Users should never be able to do things that cause crashes in the same way that drivers should not ever be able to press any button or press any pedal that causes the engine to spontaneously burst into flames.

I'm also a Mac user, but let's not boast here, shall we?

My personal guess would have been at least 10x. Did Microsoft bribe the study authors?

Dude, are you living under a rock?

These bands are creating new music. But the money that allows them to do so comes from their old music. I have bands in my collection that have been making music for 30 years.

No they don't. They don't even make ok money. Tours are expensive and a lot of people, from road crew to venue security, take their cut before the musicians. The big guys, they make a killing on tours. But the small ones sometimes don't even break even.

In fact, a common wisdom in the industry is that touring is worth it not because the tour itself makes profits, but because it builds a fanbase and drives what is called "catalog discovery" - both old and new fans looking buying the albums with the songs they liked (and for the old fans, didn't know).

This study: https://www.giarts.org/article... says that 28% of income across all the musicians surveyed comes from tours. The share is larger for the rock/pop sector where it nears 40% but even that isn't easy money. And if you consider that only 20% of the rock/pop musicians make more than $50,000 a year, then it becomes a hollow statement.

Plus, it goes directly against your first statement - while on tour the band is not creating new music. So if you want to drive musicians more towards constantly creating (which most of them already do), then you can't make live performances the main income source.

Not only have I seen that, but I have experienced it.

My socket set and ratchet isn't trying to convince me to be in a relationship with it, to be in love with it, to be something of an equal to it.

Even our pets as living beings capable of expressing themselves are not able to communicate at our level.

Large language model AI is attempting to spoof being human, to mimic being us. There are already examples of people becoming very, VERY upset when their AI-boyfriend or AI-girlfriend is taken away by companies revising the AI standards and interaction rules. This is unhealthy. The relationship needs to remain that of tool user and tool, because anything more than that is one-sided and subject to terrible abuse by anyone that managed to co-opt that system.

The Butlerian Jihad cannot come soon enough. Machines should be useful tools serving us, where our emotional connections to them are still based on tool-user and tool.

There is more than one study and more than one way to look at it. Especially for streaming, having a catalog matters, especially for the smaller artists who will never have a charts-level hit:

"In 2024, nearly 1,500 artists generated over $1 million in royalties from Spotify aloneâ"likely translating to over $4 million across all recorded revenue sources. What's remarkable is that 80% of these million-dollar earners didn't have a single song reach the Spotify Global Daily Top 50 chart. This reveals a fundamental shift from hit-driven success to sustainable catalog-based income, where consistent engagement from devoted audiences matters more than viral moments or radio dominance."

https://cord-cutters.gadgethac...

Also don't forget that many studies such as DiCola's "Money from Music" focus on the superstars and the big hits. That is true, the charts pop music generates 80% or so of its income within the few weeks it stays in the charts and then drops of sharply.

Honestly, I don't care about the charts and superstars. They wouldn't starve if we cut copyright terms to six weeks. I do care about the indie artists that I enjoy. Who after ten years get the band back together for another tour through clubs with 200 or 500 people capacity. I'm fairly sure they would suffer if the revenue from those albums disappeared. And disappear it would. Maybe fans would still buy the CDs from the merch booth, but Spotify would certainly not pay them if it didn't have to.

Yes?

As for the one in New York, I'll give you three guesses where La Liberté éclairant le monde was made.

Damn science believers, always messing up people's fantasies.

Have you ever seen a shiny new penny versus an old tarnished one? Or the Statue of Liberty? Or an old building with one of those weird green roofs?

They're all copper, with varying amounts of oxygen. Oxygen free copper is expensive copper that's specially made to get rid of as much of the oxygen as possible: https://en.wikipedia.org/wiki/...

If the article got something so simple as THIS completely wrong, one can easily presume that the REST of the article is incorrect gibberish.

"oXyGEn-fREE cOppER", lmao

Indeed.

You can of course have it delivered to your door as well. If you can't receive it at home, as is the case being discussed in this thread, then you can have something delivered to a locker. When you go to pick it up you tell Amazon you're there and they pop open the correct door.

It's interesting how practically everything is "the most convincing proof we have."

He's basically a newborn :-)

Yes, but there is an important difference: TV had to appeal to an average audience member. Meanwhile the social media algorithms are intentionally working against you, trying to specifically find and use your triggers.

That's quite a different intent there.

On the TV, parents could also check the program for what they thought was suitable for their kid or not. They could watch the same program, even if not in the same room. Social media is a lot more personal and a lot harder to track and filter.

Hard disagree.

Not everything is subject to hype cycles. A lot of especially the SMALLER musicians, for example, basically live off their back catalog. I routinely buy the entire collection of artists that I freshly discover and fall in love with. And I totally feel that it is right that I pay them for music they made, no matter when they made it.

What is an abomination is copyright terms of DEATH + 70 years. Or whatever Disney pushed it to by now. I'm ok with inheritance of creative work, but it should not put the children into "never have to work in their entire life" territory.

Then again, there are two aspects: Creative control and money. I think that the Tolkien estate did a generally good job of protecting the integrity of JRR's works. Well, if we ignore Rings of Power, I have no idea what lies Amazon told them to get the approval for that shitshow.

And let's not forget that coypright law is also what protects GPL software.

Are you crying? There's certainly some starting, but probably a ways to go yet.