China says a ban on the use of TikTok by official European Union institutions will harm business confidence in Europe. From a report: In the latest salvo in the battle over the Chinese-owned video sharing app, the European Parliament, the European Commission and the EU Council have banned TikTok from being installed on official devices. [...] China has been pushing back, though its ruling Communist Party has long blocked many foreign social media platforms and messaging apps, including YouTube, Twitter, Facebook, Instagram -- and TikTok. A Chinese version of the app, Douyin, is permitted, but its content is not the same as that found on TikTok. "The EU claims to be the most open market in the world, but recently it has been taking restrictive measures and unreasonably suppressing other countries' companies on the grounds of national security," Chinese Foreign Ministry spokesperson Mao Ning said at a daily briefing Wednesday. "This will dampen the international community's confidence in the business environment in the EU. The EU should match its words with deeds, respect the market economy and fair competition, stop overstretching and abusing the concept of national security and provide an open, fair, transparent and non-discriminatory business environment for all companies," Mao said.

Nvidia is releasing new GPU drivers today that will upscale old blurry web videos on RTX 30- and 40-series cards. The Verge reports: RTX Video Super Resolution is a new AI upscaling technology from Nvidia that works inside Chrome or Edge to improve any video in a browser by sharpening the edges of objects and reducing video artifacts. Nvidia will support videos between 360p and 1440p up to 144Hz in frame rate and upscale all the way up to 4K resolution.

This impressive 4K upscaling has previously only been available on Nvidia's Shield TV, but recent advances to the Chromium engine have allowed Nvidia to bring this to its latest RTX 30- and 40-series cards. As this works on any web video, you could use it to upscale content from Twitch or even streaming apps like Netflix where you typically have to pay extra for 4K streams.

An anonymous reader writes quotes a report from Ars Technica: Did you ever see that movie The Ring? People who watched a cursed, creepy video would all mysteriously die in seven days. Somehow Google seems to have re-created the tech version of that, where the creepy video is this clip of the 1979 movie Alien, and the thing that dies after watching it is a Google Pixel phone. As noted by the user 'OGPixel5" on the Google Pixel subreddit, watching this specific clip on a Google Pixel 6, 6a, or Pixel 7 will cause the phone to instantly reboot. Something about the clip is disagreeable to the phone, and it hard-crashes before it can even load a frame. Some users in the thread say cell service wouldn't work after the reboot, requiring another reboot to get it back up and running.

The leading theory floating around is that something about the format of the video (it's 4K HDR) is causing the phone to crash. It wouldn't be the first time something like this happened to an Android phone. In 2020, there was a cursed wallpaper that would crash a phone when set as the background due to a color space bug. The affected phones all use Google's Exynos-derived Tensor SoC, so don't expect non-Google phones to be affected by this. Samsung Exynos phones would be the next most-likely candidates, but we haven't seen any reports of that. According to CNET, the issue has been addressed and a full fix will be deployed in March.

An anonymous reader quotes a report from Ars Technica: With Starlink speeds slowing due to a growing capacity crunch, SpaceX said a launch happening as soon as today will deploy the first "V2 Mini" satellites that provide four times more per-satellite capacity than earlier versions. Starlink's second-generation satellites include the V2 Minis and the larger V2. The larger V2s are designed for the SpaceX Starship, which isn't quite ready to launch yet, but the V2 Minis are slimmed-down versions that can be deployed from the Falcon 9 rocket. "The V2 Minis are smaller than the V2 satellites (hence the name) but don't let the name fool you," SpaceX said in a statement provided to Ars yesterday. "The V2 Minis include more advanced phased array antennas and the use of E-band for backhaul, which will enable Starlink to provide ~4x more capacity per satellite than earlier iterations."

