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Hardware

Public CD Copying Machine in Australia 410

kanad writes: "With all the news of banning cd burners, taxing blank CD-Rs, DMCA, and whatnot in the U.S., here's a breather from Australia. Some stores have installed coin-operated CD copying machines. Basically it's very simple: put the CD to be copied and a blank CD in two different slots and drop your coins and Presto! In 10 minutes you get a copy. It even bypasses some anti-copying measures. ... Obviously the burden of not violating copyright rests with the user under Australian law, which is the same as that applied to photocopiers. Today evening I saw the machine and it's really cool. Wonder what would happen to this machine in U.S. and Europe."
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Public CD Copying Machine in Australia

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  • then it would be a pleasure to pick
    a music CD or a game, make a copy, and
    go out...

    by the way, this would be an
    interesting use of a laptop with a Cd-RW,
    when I think of it !
  • by Gerv ( 15179 ) <gerv@@@gerv...net> on Wednesday April 03, 2002 @09:31AM (#3276312) Homepage
    Zac Kingston of Adelaide folk duo Linus, which is about to record its second album, said the new machines threatened to destroy smaller acts.

    Wow! Linus has a tribute band...

    Gerv
  • I wonder if this device is anything more than just a CDR connected to a 486? I'd love to know if you're able to make copies of CD-ROMs, especially copy protected ones like Playstation games and PC cds using SafeDisc.
    • by Junta ( 36770 )
      I would imagine that it is nothing more complicated than that (except perhaps a bit more horsepower than a 486..).

      I would imagine it could probably copy playstation discs (presuming they use disc-at-once mode, and if they claim to bypass some copy protection, it most likely is). Of course you would still need a modchip (can't put the information into the CD hub that is needed. I don't know what safedisc is even :)

      cdrdao works great for PSX backup... I'll never have to open my Lunar box sets to play ever again.
      • by gpinzone ( 531794 ) on Wednesday April 03, 2002 @10:08AM (#3276483) Homepage Journal
        The reason you need a modchip for PSX discs is because the checksum for the "bootsector" is deliberately encoded to FAIL on original PSX discs. No CD burning software can instruct your burner to deliberately encode all zeroes instead of the properly calculated error-correction value. I have heard stories of people hacking CDR firmware to forcibly encode the bootsector like a PSX disc to eliminate the need for a modchip, but I never actually have seen any "pirate" firmware floating around the various PSX sites.

        If this device doesn't use a standard CDR drive, then maybe their copying system CAN make perfect copies.
    • [W]hat would happen to this machine in U.S.?
      I can see it now. An angry mob of greasy little MPAA/RIAA lawyers would drag the machine into an empty soccer field, and in a fit of rage, take out all their frustrations upon it, taking turns kicking and beating it until it relented and agreed NEVER EVER copy another CD, even for archival purposes.
    • Of course you can (Score:3, Informative)

      by Sycraft-fu ( 314770 )
      You just need a quality burner and good burning software. Go to http://www.elby.org/CloneCD/english/ and have a look. Personally, I recommend getting a Lite-On burner. There is almost nothing the new ones can't copy. They read all the subchannels and so get copyprotections like the old safedisc and Laserlock and so on, and they even do all the EFM bit patterns correctly and so can get the new safedisc as well. This is legal, even with teh DCMA. Why? Simple, you aren't actually circumventing copy protection. You are just making an exact copy of the disc. All the copy protection will actually be intact on the copy, just as it was on the orignal.

      Apparently the only point of contention is the ability to amplify weak sectors of Safedisc 2 discs. CloneCD will disable that ability if your Windows profile indicates you live in the US.

      At any rate, get yourself a Lite-On LTR-24102B (24x burner) for about $110 off pricewatch and get a copy of CloneCD for $31 and you'll be able to copy more or less any disc out there.
  • by zangdesign ( 462534 ) on Wednesday April 03, 2002 @09:32AM (#3276321) Journal
    You can bet your ass that Hillary Rosen and her crew and Jack Valenti and his crew will do everything short of murder to get that machine and all related technology banned.

    • you think that they are above murder?

      please Jack even LOOKS like a mobbster. I am sure that he has connections.
      • I usually try to stop short of libel and/or defamation of character -- you know, things you can get SUED for?
      • The Valenti name has plenty of mob associations:

        "In the wake of the infamous Apalachin Conference in November 1957, the New York State Crime Commission began an investigation of the individuals from New York who attended the meeting. Constenze "Stanley" Valenti, the recognized boss of the Rochester Family, and his brother Frank were jailed for civil contempt after failing to answer the questions of the commission members."

        "By 1920, the Morello-Terranova-Saietta rule was being seriously challenged by Guiseppe Masseria. The challenge would not last long. Vincent Morello was murdered on East 116th Street and later powerful ally, Umberto Valenti, was ambushed by Masseria gunmen."

        "Uno "sgarro" commesso in ambienti criminali: ...Filippo Musica, e della sua fidanzata, Elisa Valenti, di 24 anni, assassinati l'altra notte con colpi di fucile davanti ..."

