Dvorak on Creative Commons

pHatidic writes "In a recent article, John Dvorak trashes creative commons as being, 'one of the dumbest initiatives ever put forth by the tech community. I mean seriously dumb. Eye-rolling dumb on the same scale as believing the Emperor is wearing fabulous new clothes.' His main arguments are that CC unnecessarily complicates copyright law, and that the name sounds dumb."

Creative Commons

I've always thought of Creative Commons was a simplified DIY copyright kit. When I create a work (i.e. write in my blog) it automatically is covered by full copyright law. I can't think of a simpler way to make sure I retain the controls I want but still let other people use my work in limited ways without the need to hire a lawyer.

It doesn't complicate Copyright law. It makes it simpler and more accessible.

Re:Creative Commons

Ok, so lets say you take a photograph. You decide to put it online and you want to use the Attribution license from Creative Commons, like many people do on Flickr. According to that license, people have to give you credit for your picture.

Now, lets say that I find your pic and I plan on using it on my website. Lets also say that you're like everybody else on Flickr and don't specify "HOW" credit is to be given to you. Can I just assume that a 1pt font is ok? How about a comment in the HTML source. I don't know what I can do with it without having to go through the trouble of contacting you. So how has that simplified anything?

Re:Creative Commons

It's that sort of attitude that spawns the two billion lawyers running rampant throughout the world. There is a general principle, even in law, about intent and whether it is reasonable to expect that a one point font conveys the source to the audience and viewers. I'd put pretty good odds that a jury would say that it doesn't, and that 95% of the people looking at it would say that sort of attribution is being an ass.

The HTML source is a lot more interesting, as it is there, easy to read, and viewable if you look for it. I would point out that the copyright notice on a book is just inside the front cover, and not slathered over every page, so it is quite legitimate in my opinion, as it's where it can reasonably be expected to be. Much like a book, people aren't going to see the © without knowing where to look or doing a very thorough search.

The law is intended to be used and interpreted by reasonably people. Unfortunately, reasonable is subjective, so theres going to be disagreement. But if you respect the author, the work, and the spirit and intent of the law, I think the "trouble" of contacting someone should at least be attempted. You are using a work that is copyrighted in total in the case of the image. In classic copyright law, you need written permission to do that. So fine, don't use the CC, and see how it's so much easier to follow classic copyright law. Then you might agree that Dvorak is being a bit narrow-minded on this. Or at least, he's not acting like a reasonable and respecting individual. Not that he usually does in the articles, but that's his style in his writing.

Re:Creative Commons

Apart from his snark, Dvorak's argument seems to be "what's the big deal, anything I write is already protected and my grandchildren will own it?" He doesn't understand that Creative Commons is a way of *giving up* some rights. But without giving up *all* rights.

With Creative Commons, a content creator can specify clearly that they wish their work to be shared collaboratively, which is the real point of "non-commercial". It's not about peace love and sprouts, it's about getting information quickly into the hands of peers. This intermediate status is an emergent necessity, previously unknown to law.

Re:Creative Commons

No, it's not a simplified DIY copyright kit. Creative Commons is about simplified licensing of copyrighted works. One of the hardest things about getting permission to use someone else's copyrighted work (and Dvorak's arguments about fair use should be read in light of Ivan Hoffman's fair use article [ivanhoffman.com] and the realization that "fair use" varies greatly from legal jurisdiction to legal jurisdiction) is actually tracking down the owner of the approriate rights in order to ask them for permission.

Don't believe me? Check out the copyright clearance section of Project Gutenberg [gutenberg.org]. Who has control over which rights is not always clear, nor is it clear how to contact them. A Creative Commons or similar license removes the need (under appropriate conditions) for explicitly obtaining permission from the rights holder.

Now, it's true that the early CC site wasn't very clear as to the purpose and use of the CC licenses. But not anymore.

Eric
Another random blog to look at [makeeasymo...google.com]

Re:Creative Commons

The point was that Creative Commons gives you an easy way to express your wishes as to what rights to grant people. Without it, you have to figure out the legalese to write yourself, and chances are you'll leave a loophole and won't have the time or money to fight someone if they take advantage of it. With Creative Commons, you are sure that your choices are expressed properly, both in legalese and in English. Basically, if you want to selectively share your works, Creative Commons is like those "Living-Will-and-Testament-in-a-box" thingies--it gives you pre-written legalese so you don't have to hire a lawyer.