SpaceX didn't specify the amount of data that each V2 Mini satellite can provide, but its first-generation satellites were designed for an aggregate downlink capacity of 17 to 23Gbps per satellite. The Federal Communications Commission recently gave SpaceX approval to launch 7,500 of the 30,000 planned second-generation satellites. A SpaceX Falcon 9 launch tentatively scheduled for today would put 21 V2 Minis into orbit. The larger V2 satellites that can't launch until Starship is ready will be able to send signals directly to cell phones, a capability that'll be used by SpaceX and T-Mobile in a partnership announced in August 2022. "Each Starlink V2 Mini satellite weighs about 1,760 pounds (800 kilograms) at launch, nearly three times heavier than the older Starlink satellites," notes Spaceflight Now. "They are also bigger in size, with a spacecraft body more than 13 feet (4.1 meters) wide, filling more of the Falcon 9 rocket's payload fairing during launch."

UPDATE: SpaceX successfully launched the first batch of "V2 Mini" Starlink satellites. "A Falcon 9 rocket hauled the 21 Starlink satellites into a 230-mile-high (370-kilometer) orbit after lifting off from pad 40 at Cape Canaveral Space Force Station at 6:13:50 p.m. EST (2313:50 GMT) Monday," reports Spaceflight Now. "SpaceX delayed the launch from earlier Monday afternoon to wait for radiation levels to abate following a solar storm that sparked dramatic auroral displays visible across Northern Europe and Canada." You can watch the launch here. Elon Musk also shared video of the first V2 satellites to reach orbit.

An anonymous reader quotes a report from Gizmodo: Wilson has been working to redesign the basketball with a prototype that's covered in an intricate pattern of holes but never goes flat. Although calling the basketball "airless" is a bit of a misnomer given air is still able to pass right through it, it's the most common term that's been used to describe this technology that replaces the need for pressurized bladders in objects designed to bounce or absorb impacts. Wilson partnered with a company called EOS which specializes in the use of 3D printing for industrial uses including medical and aerospace applications, to manufacture the unorthodox basketball design that's covered in a pattern of open hexagons instead of sealed leather panels.

EOS relied on additive 3D printing technology which, instead of building up layers of extruded melted plastic, uses a powdered resin that's hardened by a laser to create ultra-thin stacked layers with even more detail. The result is a completely hollow basketball that nearly matches the "performance specifications of a regulation basketball, including its weight, size and rebound (bounce)." The 3D-printed ball can even be dyed in various colors, with the prototype being made all-black for its debut during the 2023 NBA All-Star Game festivities this past weekend. "The NBA currently doesn't have any plans to switch to Wilson's 3D-printed airless basketball design, but that doesn't mean it's a failure," notes Gizmodo. "[E]ven if it never finds its way into the NBA, it could still help make the game more accessible on playground courts across the country where pick-up games will never have to be canceled because no one can find a pump to fix a flat ball."

The company explains how the prototype basketball was made in a video on YouTube.

YouTube CEO Susan Wojcicki, who has led the world's largest video site for the last nine years, is stepping down from her role. She'll be replaced by Neal Mohan, her longtime lieutenant. From a report: In a letter sent to YouTube's employees, Wojcicki said she was leaving in order to "start a new chapter focused on my family, health and personal projects I'm passionate about." During her tenure, YouTube became increasingly important to the business for Google, which bought the site in 2006, and Alphabet, the holding company that houses both of them: In 2022, YouTube generated $29.2 billion in ad sales -- more than 10 percent of Alphabet's total revenue.

Despite the absence of cryptocurrency ads, this year's Super Bowl still managed some geek-friendly advertisements. There was even a riff on "the classic intro from the Super Mario Bros. Super Show, the live-action series that ran from 1989-1991," according to Kotaku: the infamous Mario Rap, which advertised Mario's plumbing business (and in its 2023 version featured the URL for a website).

[T]hat website is indeed up and running, and is everything you would hope it would be from a struggling small business servicing the Brooklyn and Queens areas. There's excessive animation, broken image links, a careers page (still under construction, sadly) and even a novelty mouse cursor.
Kotaku's article includes both versions of the rap, along with reactions from Twitter. (Apparently the phone number in the advertisement really works).