        "[Raymond] Valenti ...told her that he belonged to the Mafia. Valenti poked Ricker in the chest and warned her that if she talked to the IRS, she would be in trouble, too..."

        A "James J. Valenti" is/was a member of the Tampa mob family.

        "Ucciso a Scordia Gaetano Valenti, secondo gli inquirenti affiliato al clan Di Salvo."

        As you can see, the Valenti name is well-established in the mob circles.

        Now, can anyone trace ol' Jack's family tree...?
    • They will have to drop the tarrif on music CDR's. The tarrif is pre paid royalty in my book. No copy, no copy royalty. Copy royalty pre-paid, ok to copy. They can't have it both ways. What I see is instead trying to get royalties on a per copy on the supermarket machine of about $15 per copy. It would be legal to copy but not pratical.
  • Limited use (Score:5, Funny)

    by Anonymous Coward on Wednesday April 03, 2002 @09:33AM (#3276327)
    The poster doesn't mention that it only works on Kylie Minogue CD's. Which renders it fucking worthless for most everybody.
    • The poster doesn't mention that it only works on Kylie Minogue CD's. Which renders it fucking worthless for most everybody.

      It certainly won't have any applications outside of Oz, that's for sure...

  • Where to find one... (Score:3, Informative)

    by fifthchild ( 443035 ) <`fifthchild04' `at' `hotmail.com'> on Wednesday April 03, 2002 @09:35AM (#3276331) Homepage
    I can tell you, there's one in the Union Building of the Clayton campus of Monash University where I study. It costs AU$5 and you have to BYO blank. I imagine that it's there under the pretext that people will use it to copy their own data files...

    I've never used it, so I don't know if there's anything it won't copy, but I also have never seen anyone else using it. I have severe doubts about its popularity. I'm not surprised that it was allowed because as a potential form of income I'd bet the Uni jumped at the chance. But that's just Monash I guess.
  • I can see it now. Setting up shop right across from CompUSA and BestBuy . . . "I need 55 copies of Warcraft III. . you know. . just in case I lose a few. . oh yeah and a dozen Calagari TrueSpace 5.0 backups while you're at it."
  • popping noise (Score:5, Insightful)

    by abe ferlman ( 205607 ) <bgtrio@ya[ ].com ['hoo' in gap]> on Wednesday April 03, 2002 @09:35AM (#3276338) Homepage Journal
    That giant popping noise you hear is Hilary Rosen herniating herself when she reads this article.

    Xerox machines were to the publishing industry are what the Boston Strangler was to a woman alone, to paraphrase Jack Valenti. Given that no one bothers to write books anymore since perfect copies can be made inexpensively, I'm sure we'll wise up this time and stop this reckless sharing of information in its tracks.

  • Here in Canada.. (Score:3, Informative)

    by unorthod0x ( 263821 ) on Wednesday April 03, 2002 @09:36AM (#3276339)
    Some of our Internet Cafes here in Ontario offer CD burning on the premises for a reasonable fee. The same rules seem to apply; the copyright infringement is up to you not to break. Granted, these aren't some kind of coin-operated specialized burning solutions, but it's still the same. Of course these same outfits (or the slightly more savvy of the bunch) add a heavy dose of temptation in to the mix by letting you run amok with file-sharing software already installed on the machine in question before you get to burning your CD.
  • Not just in stores (Score:3, Informative)

    by Mattygfunk ( 517948 ) on Wednesday April 03, 2002 @09:36AM (#3276340) Homepage
    I saw one of these machines in a bakery/coffee shop. I asked about it and as it turns out the owners are taking commission on the machine and making a killing selling blank cd's.


    Maybe we'll have a USB port on the next models for easy burining from your laptop.

  • by Ioldanach ( 88584 ) on Wednesday April 03, 2002 @09:36AM (#3276342)
    Music Industry Piracy Investigations spokesman Michael Speck said illegal copying already cost the Australian industry $70 million a year.

    I'd really like to know the source of this number. This number implies something like 7 million illegal copies being distributed per year. (This assumes, for argument's sake, an average of $10 per cd retail.) I'm not sure there are that many blank cds being sold per year in Australia. Did they just take the number of blank cds being sold, multiply by the cost of some of the more expensive cds, and assume every cd was used to make a infringing copy of a music cd? To top that off, did they assume that if the recipient of that music cd hadn't gotten the infringing copy, the album would've been purchased instead?

    Personally, I have just as many data cds as music cds, and most of the music cds I have are copies of my own music for travel and taking mp3s of my music to work.

    • by ryanvm ( 247662 ) on Wednesday April 03, 2002 @09:55AM (#3276437)
      Music Industry Piracy Investigations spokesman Michael Speck said illegal copying already cost the Australian industry $70 million a year.

      I'd really like to know the source of this number.


      Well, it probably includes $65 million worth of legal fees.
    • by Proaxiom ( 544639 ) on Wednesday April 03, 2002 @10:23AM (#3276543)
      Source? It's what they call a SWAG.

      Scientific Wild Ass Guess.

