:2)
(This Alpha release was developed and tested on Linux)
Monty
obscure (Score:2, Interesting)
Re:obscure (Score:2)
OGGX THEORAX
Anything can be turned into a trendy brand name by adding an X.
Ogg petition for Ipod (Score:2, Informative)
Attn: All ./'ers
There is a petition in the applecare forums to bring ogg support to the Ipod. It would make a good product even better.
Take a look and sign it if you can. [apple.com]
VP3 background (Score:2, Interesting)
They tried to get some publicity while selling the succesor.,vp4 (or 5), which isnt open sourced.
Any improvement to bring it on the same level as xvid or divx would just retrace on2's steps of progress.
How can OGG be sure that they wont violate patents in this process?
Quality of Theora can be improved (Score:2)
Now I'm confused (Score:2)
Tarkin (Score:2)
Which? (Score:4, Informative)
Seriously. "DivX 0wnz". Put a little thought into what you write---unlike MP3, "DivX" comprises a wide variety of codecs and licensing schemes.
--grendel drago
Re:They don't have the best track record. (Score:2)
Seriously. My job's getting me down a bit and I could do with some cheering up.
Re:They don't have the best track record. (Score:3, Insightful)
I'd like to see more evidence of this "increased rate of speaker decay" you claim that Vorbis causes. I honestly don't see that happening, unless the amplifier supplying the signal is fucked, or your DAC is shot and is feeding bad signal (but you'd hear that). Once audio is decompressed, it's just PCM.
IIRC, wasn't Vorbis's big feature that it supported up to 255 independent audio tracks? No joint-stereo crap at all?
And I've encoded karaoke tracks into Vorbis. I imagine the only thing keeping me from singing along is that my Japanese skills aren't that high. Interestingly enough, the tracks I have encoded (so far: Jin-Roh and Escaflowne: The Movie OSTs) are some of the hardests tracks I've thrown at any encoder, and Vorbis pulls off a damn fine job.
Sorry prof., but I'd like more info to back up your claims before my skepticism is anything but high.
Wow, this is like watching mainland Chinese news. (Score:5, Informative)
Sir (and I use the word loosely), if you're a plant for the competition, try a bit more subtlety and you'll blend in better. I've also found that borrowing buzzwords liberally from 'Star Trek' will help your gobbledygook sound more convincing to both low level nerds and the common man.
Off we go...
I've been studying psychoacoustics in my spare time,
Oh boy, a *real* expert... Give me a second to contain my excitement.
It sacrifices a lot to "sound better" than MP3, and while some of their tradeoffs do manage to improve sound quality
A terrible, terrible thing it is to sound better... there must be something wrong
First off, Vorbis concentrates its encoding in the more audible midrange
completely cutting out higher overtones. While MP3 works similarly, it manages to keep enough of the high range to maintain the "feel" of the original music.
Bzzt. False statement number one. Go study in your spare time a little harder, do some ABX testing then come back and tell us what you learned. However this one is almost forgivable compared to the nonsense below.
Vorbis claims to support more than two channel audio, but this is misleading.
Bzzt, no it's not. 255 channel support, all of which may be totally independent and un-coupled. You need not use 'joint stereo' (our method is more general and we call it 'channel coupling') at all.
MP3 encodes stereo using a "joint-stereo" method, which couples both tracks together into a mono track, giving each frame a different balance to simulate stereo on a mono track. This is equivalent to playing a mono tape and turning the balance knob!
No, idiot, that's 'intensity stereo', not 'joint stereo'. Vorbis does not use intensity stereo.
Obviously, this is less than optimal
It certainly would be, unfortunately--- *GASP* ---it's not true!
While Vorbis supports true stereo encoding, it fakes 5.1-channel audio using a "joint-joint-stereo" method, where the left-back/left-front and right-back/right-front channels and joined together into the two stereo tracks in a similar fashion. Not very good at all.
Bzzzt. Go read the spec again Bucky. You could do what's described above, yes, but that's not 'the way Vorbis does it'.
The way that Vorbis compresses its audio accelerates speaker degradation
Actually using the speakers accellerates degredation too. They last alot longer when you leave them in the box they came in and don't plug them in.
It breaks sound up into an evenly-spaced array of harmonics which approximate the original waveform
Those are not 'harmonics', and Vorbis's compression pays no particualr attention to sinusoidal harmonics. Perhaps you'd like to wait until college and get some signal processing lectures under your belt before coming back.