There were also several ads from major tech companies. Google purchased a long ad touting their Pixel phone's ability to remove people from photos (starring Amy Schumer, Doja Cat, and Giannis Antetokounmpo), while Workday drew attention to its enterprise-grade finance and HR software with an ad in which actual rock stars like Ozzy Osbourne, Joan Jett, blues player Gary Clark and members of KISS all urged the software's corporate users to stop calling themselves "rock stars".

Other tech-company ads aired from E*Trade, SquareSpace, and a star-studded Uber One ad in which rapper Puff Daddy auditions singers for their new jingle.

There were also the obligatory celebrity reunions — like Snoop Dogg and Martha Stewart, or the actors from Breaking Bad. But for comic book geeks, a trailer for D.C.'s new movie The Flash included a surprise appearance by Batman — play by both Ben Affleck and by a 71-year-old Michael Keaton, a full 34 years after Keaton played the caped crusader in Tim Burton's 1989 movie Batman. "Worlds collide in The Flash when Barry uses his superpowers to travel back in time in order to change the events of the past," according to a press release cited by People. James Gunn, director of Guardians of the Galaxy and new co-CEO of DC Studios, recently said, according to Deadline, that The Flash "is probably one of the greatest superhero movies ever made." He added that the film's storyline "resets everything" for the franchise.
The last Blockbuster video rental store in America played its own advertising prank during the Super Bowl. They announced their own ad which could only be viewed on their Instagram feed during halftime -- or in person at their store in Bend, Oregon. But, as CNN points out, "the store is also renting VHS copies of it for $2."

And for those geeks concerned about the drawbacks of climate change-fighting vehicles, RAM trucks ran an ad about "Premature Electrification" — for consumers excited about electric vehicles but "lacking the confidence about getting and being able to keep a charge." (Although a disclaimer printed at the bottom of the ad warned "Get excited, but not too excited. Pre-production model shown. Availability in the U.S. expected late 2024. Range lengthening technology to come later.")

GitHub and digital rights group EFF have filed briefs supporting stream-ripping site Yout.com in its legal battle with the RIAA. GitHub warns that the lower court's decision threatens to criminalize the work of many other developers. The EFF, meanwhile, stresses that an incorrect interpretation of the DMCA harms people who use stream-rippers lawfully. TorrentFreak reports: In 2020, YouTube ripper Yout.com sued the RIAA, asking a Connecticut district court to declare that the site does not violate the DMCA's anti-circumvention provision. The music group had previously used DMCA takedown notices to remove many of Yout's appearances in Google's search results. This had a significant impact on revenues, the site argued, adding that it always believed it wasn't breaking any laws and hoped the court would agree. Last October, the Connecticut district court concluded that Yout had failed to show that it doesn't circumvent YouTube's technological protection measures. As such, it could be breaking the law. Yout operator Johnathan Nader opted to appeal the decision. Nader's attorneys filed their opening brief (PDF) last week at the Court of Appeals for the Second Circuit, asking it to reverse the lower court's decision. The YouTube ripper is not the only party calling for a reversal. Yesterday, Microsoft-owned developer platform GitHub submitted an amicus brief that argues for the same. And in a separate filing, the EFF also agrees that the lower court's decision should be overturned.

GitHub's brief starts by pointing out that the company takes no position on the ultimate resolution of this appeal, nor does it side with all of Yout's arguments. However, it does believe that the lower court's interpretation of the DMCA is dangerous. The district court held that stream rippers can violate the DMCA's anti-circumvention provision. The court noted that these tools allow people to download video and audio from YouTube, despite the streaming platform's lack of a download button. According to GitHub, this conclusion is premature, dangerous, and places other software types at risk. In the present lawsuit, GitHub reiterates that stream-ripping tools should not be outlawed. The fact that YouTube doesn't have a download button doesn't mean that tools that enable people to download videos circumvent technological access restrictions. "YouTube's decision not to provide its own 'download' button, however, is not a restriction on access to works. It merely affects how users experience them," GitHub writes. If the court order is allowed to stand, GitHub warns that a broad group of developers could be exposed to criminal liability, effectively chilling technological innovation. YouTube download tools are not the only types of software at risk, according to GitHub. There are many others that affect 'how users experience' online websites. These could also be seen as problematic, based on the district court's expansive interpretation of the DMCA. These widely accepted tools could put their creators at risk if the DMCA is interpreted too strictly, GitHub warns.