      "Well you see we looked at the numbers of CD-Rs sold, and figured that every one of them is used for music piracy, and guessed that if no one had access to pirated music they would all purchase legitimate CDs instead, at a cost of $130 per disc, because we could milk them for whatever price we want, and they would purchase two of each CD because people like to have backups, and then we did some multiplication..."

    • Don't forgot that they are using AU dollar value, most new music cds here are around $25-$30 Australian.

      They are probably estimating closer to 2.5 - 3 million illegal copies each year. Still sounds fairly unrealistic, but probably closer to the mark than 7 million.

      Another note, when it says it costs $5 to use, thats closer to $2.50 american, so it's cheaper than other people have been pointing out.
    • I too think it's an assumed value to exagerate a point. Most CDR's I use are for storing my digital photos, data & mail backups and tax records. I still have a much greater stack of retail CD's than the few copies I use to travel in the car.
    • Ummm...the way the sentence is worded, he could mean that the Australian music industry spends $70 million a year illegally copying music.
  • $7 bucks...... (Score:4, Interesting)

    by FXSTD ( 468083 ) on Wednesday April 03, 2002 @09:36AM (#3276343)
    According to the article it costs $7 to make a copy.....($5 for the burn and $2 for the blank, I assume you can't bring your own). If the record companies would sell their "music" or other products for that price, instead of $16.95 for a new CD, maybe it would not be an issue......Maybe instead of wasting money developing anti copy techniques that just make everyone angry, they should sell their "products" for a reasonable amount......

    • According to the article it costs $7 to make a copy.....($5 for the burn and $2 for the blank, I assume you can't bring your own). If the record companies would sell their "music" or other products for that price, instead of $16.95 for a new CD, maybe it would not be an issue.

      We all assume we are being screwed when it comes to buying a CD for $16.95. Is this because we can buy a stack of 50 blank CD-R's for about the same price?

      Besides the cost of the media there are other costs involved in making CD's. Recording studio time, editing, cover art, packaging costs, marketing costs, distribution costs, and I am sure the list goes on. Considering CD's cost me about $16 at record stores in 1986 and they cost $16 in record stores now just how am I being screwed? I can buy them in discount and department stores like Target for about $2 less than a record store in the mall or online for about $2 less than at the mall. But still, considering the end cost to the consumer hasn't really changed in 16 years how can you complain? In most cases they are even cheaper because there are more outlets and certain stores can take less of a markup.
      • We all assume we are being screwed when it comes to buying a CD for $16.95. Is this because we can buy a stack of 50 blank CD-R's for about the same price?
        I don't assume, I know we're being screwed. Not because of the price of CD-Rs, I don't rip or copy my CDs or make compilations out of them.

        Besides the cost of the media there are other costs involved in making CD's. Recording studio time, editing, cover art, packaging costs, marketing costs, distribution costs, and I am sure the list goes on.
        Sure there are other costs, but of all the ones you listed above, packaging and distribution are the only ones record companies pay for. The rest comes out of the royalties that would get paid to the artist. The artist doesn't see a cent until all the up-front costs are recouped. For a pretty good explanation of how this works, see this article [negativland.com] by Steve Albini, a producer you may have heard of.
  • NEW machines installed in Adelaide convenience stores make the illegal copying of the latest CDs and computer software - which costs artists and software designers millions of dollars - as easy as buying a loaf of bread.

    You can buy knifes at stores. That makes murder as easy as 1.2.3.

    Duh. Why do people think they are original when they take item X and immediately point out it can be used for crime Y.

    I mean if we sold bullets at corner stores than you'd read a news article that says something along the lines of "new store makes kids with guns a ready proposition." etc...

    Did it ever occur to those people that business people put slide shows on CDs now? Maybe they will use the public burners [although I couldn't imagine so] for copying their own work!

    The point is these lines of thinking have got to stop. Anything can be used to comit a crime and it isn't very intelligence to insight people to be against technology X for that reason.

    Tom
    • by Sc00ter ( 99550 ) on Wednesday April 03, 2002 @09:55AM (#3276434) Homepage
      Hell, you could use that copy machine to kill somebody.. just get a couple friends, lift, drop on victim, repeat until dead.

    • "You can buy knifes at stores. That makes murder as easy as 1.2.3."

      On the other hand, I have a much easier time thinking of everyday legitimate uses for knives (cutting food, opening packages, spreading butter) than I do for a machine that can only do exact CD duplication.

      The machine is limited or fails in many of the traditional legitimate uses of a regular CD burner:

      • Personal file backups -- This obviously won't work, as the machines only duplicate existing CDs
      • Commercial PC software backups -- I have to concede this one, though PC software CDs (which generally sit in a box or in your machine) don't incur as much of a damage risk as music CDs
      • Music CD backups -- This is reasonable at $1 or less per pop with a regular CD burner. But when someone has to pay $7 per CD and stand around while it burns, I think they'll be more likely to replace the occasional damaged CD unless they really abuse them.
      • Fair use mix CDs -- Since it only does an exact duplicate, I can't even combine my favorite tracks for 8 different CDs that I already own onto a single, convenient disc.