Re:Creative Commons

Except a good attorney bills by the hour plus retainer, and that will cost you at least several hundred. Which is, of course, fine if you have the intent of doing business based on your idea. But I genuinely appreciate the value of boiler-plate licenses. They are an attempt to bring the law down to the layman's level and not continue paying lawyers to further complicate it.

Re:Creative Commons

To be less obscure, copyrights are automatic and instant whenever you author anything original.

Some uses for novelists, some criticisms

There are legitimate uses for Creative Commons that this humbug is missing. For instance, I've released my first novel Star Dragon online under CC. It's a real, published novel, still available in hardback and paperback, by Tor, a major U.S. publisher of science fiction and fantasy. No one can distribute my book under "fair use" copyright law, because it wouldn't be, and certainly commercial distribution is right out. The publisher has agreed to try it in a promotional effort, the idea being I will make more sales than I lose. Early tech adopters like Cory Doctorow and Charlie Stross have been doing it, too (and while I've gotten great reviews both sell a lot better than me, but are more advanced in their writing careers).

One additional thing. The humbug would claim that in many instances Creative Commons does nothing that isn't already done by existing copyright, except be trendy. Well, don't overlook trendy, I say. Many younger people on the internet these days have a clue what Creative Commons means, and know little to nothing about copyright. They may respect something labelled Creative Commons, and that's worth something. Also, it's nice to see that certain material is expected to be taken, and the author's permission is explicit and clear. It's possible to end up in court with legitimate fair use when the author and the user disagree about what that means.

And finally, even Dvorak is clueless when it comes to copyright. He says you have to add "Copyright 2005" to something to copyright it. You don't. It's automatically covered (you can still do the paperwork and register it, but in principle you don't). So here's a guy writing an article related to copyright who doesn't know the law, criticizing Creative Commons under the assumption everyone already knows the copyright laws.

Creative Commons... not too bad

As an author, I like the options that Creative Commons offers me. I can share while retaining different kinds of rights.

Get over yourself, John.

From TFA:

I mean my grandkids will own all my writing exclusively until 75 years after I'm dead,

Oooooooh...lucky, lucky grandkids. Imagine owning the collected works of the great John Dvorak...that and a quarter will buy you half a candy bar.

I made Front Page

My first ever front page article. Time to start drinking! :)

Re:I made Front Page

Other ways to get a front page article on slashdot:

1) Mention Google....is it rumored that Google may buy a company that searches pictures of toenails online? Front page baby.

2) Link to any article proposing a bug or flaw with anything Microsoft. Some 15 year old writes a blog saying he thinks the next version of Windows has "a bajillion security holes"? That's not only front page material, you're maybe even looking at duped front page material

3) Paul Graham wrote an article about his flower garden, and how he's a "hacker" for using fertilizer? You know that baby is front page material.

I'm sure i'm missing some others here....

http://slashdvorak.org/

Why does slashdot time and time again reward Dvorak's senseless grumblings with links and an enormous readership? Until he has something worthwhile to say, we should stop supporting his constant dissidence. From where I sit, this guy is nothing more than a flamer.

Much, much more!

He's much more than just a bombastic flamer with no grasp of the happenings of the computing world.

He also has the same last name of that guy that made that keyboard layout!

At least he's being honest

He says he doesn't get it--and he's right he doesn't. From TFA:

In other words, a noncommercial site could distribute a million copies of something and that's okay, but a small commercial site cannot deliver two copies if it's for commercial purposes. What is this telling me?

This is telling you that if you want to make money by selling my creative work, then I need a peice of that pie as the creaotr. I don't understand what is so difficult abou this concept

This is nonsense. Before Creative Commons I could always ask to reuse or mirror something.

If my policy is that anyone can reuse, alter and build upon my work for non-commercial purposes isn't easier just so say so--to encourage people--rather than replying to emails? I say everyone here on slashdot should send Dvorak an email asking if they can resuse his work and see how long it takes for him to see the point.

"Creative Commons License: Public domain." This means that the item is not covered by copyright but is in the public domain. So what's Creative Commons got to do with it? Public domain is public domain. It's not something granted by Creative Commons. Yet you see this over and over as if it were!

It is not something granted by creative commons, but it can be something granted by the holder of the copyright and an easy way to communicate this is via public domain statement--kind of like--you guessed is--the one creative commons standardizes.

Please stop posting this shit

Please please please would Slashdot stop giving this idiot so many page impressions. Time after time he writes this shit, all straw-man arguments and half truths, and Slashdot predictably links to it. He hasn't said anything insightful yet or made any useful predictions: why keep posting links to his drivel?

If we ignore him, he will go away. As it is, every time he posts one of these articles his employer gets a nice big boost to their advertising revenue.