The Electronic Frontier Foundation (EFF) also submitted an amicus curiae brief (PDF) yesterday. The digital rights group takes interest in copyright cases, particularly when they get in the way of people's ability to freely use technology. In this instance, EFF points out that stream-rippers such as Yout.com provide a neutral technology with plenty of legal uses. They can be used for infringing purposes, but that's also true for existing technologies -- the printing press, for example. "Like every reproduction technology -- from the printing press to the smartphone -- these programs, colloquially called 'streamrippers,' have important lawful uses as well as infringing ones. "Video creators, educators, journalists, and human rights organizations all depend on the ability to make copies of user-uploaded videos," EFF adds. In common with GitHub, EFF notes that the absence of a download button on YouTube doesn't imply that download tools automatically violate the DMCA, especially when there are no effective download restrictions on the platform. [...] According to EFF, Yout and similar tools provide the same functions as video cassette recorders once did. They allow people to make copies of videos that are posted publicly by their creators. In addition, these tools are vital for some reporters and useful to creatives who use them for future work.

"Wherever you live, you should be paying attention to Utah Senate Bill 152 and the somewhat similar House Bill 311," writes tech journalist and long-time child safety advocate Larry Magid in an op-ed via the Mercury News. "Even though it's legislation for a single state, it could set a dangerous precedent and make it harder to pass and enforce sensible federal legislation that truly would protect children and other users of connected technology." From the report: SB 152 would require parents to provide their government-issued ID and physical address in order for their child or teenager to access social media. But even if you like those provisions, this bill would require everyone -- including adults -- to submit government-issued ID to sign up for a social media account, including not just sites like Facebook, Instagram, Snapchat and TikTok, but also video sharing sites like YouTube, which is commonly used by schools. The bill even bans minors from being online between 10:30 p.m. and 6:30 a.m., empowering the government to usurp the rights of parents to supervise and manage teens' screen time. Should it be illegal for teens to get up early to finish their homework (often requiring access to YouTube or other social media) or perhaps access information that would help them do early morning chores? Parents -- not the state -- should be making and enforcing their family's schedule.

I oppose these bills from my perch as a long-time child safety advocate (I wrote "Child Safety on the Information Highway" in 1994 for the National Center for Missing & Exploited Children and am currently CEO of ConnectSafely.org). However well-intentioned, they could increase risk and deny basic rights to children and adults. SB 152 would require companies to keep a "record of any submissions provided under the requirements," which means there would not only be databases of all social media users, but also of users under 18, which could be hacked by criminals or foreign governments seeking information on Utah children and adults. And, in case you think that's impossible, there was a breach in 2006 of a database of children that was mandated by the State of Utah to protect them from sites that displayed or promoted pornography, alcohol, tobacco and gambling. No one expects a data breach, but they happen on a regular basis. There is also the issue of privacy. Social media is both media and speech, and some social media are frequented by people who might not want employers, family members, law enforcement or the government to know what information they're consuming. Whatever their interests, people should have the right to at least anonymously consume information or express their opinions. This should apply to everyone, regardless of who they are, what they believe or what they're interested in. [...]

It's important to always look at the potential unintended consequences of legislation. I'm sure the lawmakers in Utah who are backing this bill have the best interests of children in mind. But this wouldn't be the first law designed to protect children that actually puts them at risk or violates adult rights in the name of child protection. I applaud any policymaker who wants to find ways to protect kids and hold technology companies accountable for doing their part to protect privacy and security as well as employing best-practices when it comes to the mental health and well being of children. But the legislation, whether coming from Utah, another state or Washington, D.C., must be sensible, workable, constitutional and balanced, so it at the very least, does more good than harm.