      I think overall, the majority of usage of the machine will be of a copyright infringing nature. And unlike a photocopier, which manages to prevent many improper uses through cost and inconvenience, this machine would be a casual music/software pirate's dream.

      • I can think of one right now. Say this machine is damn fast. Also say you are Joe Sixpack businessman, who hadly knows how to use Google let alone burn a CD, who just payed some WebTwerp 200 bucks to make you a flashy presentation for your big meeting. You decide you want to give each of the 20 execs a copy of the CD, and you need it within the hour. What do you do? run ove rto the machine, amde a quick 20 copys (I assume these things are fast). You can liken it to OfficeDepot's copying service. Sure, most large companies have photocopiers at their disposal. And alot of people have CD burners at their disposal. but whne you need a bunch of copys fast, you go to the copy place. That's how it works. Who ever needs a bunch of CD copys fast? I sure as hell I'd never use one of these things to copy a CD. Like I even use CD players anymore anyways.

      • And unlike a photocopier, which manages to prevent many improper uses through cost and inconvenience, this machine would be a casual music/software pirate's dream.
        I fail to see how $7 a copy agrees with this statement. I can copy CDs for far less than $7 a copy and in a much more convenient setting than doing it from this machine. In fact, I would argue that what the machine charges as well as where it seems to be located would "manage to prevent many improper uses through cost and inconvenience."
        • "I can copy CDs for far less than $7 a copy and in a much more convenient setting than doing it from this machine."

          First, I was comparing the piracy convenience of the machine to the extreme piracy inconvenience of a photocopier. Doing fair use(?) copies of two pages out of a book using a photocopier is cheap and easy. Attempting to photocopy an entire book takes quite a bit of effort and usually exceeds the cost of purchasing the book.

          Second, a CD burner carries with it quite a bit of overhead -- especially if the person doesn't already own a computer. Compare that to $7/copy, which is approximately 25% of the cost of a CD in Australia. Furthermore, if you're already at the mall or the convenience store with friends, it's not a particularly inconvenient setting. And the actual copying process is convenient in the sense that it requires no on-going user interaction to facilitate the copy (as compared to photocopying the individual pages of a book).

      • by Odinson ( 4523 ) on Wednesday April 03, 2002 @12:02PM (#3277139) Homepage Journal
        Not to mention copying Linux distros [linuxiso.org] for friends.

        Somebody should tell Glenn A. Baker that some copright holders like that kind of copying. They have as many moral and legal rights as he does, he is very inconsiderate.

        http://www.openmusicregistry.org/ [openmusicregistry.org]

        http://www.fsf.org/ [fsf.org]

    • NEWS FLASH!

      Discovery of Fire will enable thousands of cavemen to commit arson! Our neolithic future is now uncertain! We must STOP THEM!
  • ...because you are making your own copy of an original, and artists are supposed to get reimbursed from a per-blank-disc levy (which is a topic of some discussion on its own).

    It would be most cool as well.
  • by the_2nd_coming ( 444906 ) on Wednesday April 03, 2002 @09:37AM (#3276348) Homepage
    Wonder what would happen to this machine in U.S. and Europe

    RIAA Lawyer: we are sueing this store's ass off for contributing to the theft of music

    Defence Lawyer: Ummm Dude, they have the rights to make back up copies of their CDs.

    RIAA Lawyer: no they don't, back in 98 we had a party where the US congress and the entertainmnet industry whiped out our dicks and pissed on all the US copyright law. Now we get to piss al over the consumer, see. *whips out dick and pisses on the defence lawyer and onlookers*

  • Its one of those places that buys and sells used CD's.

    For $3 you can copy any CD in the store.

  • in the U.S. (Score:5, Funny)

    by llamalicious ( 448215 ) on Wednesday April 03, 2002 @09:40AM (#3276368) Journal
    The machine would be monitored by a surveillance team, and SWAT squad 24x7.

    The RIAA/Senate approved team would use high-powered digital binoculars to take pictures of those copying CD's and the label of the CD they are copying. Hooked to a RIAA central database of copyrighted labels, the team's computer system would alert them to possible copyright infrigement and the SWAT would be activated.

    Surveillance: We've got a Metallica copy in-progess. Mobilize SWAT Unit Charlie Omega Papa Yankee

    SWAT: Ok, Sectors 2 and 3 take the rear of the copy device. Sector 1, you're with me, we'll provide coverage from the lingerie aisle. On 1 we go, 3... 2... 1... Swarm Swarm Swarm !!!

    Well, maybe I'm just being paranoid...
    • "But really officer, I'm just, um, ah, archiving it. Yeah, that's it, I'm archiving it just in case my friend's copy gets destroyed somehow."
    • Re:in the U.S. (Score:2, Flamebait)

      by scruffy ( 29773 )
      In the US, this machine is a national security threat, and anyone who buys or uses one is a terrorist, and anyone who suggests that we legalize them a terrorist sympathizer.
    • I don't think you're being paranoid at all -- it would be dead simple to incorporate a monitoring device that would flag certain data structures and filenames, and when it finds "restricted" data, the gadget phones the cops while you're waiting for your CD. Assuming it doesn't just refuse to copy it in the first place.