Once again, Dvorak doesn't get it...

to quote from his "column" (used in a very loose sense of the word):
There are several things that bother me about this initiative. First, Creative Commons is similar to a license. You sign up with the group and post a message saying that your material is protected or covered by Creative Commons. This means that others have certain rights to reuse the material under a variety of provisos, mostly as long as the reuse is not for commercial purposes. Why not commercial purposes? What difference does it make, if everyone is free and easy about this? In other words, a noncommercial site could distribute a million copies of something and that's okay, but a small commercial site cannot deliver two copies if it's for commercial purposes. What is this telling me?

What it's telling you, John, is that you're a dumbfuck who hasn't figured out that the CC license is a MODULAR license.

The basic CC license is, essentially, "public domain" -- there are no restrictions on your reproduction of the material. CC then offers legally defined exceptions. With all of the CC terms in place, you have essentially the full standard U.S. copyright restrictions.

What CC does is it gives you a legally well-formed copyright system that lets you protect your work, yet lets it be redistributed somewhat more freely than typical material, but not-quite public domain free.

it just so happens that one of those optional restrictions is "no commercial distribution". I'd like to point out that this does not in any way trump "fair use", something that Dvorak would know if he had the IQ of a pet rock.

as to why I use CC: I want to allow my works (should I actually get around to putting some content on my website... any day now, folks... ;) to be distributed, and I want to encourage their distribution -- however, I want them to be protected. Namely, I want credit for what I do, and I want more people to release their work freely. So I have a "By, Share Alike [creativecommons.org]" License -- Commercial derivations are perfectly ok.

Can we please not have any more Dvorak on /.? He's just so mind-bogglingly stupid, he makes me feel physically ill. Seriously.

missing the point

As usual, Dvorak misses the point completely.

The whole reason CC exists is because people are getting sued left and right for using someone else's work. He says "Creative Commons tries to insert itself as another layer into a system that already protects content developers like me to an extreme.", but CC is set up the other way. If you write something and want to make sure people understand that they can copy/redistribute/etc *without* worrying about getting sued, then they use CC. If you want to be a dick and restrict the crap you create then you can stick with traditional copyrights.

CC is *not* a way to retain *more* rights, it's a way to clearly share your work with others.

Summed Up

"John C. Dvorak's modus operandi is to instigate. He is a button-pusher, seldom if ever trying to inform, preferring instead to inflame. And he's pretty good at that. A decade ago, he was the back-page columnist for the now-defunct MacUser magazine; almost every month, the MacUser letters-to-the-editor page contained at least one angry message asking "Why do you publish this guy's column?" The answer, of course, was because it was the sort of column that inspired people to write letters-to-the-editor.

"Dvorak is a pundit, not a reporter. When he makes a prediction, it is usually based on nothing more than his own conjecture, not actual sources. And looking at his track record, his conjecture usually has more to do with what he thinks will be controversial, rather than what might actually happen. (E.g. he's often predicted that Apple was about to go out of business, a prediction which never ceases to get a rise out of the easily incensed.) There's nothing wrong or dishonest about that, but it's something you need to keep in mind with everything he writes. To the best of my knowledge, he's never had a serious scoop regarding Apple -- a significant prediction that turned out to be right -- and he's been on the job for at least two decades."

-- John Gruber [daringfireball.net]

Next!

Please ban Dvorak

Seriously. I'm not the only one in the thread who points this out. But maybe with enough voices (hah) it will get through the minds of the editors.

NOTHING by Dvorak has any place in a /. article. It is uniformly garbage, and has been since about 1991 (he did some adequate writing before that; though nothing spectacular). Don't feed the trolls by giving such tripe frontpage billing! Just don't do it.

Re:Agreed

Dvorak? The composer?

No no, the keyboard: try to read the article, and it quickly becomes obvious it was written by someone normally writing on a qwerty keyboard, with a dvorak keyboard, while looking away at the cute secretary down the hall...

Re:Dvorak: -10 Troll

"Dvorak himself should have a perminant -10 Troll moderation tattoed to his forehead."

He is not really a troll. He just publishes flamebait. It is not like anything he publishes is offensive in itself. It is just lacking in insight and is intended to create controversy. As such, it really is not that different from a lot of the posts here on /.

Re:Nothing to see here, move along.

Some writers are paid by the article, or even the column inch. Dvorak, apparently, is paid per the strawman [wikipedia.org].

Re:Tiny good point among the chaff

They already include such verbage as seen here [creativecommons.org].

Your fair use and other rights are in no way affected by the above.