Long-time Slashdot reader destinyland writes: Someone made a Chromium fork... for your terminal. The terminal-based browser Carbonyl "adheres to, and is compatible with modern standards," writes MUO, "meaning that pages behave as they should, and you can even watch streaming video, within the Linux terminal!"

But best of all, "Pages connect and render in an instant—seemingly quicker than a desktop GUI browser, and every page we visited was rendered correctly."
From the article: There are a bunch of good reasons to browse the internet from the comfort of your terminal. It could be that eschewing the bloat of X.org and Wayland, a terminal is all you have. Maybe you like SSHing into remote machines and browsing the internet from there.

Perhaps you, like us, just really, really like terminals.

Whatever the reason, your choices of web browsers have, until recently, been limited, and your experience of the world wide web has been a janky, barely-functional one.... We tested Carbonyl in a range of Linux terminals, including the XFCE terminal. GNOME terminal, kitty, and the glorious Cool Retro Terminal. Carbonyl was smooth, fast, and flawless in all of them.

We even connected to our Raspberry Pi via SSH in CRT, and ran Carbonyl remotely, watching Taylor Swift music videos on YouTube. No problem.
And yes, you can use it to play DOOM.

The classic 1997 vidoegame GoldenEye 007 "has finally landed on Xbox and Nintendo Switch," writes the Verge: On Xbox, the remaster includes 4K resolution, smoother frame rates, and split-screen local multiplayer, similar to a 2008-era bound-for-Xbox 360 version that was canceled amid licensing and rights issues but leaked out in 2021.
Meanwhile CNET describes the Switch version: You'll need to be subscribed to Switch Online's $50-a-year Expansion Pack tier to access GoldenEye and other N64 games. Online multiplayer is exclusive to the Switch release, the official 007 website noted, but this version is otherwise the same as the N64 original.
But "No high-def for them," adds Esquire: GoldenEye 007 marks a rare case in gaming history, where the title never left the gamer zeitgeist. It has been talked about, wished over, remade, and totally Frankensteined in the modding and emulation community....

Rare, a favorite game studio of mine — its crew is responsible for many of my childhood memories, making Banjo Kazzoie, Donkey Kong Country, Perfect Dark, Conker's Bad Fur Day, and so many more — was always a Nintendo sweetheart. Until it was acquired back in 2002 by Microsoft. While Rare didn't pump out as many massive hits after the acquisition, the studio is responsible for one of my favorite games, Sea of Thieves. But arguably no game from those folks made more of a splash than Goldeneye.
CNN reports: Based on the 1995 film "GoldenEye," the game follows a block-like version of Pierce Brosnan's 007 as he shoots his way through various locales, all while a synthy version of the signature Bond theme plays....

The return of "GoldenEye 007," often referred to as one of the greatest video games of all time, has been years in the making. The Verge reported last year that rights issues blocked developers from releasing it on newer consoles, including Xbox, since at least 2008. Undeterred N64 fans even attempted to remake the game themselves on several occasions, though the original rights holders usually shut them down.
Modern players "may not realise how many of the features we now take for granted in shooters were inspired by this one game," writes the Guardian. "The game that would introduce a lot of players to the concept of using an analogue stick to look around in a 3D game — it's difficult to overstate how important that was." But it was the multiplayer mode that really counted. Four players, one screen, an array of locations and weapons, and all the characters from the single-player campaign.... We would usually play in Normal mode, but as the hours dragged on and the sunlight began to creep in behind the blinds, we'd switch to Slaps Only, in which players could only get kills by slapping each other to death....

It is interesting how fables around the game and its development have survived — and still intrigue. The fact that it is officially cheating to play as Oddjob in multiplayer mode; the brilliance of the pause music, which has been heavily memed on TikTok, and how it was written in just 20 minutes by Rare newcomer Grant Kirkhope. The fact that Nintendo legend and Mario creator Shigeru Miyamoto was so concerned by the death in the game that he suggested a post-credit sequence where James Bond went to a hospital to meet all the enemy soldiers he "injured". I think the sign of a truly great game — like any work of art — is how many legends become attached to its making.