  • by lord_ashaman ( 180519 ) on Wednesday April 03, 2002 @09:41AM (#3276376) Homepage
    I Live in Sydney, and i've seen one of these machines bout 3 months ago outside a really crappy little supermarket in Frenches Forest. It is about half the Size of a person, the one i saw was blue and red. It had two CD Drives, top one is the reader, bottom one is the burner, only does CD-R no re-writeable.i was bored and had money to play around with so i gave it a go. worked fine.

    The only bad thing is you have to stand there for ten minutes while it burns, i think they should have a little screen with something to do like a version of pong even!!
  • With all of the censorship^H^H^H^H^H^H^H^H^H^Hanti-obscenity laws and legally enforced political correctness going on down there, I hardly see how this is anything but an exception to the rule. Don't even get me started on what has happened to the right to own guns down there.

    Lee
  • Old news (Score:2, Informative)

    by NightRain ( 144349 )

    These things are old news. I saw one nearly 12 months ago in, of all things, a fish and chip shop near the Cleveland markets in Brisbane. I'll be a lot happier though if they start popping up more often.

    Ray.

  • by Zeddicus_Z ( 214454 ) on Wednesday April 03, 2002 @09:46AM (#3276395) Homepage
    This is like, amazingly old news. I remember seeing these things about three years ago now when my then-boss (a real asshole btw) thought they would totally take off. He'd bought three of them and was going to install them in shopping malls and university's on the Gold Coast.

    Basically they are a CDR drive with a bare-bones computer inside - just enough to run the copier and the software it uses. Different manufacturers are using different spec'd machines iirc, but most of them come in a large wooden box quite similar to the old arcade machines.

    Oh, and just FYI - they're about as popular down here in Australia as the Adobe is with russians. I.E, they're a huge bloody flop.
  • a good thing... (Score:5, Insightful)

    by morgajel ( 568462 ) on Wednesday April 03, 2002 @09:48AM (#3276401)
    I've been waiting for something like this. not to troll, but I think this could be the battering ram to take down the stupidity of the RIAA and DMCA.
    Obviously you should get credit for your creations, but at some point, it's insane. These machines will be banned in some form or another because "they're a threat to the artists work."

    Think about this for a minute. Do you actually think that someone whose bootlegging CD's is gonna go to the supermarket and burn 40,000 CD's, print out labels, and go? NO. it's gonna be highschool kids who want they're friend to listen to their new CD. Yes, they'll be making billions of dollars worth of pirated music, but these kids don't have money to buy that much anyways. besides, I'd hope that most people are like me- they listen to a bunch of different types of music, and pick the best- then purchase that CD because they'd feel guilty if the didn't.

    I think the one who is really afraid of this technology is lou pearlman(creator or most of those teenie-pop bands). Kids get an allowance and can only afford one CD, what do you think they listen to? What they're friends tell them is good Hence, if they can experiment freely with music, you'll notice the quality of music being played on mtv improve.

    I'm a musician, and this is how I feel.

  • by sebi ( 152185 )
    I fail to see a problem with these machines. Copying content is first and foremost a behavioral problem. I don't really know how much 5 australian dollars are for the typical person over there, but I doubt that it's a lot.

    As long as you are allowed backup copies of stuff you bought this machine can be used for legal stuff. Small bands might even use it to duplicate their demos. That might help more than it hurts.

    I think I remember that Adobe explicitly allowed you to install a license of Photoshop on two machines, but you were not allowed to run both copies at the same time (I could be totally wrong of course, what with memory working the way it does...). In the same spirit I might want to have a burned copy of a cd in the car and the original at home.

    A lot of people will use these things for theft. Maybe that is where the profit should come from. These things still sound incredibly usefull to me and I would like to have one of those in European copy shops.
  • by ryanvm ( 247662 ) on Wednesday April 03, 2002 @09:49AM (#3276410)
    And in keeping with the spirit of Australian naming conventions the new device will be called a "Wollabezaggadoo".
  • Why should music CDs be any different from other media? It's been possible to photocopy copyrighted material from books & magazines for years now.

    In my opinion, the best thing that the music industry could do to combat this is to lower the cost of original media relative to blanks. I mean, it's now possible to buy videotapes of movies cheaply enough that the time & expense associated with copying them makes it an uneconomical proposition. The same could be done for music CDs, and DVDs.

    I find it difficult to believe that the record industry, and also in fact the film industry, can expect us to be happy about paying a premium for CDs or DVDs above casettes based solely on the reproduction quality. If it's still economical to sell a film on VHS tape, or music on casette tape, for a fraction of its cost a few years ago, it should be possible to do the same with CDs and DVDs - Especially considering that the manufacturing costs for a CD or DVD have to be lower than those for tape based media.

