...and the smart(er) ones will only pay ~$50 more for the Android equivalent...

How my users react to it. I demoed 8 to my users, and got a resounding "HELL NO", due entirely to the start screen. They weren't buying it, and I don't blame them.

Given the leaks so far, I expect my users will be onboard with the new version ( possibly with some grumbling about the "look" ). But I won't really know until I get it in front of them for some feedback.

It depends on your design goals.

In Asimov's story universe, the Three Laws are so deeply embedded in robotics technology they can't be circumvented by subsequent designers -- not without throwing out all subsequent robotics technology developments and starting over again from scratch. That's one heck of a tall order. Complaining about a corner case in which the system doesn't work as you'd like after they achieved that seems like nitpicking.

We do know that *more* sophisticated robots can designed make more subtle ethical systems -- which is another sign of a robust fundamental design. The simplistic ethics is what subsequent designers get when they get "for free" when they use an off-the-shelf positronic brain to control a welding robot or bread-slicing machine.

Think of the basic positronic brain design as a design framework. One of the hallmarks of a robust framework is that easy things are easy and hard things are possible. By simply using the positronic framework the designers of the bread slicing machine don't have to figure out all the ways the machine might slice a person's fingers off. The framework takes care of that for them.

I don't think you've really grasped Apple's design sensibility. Job one for the designers is to deliver a product that consumers want but can't get anywhere else.

The "camera bulge" may be a huge blunder, or it may be just a tempest in a teapot. The real test will be the user's reactions when they hold the device in their hand, or see it in another user's hand. If the reaction is "I want it", the designers have done their job. If it's "Holy cow, look at that camera bulge," then it's a screw-up.

The thinness thing hasn't been about practicality for a long, long time; certainly not since smartphones got thinner than 12mm or so. They always been practical things the could have given us other than thinness, but what they want you to do is pick up the phone and say, "Look how thin the made this!" The marketing value of that is that it signals that you've got the latest and greatest device. There's a limit of course, and maybe we're at it now. Otherwise we'll be carrying devices in ten years that look like big razor blades.

At some point in your life you'll probably have seen so many latest and greatest things that having the latest and greatest isn't important to you any longer. That's when know you've aged out of the demographic designers care about.

hahahahaha

No, what we're seeing is one of two things:

1) They've already figured out how to milk this suggestion for every dime ( and given enough time, they'll figure out how to milk even MORE out of it )

2) They see which way the wind is (hopefully) blowing, and realize a compromise NOW might let them salvage some of the situation.

In either case, telling them to go "pound sand" is still the correct response. AT&T and their ilk have screwed over customers for years. There is no reason to suddenly adopt an attitude of cooperation with them, knowing full fucking well the only reason they're doing so is to find a place to stick the knife.

I think you are entirely correct about the difficulty in predicting disruptive technologies. But there's an angle here I think you may not have considered: the possibility that just the cultural values and norms of the distant future might be so alien to us that readers wouldn't identify with future people or want to read about them and their problems.

Imagine a reader in 1940 reading a science fiction story which accurately predicted 2014. The idea that there would be women working who aren't just trolling for husbands would strike him as bizarre and not very credible. An openly transgendered character who wasn't immediately arrested or put into a mental hospital would be beyond belief.

Now send that story back another 100 years, to 1840. The idea that blacks should be treated equally and even supervise whites would be shocking. Go back to 1740. The irrelevance of the hereditary aristocracy would be difficult to accept. In 1640, the secularism of 2014 society and would be distasteful, and the relative lack of censorship would be seen as radical (Milton wouldn't publish his landmark essay Aereopagitica for another four years). Hop back to 1340. A society in which the majority of the population is not tied to the land would be viewed as chaos, positively diseased. But in seven years the BLack Death will arrive in Western Europe. Displaced serfs will wander the land, taking wage work for the first time in places where the find labor shortages. This is a shocking change that will resist all attempts at reversal.

This is all quite apart from the changes in values that have been forced upon us by scientific and technological advancement. The ethical issues discussed in a modern text on medical ethics would probably have frozen Edgar Allen Poe's blood.

I think it's just as hard to predict how the values and norms of society will change in five hundred years as it is to accurately predict future technology. My guess is that while we'd find things to admire in that future society, overall we would find it disturbing, possibly even evil according to our values. I say this not out of pessimism, but out my observation that we're historically parochial. We think implicitly like Karl Marx -- that there's a point where history comes to an end. Only we happen to think that point is *now*. Yes, we understand that our technology will change radically, but we assume our culture will not.

--I agree with you there. Having Prime is really good, but adding a streaming video to your Q on amazon and then getting "Please go to amazon.com to pay more $$ for this movie" when you try to watch it, is bogus. Netflix is much more straightforward - and has a better video library, for the most part.

--The only movie I've actually paid the extra $2 for was "The Raven" with Vincent Price, because it was rare and I hadn't watched it for decades. Everything else I just look for on Netflix and add it there if they have it.

The pessimism and dystopia in sci-fi doesn't come from a lack of research resources on engineering and science. It mainly comes from literary fashion.

If the fashion with editors is bleak, pessimistic, dystopian stories, then that's what readers will see on the bookshelves and in the magazines, and authors who want to see their work in print will color their stories accordingly. If you want to see more stories with a can-do, optimistic spirit, then you need to start a magazine or publisher with a policy of favoring such manuscripts. If there's an audience for such stories it's bound to be feasible. There a thousand serious sci-fi writers for every published one; most of them dreadful it is true, but there are sure to be a handful who write the good old stuff, and write it reasonably well.

A secondary problem is that misery provides many things that a writer needs in a story. Tolstoy once famously wrote, "Happy families are all alike; every unhappy family is unhappy in its own way." I actually Tolstoy had it backwards; there are many kinds of happy families. Dysfunctions on the other hand tends to fall into a small number of depressingly recognizable patterns. The problem with functional families from an author's standpoint is that they don't automatically provide something that he needs for his stories: conflict. Similarly a dystopian society is a rich source of conflicts, obstacles and color, as the author of Snow Crash must surely realize. Miserable people in a miserable setting are simply easier to write about.

I recently went on a reading jag of sci-fi from the 30s and 40s, and when I happened to watch a screwball comedy movie ("His Girl Friday") from the same era, I had an epiphany: the worlds of the sci-fi story and the 1940s comedy were more like each other than they were like our present world. The role of women and men; the prevalence of religious belief, the kinds of jobs people did, what they did in their spare time, the future of 1940 looked an awful lot like 1940.

When we write about the future, we don't write about a *plausible* future. We write about a future world which is like the present or some familiar historical epoch (e.g. Roman Empire), with conscious additions and deletions. I think a third reason may be our pessimism about our present and cynicism about the past. Which brings us right back to literary fashion.