It is lovely now, to see the game getting a release on Nintendo Switch and Xbox Game Pass.

The new standalone Dolphin emulator will let you play almost any GameCube or Wii game on your Xbox console. Windows Central reports: Dolphin Emulator for UWP first rolled out in beta on December 6, 2022. It has since received a couple of updates, bringing it to version 1.02. The standalone Dolphin emulator is capable of upscaling games to up to 1440p. You can also play titles at their original resolution if you prefer. With mods, you can use HD texture packs to make games look more modern and have higher resolution. The emulator also supports a broadband adapter, but the usefulness of that varies greatly depending on the game you want to play online. For example, Mario Kart Double Dash would require tunnelling software to access online play.

Of course, you can't just download the Dolphin emulator through the Microsoft Store. The easiest way to install the emulator is by enabling Developer Mode on your Xbox console. It's also possible to set up by using retail mode. A computer is needed to configure your Xbox controller and other parts of your system. You should also have a USB drive handy. Modern Vintage Gamer walks through the entire process in their video. It's possible to run Dolphin Emulator for UWP on older Xbox consoles, such as the Xbox One X, but performance will see a significant drop compared to playing on the Series X or Series S. Modern Vintage Gamer walks through the setup, testing, and "other neat things" on YouTube.

Long-time Slashdot reader wonkavader found a video on YouTube where, at the 2:50 mark, there's time-lapse footage of soldering paste magically melting into place. The secret? Many circuit boards include a grounded plane as a layer. This doesn't have to be a big unbroken expanse of copper — it can be a long snake to reduce the copper used. Well, if you run 9 volts through that long snake, it acts as a resistor and heats up the board enough to melt solder paste. Electronics engineer Carl Bugeja has made a board which controls the 9 volt input to keep the temperature on the desired curve for the solder.

This is an interesting home-brew project which seems like it might someday make a pleasant, expected feature in kits.
Hackaday is impressed by the possibilities too: Surface mount components have been a game changer for the electronics hobbyist, but doing reflow soldering right requires some way to evenly heat the board. You might need to buy a commercial reflow oven — you can cobble one together from an old toaster oven, after all — but you still need something, because it's not like a PCB is going to solder itself. Right?

Wrong. At least if you're Carl Bugeja, who came up with a clever way to make his PCBs self-soldering.... The quality of the soldering seems very similar to what you'd see from a reflow oven.... After soldering, the now-useless heating element is converted into a ground plane for the circuit by breaking off the terminals and soldering on a couple of zero ohm resistors to short the coil to ground.
It's an open source project, with all files available on GitHub. "This is really clever," tweeted Adrian Bowyer, inventor of the open source 3D printer the RepRap Project.

In the video Bugeja compares reflow soldering to pizza-making. (If the circuit board is the underlying dough, then the electronics on top are the toppings, with the solder paste representing the sauce that keeps them in place. "The oven's heat is what bonds these individual items together.")

But by that logic making a self-soldering circuit is "like putting the oven in the dough and making it edible."

"One of the most beloved sci-fi novels of the 21st century finally has been adapted for television to huge acclaim," writes Esquire, "and it's out now." Their article includes embedded videos of Tencent Video's live-action adaptation of Three-Body Problem, which is streaming free on YouTube with English subtitles. "They're already getting great reviews online, with an 8.7 IMDb score for the adaptation that is being acclaimed for its faithfulness to the original bestselling novel."

Long-time Slashdot reader gordm writes: The YouTube playlist offers the first 4 episodes (of a 30 episode series) for free, although the videos include Chinese ads.... Be sure your YouTube subtitles are turned on.