  • The local photo developer in Belrose, Sydney had one last year. It was $5 per cd & you supply your own blanks. It was outside his shop but i haven't seen it in months. Maybe it wasn't so popular? Most people I know have burners anyway, and blanks are around $1, which makes $5 just to copy a CD a bit steep.
  • As cool as it might seem to have these installed in 7/11's across the US, I'm pretty sure that the music industry won't let it happen. Legal fees and court costs will cause this company to go under, because the RIAA will just throw some high-cost lawsuits at them in the US, and I'm sure they, or their Australian counterpart, is trying similar legal tactics there in Australia.

    Wait a minute, you say, I purchased the media and should have fair use to it, I totally agree with you, but almost everyone that I know that copies music, for whatever reason, has access to a CD burner either in their computer, or a friends computer. So what's the point of this machine? Convenience. But it won't happen here, too many corrupt politicians...cough...Hollings...cough... and media barrons.

    Amigori

    • Re:Won't Last (Score:2, Interesting)

      by Polaris ( 9232 )
      I have to agree. When I was at Disneyworld Orlando in August I bought a picture of myself and my son on one of the rides, for the exorbitant sum of $12. Since I wanted him to keep the original, but wanted a copy for myself, I took the pic into the local Walgreens in downtown Kissimmee, where they had a color photocopier, and asked them to copy it. They refused, citing copyright. WDW obviously polices these guys pretty heavily. Still, I have a decent scanner at work, and a color laser...
      • That's must be coincedence then, not the Walgreen's thing, but that I worked for Disney last August and lived near Kissimmee next to a Walgreens. Go figure...But yeah, when I did work there, we charged alot of money for everything. My cast discount brought the prices down to normal prices for most things there, but its still expensive.
  • That would justify the cost / inconvienience. The article is mum on the subject.

    Ten minutes seemed pretty slow until I remembered these are stationed in convienience stores. Right next to the candy aisle, I bet. You'd think a dedicated machine would use a buffer and read/write at the same time, making 10 minutes too long on a 24x writer, but they probably agreed to slow it down in exchange for floor space.
  • by viper21 ( 16860 ) <scott@NoSPaM.iqfoundry.com> on Wednesday April 03, 2002 @10:01AM (#3276460) Homepage
    Can be found at this website [multi-tech.com.au]

    It actually looks kind of neat. That article will give you the lowdown of how it works, and what kind of profit you can expect. Neato.

    I think that I'll stick with my Pinball Machines [ruttencutter.com] or to writing Movie Reviews [thatmoviesucked.com]

  • by Vspirit ( 200600 ) on Wednesday April 03, 2002 @10:02AM (#3276462) Homepage
    They tax CDR to cover monetary compensation to the artists.
    ahh nice, then its already paid for, no more complains.. no problem.
    lets copy.

    Today is the day.. not my first post, but registered post number 100 after coming here day in and day out since dec97.

  • Which means in US dollars the price for the burn + CD is US$3.50.
  • These machines have been installed at the student guild offices in Murdoch University for at least a year.
  • by swagr ( 244747 ) on Wednesday April 03, 2002 @10:17AM (#3276519) Homepage
    My CD came out upside-down. And although I was making a copy of Slackware, the copied CD was Men at Work.
  • I find all this glee surrounding stealing very odd. And be honest, people are stealing, even the older generation has gotten into the act. I'm 50, and I see all kinds of people just copying CDs right and left. No one wants to buy them anymore.

    And I think it's a kind of gutless thievery. People will rationalize this because they aren't stealing anything tangible. But future economics will be based on the intangible.

    This shows that ethics is directly related to what people can get away with. People are more than willing to steal if it's easy, but they don't have the balls to steal the CD player to play their stolen CDs in.

    Jim Harris
    • But future economics will be based on the intangible.

      Which newsletter is it you subcribe to, and how may I subscribe, so that I too, may know the future?
  • by mgkimsal2 ( 200677 ) on Wednesday April 03, 2002 @10:35AM (#3276590) Homepage
    If there was a way to identify the content (aren't there some nifty headers some place with a specific ID for many commercial CDs?) one could fairly easily track which commercial music CDs are being copied and collect royalties on behalf of the artist.

    IIRC, a CD costing $18 at a retail store ends up putting about $2 in the pocket of the artist. I'd happily give $2 directly to an artist for a copy of their disc. The other $16 is to cover overhead of distribution, marketing, etc. Well, the marketing is being done via WOM (or via ads which I'd already seen, causing interest in the music) and the distribution is being handled by the CD copier itself. I can do without the packaging, and the arist gets their $2 from the CD copying machine company.

    If I'm copying a CD of my vacation pics, it's $5 to copy. If it's the latest Tom Petty or whatever, it's $7. Works for me.
  • In Canada you can legally borrow an audio CD from someone and make a copy for yourself. Hence the tax on blank media to compensate for that.

    For more information: Articlde 80 of the Copyright Act of Canada [cb-cda.gc.ca]
  • by Mr_Silver ( 213637 ) on Wednesday April 03, 2002 @10:46AM (#3276641)
    Can someone come up with a better analogy than copying CD's with this and copying books with a photo copier?