"Big deal", you say, "that's how all lossy encoding schemes work!"
[sigh] No, no it's not.
But if we assume, for a second, that you said, 'Vorbis is a transform-domain codec', which is what you meant, no, not all lossy audio compression formats are transform based.
But the way that Vorbis does it causes a noticeable amount of harmonic resonance in speaker systems, stressing their driver system and accelerating the rate at which they decay.
The problem Sir is that you have a surplus of Zackthorp particles coming from your warp core, a well known source of wear and tear on cheap speakers. Make sure your speakers are rated for greater than warp 4 before trying to use them so close to a Gammagorp Modulator and your worries are over!
I listened to the result, and believe me, it's true! Because I said so.
If you know the story of the first Tacoma Narrows bridge [carleton.ca], this is the same principle, working at a smaller and more gradual pace.
Given Xiph's poor track record with Vorbis
OK, let's stop here. Everyone gather around, point and laugh!
Monty
[sheesh]
Monty's putting the smackdown on this guy! (Score:2)
Ouch, that was hilarious. Not only was it entertaining, but it was educational as well. Five stars!
Oh, and thanks for Vorbis. Ogg makes me happy.
Re:Wow, this is like watching mainland Chinese new (Score:2)
well done, man... I'm still laughing over this one...
Re:Wow, this is like watching mainland Chinese new (Score:2)
But hey, I loved that TNG episode where Data gets his dick caught in the food synthesizer, so that goes to show Vorbis is Bad.
This may be making a serious run for being my new signature.
HLS (Score:2)
Re:Wow, this is like watching mainland Chinese new (Score:2)
Re:Wow, this is like watching mainland Chinese new (Score:3, Interesting)
serious:
What does a square wave do to your speakers?
We have some decent peakers down in our lab,
because we do vibration testing before real
experiments run and we run all kinds of sharp
looking waveforms thru them and we don't see
any problems. This is in fixed setup, inside an
acoustic room with acoustic level meters and
accelerometers. Doesn't get any more precise than
that. Our speakers are fine after 5 years.
What's supposed to be the problem?
Re:They don't have the best track record. (Score:2)
While Vorbis supports true stereo encoding, it fakes 5.1-channel audio using a "joint-joint-stereo" method, where the left-back/left-front and right-back/right-front channels and joined together into the two stereo tracks in a similar fashion.
While it might be capable of 'faking 5.1' in that way (and almost all physical surround sound systems do the same when plugged into a sterio source, like the common surround sound on a sterio cable or VCR system), Vorbis *does* support ~255 synced and totally seperate audio channels. This makes it ideal for interactive sound, say kareoke, game soundtracks that can turn up the anxiety track, the awe track, etc, as you encounter certain things. It also makes it great for eventually supporting all the alternate audio tracks (languages, commentary) of DVD style video when Theora is finished.
--
Evan (no references)
Re:They don't have the best track record. (Score:2)
This guy could troll for his country.
Re:They don't have the best track record. (Score:2)
Yeah. People tend to give people with a "Professor" in front of their name more credence. Good nick choice.
I've been studying psychoacoustics in my spare time
Heh
Heh.
Yup. Be a pretty pathetic audio codec if it didn't.
Given 128kbps, I should expend more data on the inaudible portion of the spectrum to hint people as to what the audible tone is that I'm already emphasizing in my encoding? Uh, huh.
The way that Vorbis compresses its audio accelerates speaker degredation
Tech can now destroy speakers! Muahahaha!
BSPlayer (Score:2)
And most importantly, it played DivX just fine on my friend's 450MHz K6-2. With subtitles. WMP choked and died. I think that's reason enough not to use their bloatware...
But really, there's no reason for the format to be tied to the player. BSPlayer is enough for me...
--grendel drago
Vorbis (Score:2)
VORBIS
That's all you need to say. OGG is a format container for audio, among other things. No one goes around talking about their RIFFs or ASFs do they? You don't call a DivX movie an AVI, do you?
FUCKING VORBIS!
Re:Vorbis (Score:2)
No one talks about RIFFs because nobody sees "RIFF." However, people certainly do talk about ASFs [google.com] and AVIs [google.com]. And likewise, since the popular file extension is .ogg, people are going to call the files OGGs.