I've only watched episode one and noted the most unpleasant reaction I had during my first-read of the book is front-loaded into episode one of the show... that is, it is suggested GMO and advanced technologies are a blight upon humanity. I kept reading, and I'm glad I did. But for any viewers put off by that moment, and not knowing what Three-Body Problem is about... that moment pays off later.
Esquire calls the original book "not only the most successful Chinese science fiction novel of the century so far, but likely the most successful and acclaimed science fiction series in the world since 2000, winning the Hugo Award and the Nebula Award for Best Novel..."

Netflix says its own adaptation of Three-Body Problem will also be released before the end of 2023.

The Washington Post has obtained "stunning new details on how social media companies failed to address the online extremism and calls for violence that preceded the Capitol riot."

Their source? The bipartisan committee investigating attacks on America's Capitol on January 6, 2021 "spent more than a year sifting through tens of thousands of documents from multiple companies, interviewing social media company executives and former staffers, and analyzing thousands of posts. They sent a flurry of subpoenas and requests for information to social media companies ranging from Facebook to fringe social networks including Gab and the chat platform Discord."

Yet in the end it was written up in a 122-page memo that was circulated among the committee but not delved into in their final report. And this was partly because the committee was "concerned about the risks of a public battle with powerful tech companies, according to three people familiar with the matter who spoke on the condition of anonymity to discuss the panel's sensitive deliberations." The [committee staffer's] memo detailed how the actions of roughly 15 social networks played a significant role in the attack. It described how major platforms like Facebook and Twitter, prominent video streaming sites like YouTube and Twitch and smaller fringe networks like Parler, Gab and 4chan served as megaphones for those seeking to stoke division or organize the insurrection. It detailed how some platforms bent their rules to avoid penalizing conservatives out of fear of reprisals, while others were reluctant to curb the "Stop the Steal" movement after the attack....

The investigators also wrote that much of the content that was shared on Twitter, Facebook and other sites came from Google-owned YouTube, which did not ban election fraud claims until Dec. 9 and did not apply its policy retroactively. The investigators found that its lax policies and enforcement made it "a repository for false claims of election fraud." Even when these videos weren't recommended by YouTube's own algorithms, they were shared across other parts of the internet. "YouTube's policies relevant to election integrity were inadequate to the moment," the staffers wrote.

The draft report also says that smaller platforms were not reactive enough to the threat posed by Trump. The report singled out Reddit for being slow to take down a pro-Trump forum called "r/The-Donald." The moderators of that forum used it to "freely advertise" TheDonald.win, which hosted violent content in the lead-up to Jan. 6.... The committee also spoke to Facebook whistleblower Frances Haugen, whose leaked documents in 2021 showed that the country's largest social media platform largely had disbanded its election integrity efforts ahead of the Jan. 6 riot. But little of her account made it into the final document.
"The transcripts show the companies used relatively primitive technologies and amateurish techniques to watch for dangers and enforce their platforms' rules. They also show company officials quibbling among themselves over how to apply the rules to possible incitements to violence, even as the riot turned violent."

Boston Dynamics released a demo of its humanoid robot Atlas, showing it pick up and deliver a bag of tools to a construction worker. While Atlas could already run and jump over complex terrain, the new hands, or rudimentary grippers, "give the robot new life," reports TechCrunch. From the report: The claw-like gripper consists of one fixed finger and one moving finger. Boston Dynamics says the grippers were designed for heavy lifting tasks and were first demonstrated in a Super Bowl commercial where Atlas held a keg over its head. The videos released today show the grippers picking up construction lumber and a nylon tool bag. Next, the Atlas picks up a 2x8 and places it between two boxes to form a bridge. The Atlas then picks up a bag of tools and dashes over the bridge and through construction scaffolding. But the tool bag needs to go to the second level of the structure -- something Atlas apparently realized and quickly throws the bag a considerable distance. Boston Dynamics describes this final maneuver: 'Atlas' concluding move, an inverted 540-degree, multi-axis flip, adds asymmetry to the robot's movement, making it a much more difficult skill than previously performed parkour." A behind the scenes video describing how Atlas is able to recognize and interact with objects is also available on YouTube.

fahrbot-bot shares a report from Engadget: Lightning rods have been used to safely guide strikes into the ground since Benjamin Franklin's day, but their short range (roughly the same radius as the height) and fixed-in-place design makes them ineffective for protecting large areas. The technology may finally be here to replace them in some situations. European researchers have successfully tested a system that uses terawatt-level laser pulses to steer lighting toward a 26-foot rod. It's not limited by its physical height, and can cover much wider areas -- in this case, 590 feet -- while penetrating clouds and fog.