    I don't like it because:

    1. If you photocopy a whole book it takes a lot longer than the 9 minutes it takes for a cd.
    2. If you photocopy a book, you don't get a near perfect copy, whereas if you copy a cd you do.
    What does worry me is that the people in the article might just be right, this could harm the music industry. If anyone on the street can make a near perfect exact copy of any cd then what is the incentive for most people to buy it in the first place? People don't go out a photocopy books because the methods that you use to copy it are so tedious and time consuming that it rapidly becomes a waste of time and money. This is different, you stick the cd in and wait 9 minutes, this is substantially easier than copying a book.

    Many people who buy a copy of something they have on pirate do it either to support the artist or because their copy quality is rubbish. I'm willing to bet that the majority of people would even both to cough up would because of the latter and with this, there is no need to do that since the quality is already perfect.

    Of course the industry shouldn't charge such exhorbitant prices for stuff. You think you're hard done by in the US? Take the price in USD and that is what it is in UKP, in other words, our CD's are 1.5 times more that yours!

    Take a look at the Amiga. Ignoring Commodores own inabilities, the software market was utterly obliterated by the ease it was to pick up copies of anything released. It just because totally un-economical to write and sell anything for it.

    • If you photocopy a whole book it takes a lot longer than the 9 minutes it takes for a cd.

      If you photocopy a book, you don't get a near perfect copy, whereas if you copy a cd you do.


      This does, to any logical person, not matter a wit. Either the act is legal or it is not, why try and confuse the subject with this muddy it-changes-the-feeling-of-the-act-and-result.

      Are you proposing Information Would be Free if it lasts longer than %arbitrary_time% to propagate and the result is sub-optimal by %this_much%?

      Do you work for the RIAA? I cant see any-other reason to foist these non-sequitur arguments... outside of irrelevant FUD/propaganda to "change the subject" in a public debate.

      • This does, to any logical person, not matter a wit. Either the act is legal or it is not, why try and confuse the subject with this muddy it-changes-the-feeling-of-the-act-and-result.

        I'm not saying that copying a book and CD are any less different. What I am saying is that using them both as an analogy is slightly incorrect because of their relative complexity in going about it. Using something which is just as easy to make a near perfect copy which is currently available in the streets for people to use would be a better analogy.

        From the article, you can now go into a shop cough up $9 (plus $2 for the CD) and in less than 10 minutes have a near perfect copy of your CD minus a cover case.

        Now, you try and do the same with a book at, say, your local copier shop and you'll find the results are substantially different. Granted, if you have access to a profesional copying system then the results are better, but at the end of the day the result is much more inferior and time consuming.

        This is why, at the time of writing, software piracy is more prevelant than, say, DVD piracy.

        What I am pointing out is that one of the most important factors in piracy is ease of copying. If it takes a long time to do and produces an inferior copy then people are less likely to do it. If, however, it costs very little and produces a very high quality result, then there is greater advantage.

        Do you work for the RIAA? I cant see any-other reason to foist these non-sequitur arguments... outside of irrelevant FUD/propaganda to "change the subject" in a public debate.

        Had you read my posting you would have realised that I'm in the UK where we don't have the RIAA. But of course you were too busy screaming the typical "FUD" to someones comment that you didn't quite understand.

    • 1. If you photocopy a whole book it takes a lot longer than the 9 minutes it takes for a cd.

      You know... comments like these get me thinking that people haven't seen what an industrial copier can do. You do realize that they make 120+ ppm copiers with book scanners attached to them right? (though unbinding the book is better.)

      Not only that, but some of these photocopiers have document binders attached to them and they will fold, stitch and trim your finished work.

      I hope you also realize that since the bulk of the time is spent scanning, the second copy you decide to make doesn't take nearly as long.

      2. If you photocopy a book, you don't get a near perfect copy, whereas if you copy a cd you do.

      Actually, current photocopier technology is a bit beyond that office copier you use. Color is a bit harder and more expensive, but your average book doesn't typically have much color.

      Say you are student and instead of spending $125 on a book, you decide to borrow one from someone and get it copied. At 800 pages, you are looking at roughly 10 minutes (with binding.) Your total costs (assuming you can use the high-end copier at-cost, ie. no kinkos) is in the $30 range.

      The end result is similar to that of a copied CD. No cover art, slightly lower quality medium and one hell of a cost savings.

      So the question becomes, why doesn't everyone do it?

      First, it's somewhat hard to find Xerox 8900 series copiers (or equivilent) that can be used without questions by the attendant, though certainly not impossible. Most copy shops will copy whatever you ask them to using their industrial copiers instead of those dinky self-serve ones. I'm not particularly sure of the legality of making a 'backup copy' of a book, but the argument could be made in the face of a head strong attendant.

      People like having the real physical medium and the average person has no problem paying for someone they feel is worth the money.

      There is also the resale value to think about... copied goods being rather shady aren't an asset to be sold off at a later time.

      All in all, the photocopy analogy is pretty accurate. The real difference is what you can do at home easily. While there are book scanner adapters, it takes quite a bit loner to print and then you have to bind it yourself, but the savings involved is substanially higher than what you get by copying CDs.

  • slightly OT (Score:5, Interesting)

    by SubtleNuance ( 184325 ) on Wednesday April 03, 2002 @10:47AM (#3276651) Journal
    In Canada it is also (...for now... [ic.gc.ca] but stay tuned to properly oppose any pending legislation(!) [flora.org]) perfectly legal for a person to make copies of their own media. It is also absolutely LEGAL to copy ANOTHER PERSONS AUDIO CD.

    What does this mean? (first see this faq [neil.eton.ca]) You can take your friend's CD and burn yourself a copy - and its legal. This is because Canadians pay a levy on CDRs which 'compensate' producers (et al). I dont agree that this is the best tactic, but it is a powerful one. If people were informed of this fact, and groups actively promoted this, you could eliminate the present distribution scheme in Canada (retailers/distributors/labels). The Library would be all that Canadians needed to have copies of all the music they wanted.

    Now, why is this going OT? I would like to know, does anyone have links or Info to make a Linux based, CDR 'copy machine'? I would like to organize a 'Copy Your Friends CDs Party" at a library or some such (near the Uni in town would be good), but would like to be able to copy many-many volumes of CDs.

    I also have thought about make such a device available on loan to local Libraries in order to 'promote' and 'encourage' the practice.

    Can anyone provide a info to do such a thing? What would be really nice is if the device could be operated without a monitor - just insert discs and close the trays...

  • by uslinux.net ( 152591 ) on Wednesday April 03, 2002 @10:57AM (#3276722) Homepage
    Does anyone remember when CDs came out? Records and tapes were $8-$10. Hell, records and tapes were $8 for YEARS. CDs came out at $15-16. The *excuse* at the time was that they were much more costly to manufacture, though truthfully, they were still cheaper, since there was a much lower rate of return for defective merchandise (after all, you don't get pops on CDs, normally).


    Even if it *was* $6 more expensive to produce a CD then, *now* CDs are practically free (just look at how many AOL wastes). So why hasn't the cost of CD music come down? Because the music industry can get it. Piracy was far less an issue when costs were *half* their cost now.


    My point? If CDs were $8 or $9, people would snatch them up and not bother to pirate them - after all, the amount of *effort* you need to put forth just to find stuff, download it, burn it, etc, isn't worthwhile. But, when CDs are now approaching $18+ at local stores - well, it doesn't take a genius to realize that it's *easy* to recoup your initial hardware "investment" (cost).


    FWIW, I own about 150 albums and another 150 CDs. And yet I really haven't bought any CDs in probably 2 years. Why? Cost, and the level of crap which is being put out now (which is probably more a function of me being 25 and having already found a style of music 4 or 5 years ago which I like - which is now disappearing).

  • This is the way it should be. RIAA should learn how to avoid copying without changing laws, or even excluding technologies or breaking any copyright. If they try to add value to their products I'm sure that many will avoid copying.

    I'll say it again, RIAA/MPAA must learn to adapt themselves to new upcoming technologies. When a robot replaces a worker there are no laws that avoid this, the worker must adapt himself, by doing a new job, or by doing it better then the robot.

    No association should overcome the democracy or the liberty, let's avoid this kind of thing.

  • "Wonder what would happen to this machine in U.S. and Europe."

    Well, depending on what part of the contry (USA) you put this thing in, I can see a couple of red-necks loading this baby on the back of their pickup and driving off with it (cough West Virginia cough). If people have tried to rip off ATM's, soda machines, and newspaper dispensers, what makes you think they wouldn't go after this thing? I really hope they load the base of this puppy with some lead or cement.
  • Do they have these machines installed in music stores? That would be really handy.
  • NEW machines installed in Adelaide convenience stores make the illegal copying of the latest CDs and computer software - which costs artists and software designers millions of dollars - as easy as buying a loaf of bread.

    Nope - no bias in this article, that's for sure.

    News flash: Photocopy machines installed worldwide make the illegal copying of the latest books and sheet music - which costs artists millions of dollars - as easy as buying a loaf of bread.

    "These things are baaaad", said local idiot Glenn B. Aaker. "I couldn't imagine anything more potentially devastating for my web site [goatse.cx] than people copying pictures of myself and my farm animals. Those pictures are copyrighted, damnit, and they cost me a lot of, uh, money, to make."

    Mr. Aaker said his goats would not take this lying down, but rather, standing up. "Hell no", he said. "We're not putting up with this. Besides, I get more pleasure out of it (fending these criminals off) when they're standing up."

    Convenience store owner John Tsavrou said the photocopy machines were popular among strange looking people. "If people ask, we tell them it is sick and wrong to copy pictures of Mr. Aaker copulating with his goats and there are warnings on the machines - but what they copy is up to them," he said.

    A spokesman from Xerox had no comment, although he did shoot milk out of his nose in a fit of hysterical laughter when told his machines were driving down Mr. Aaker's profits.

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