["The experiment was performed on Santis Mountain, in northeast Switzerland," adds The Washington Post. "A 407-foot (124-meter) communications tower there, equipped with a lightning rod, is struck roughly a hundred times a year."] The design ionizes nitrogen and oxygen molecules, releasing electrons and creating a plasma that conducts electricity. As the laser fires at a very quick 1,000 pulses per second, it's considerably more likely to intercept lightning as it forms. In the test, conducted between June and September 2021, lightning followed the beam for nearly 197 feet before hitting the rod. The findings have been published in the journal Nature Photonics. A video of the work has also been published on YouTube.

It was meant to be the first-ever orbital mission to take off from the United Kingdom — carried by a Virgin Orbit rocket launched from a private jumbo jet Monday over the Atlantic ocean, according to the BBC.

But instead "at an altitude of approximately 180km (111 miles), the upper stage experienced an anomaly which 'prematurely ended' the first burn. The company said this event ended the mission, with the rocket components and payload falling back to Earth within the approved safety corridor.,,,"

At this point the unmanned rocket became "a slow moving fireball in the sky," astrodynamics lecturer Marco Langbroek told Gizmodo in an email. The rocket's hellish descent was captured on video, revealing the unfortunate journey back from space. Ramón López, an observer at the Spanish Meteor Network, caught the rocket reentering Earth's atmosphere from Lanzarote, one of the Canary Islands off the west coast of Africa. He released the footage on YouTube, as well as on Twitter.
Earlier this week Space.com noted that four previous Virgin Orbit missions have all been successful, deploying a total of 33 satellites into orbit.

UpNext, Airbus's future technology-focused subsidiary, reported on Thursday that it has entered the final three months of testing tech it hopes will automate the process of getting a plane from the air to the gate. The Register reports: The system, called DragonFly, tackles automated operations like diversions, landings, and taxi procedures through a combination of sensors, computer vision algorithms and robust guidance calculations. Airbus pitches the system as an extra layer of safety for emergency operations. "In the unlikely situation where a crew is unable to control the aircraft, DragonFly can redirect the flight to the nearest appropriate airport and facilitate a safe landing," enthused the aerospace corporation. The eventual hope is for the technologies to pave the way for automated landing -- or at least compensate for a less than perfect pilot during an emergency situation. If the captain had the fish, for example.

A marketing video of the Airbus UpNext DragonFly details that a safe landing feature is included in the Automated Emergency Ops application. It works by detecting the most suitable airport for landing and calculates a trajectory to get there, with consideration for weather, military zones and other factors. Airbus assures viewers that Air Traffic Control (ATC) and Operations Control Center (OCC) communication links are in place. The video does not, however, explain how the aircraft communicates with air traffic control for clearance into controlled airspace if the pilot is incapacitated, as that task is completed through human verbal interaction. An automated landing is assisted by sensors that enhance the view of the runway, computer vision algorithms, and guidance computation.

Furthermore, the demonstrator is kitted out with a pilot taxi assistance application to manage its maneuvers on the ground in a heavily trafficked airport. Air traffic control clearance is interpreted and translated into taxi guidance cues. Crew receive audio alerts in reaction to obstacles, assisted speed control and an interactive airport map. The taxi assistance element was tested at Toulouse-Blagnac Airport. The subsidiary reckons one day DragonFly will allow for automatic landing at any airport, regardless of whether the ground equipment is equipped for such landings.