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Comment fuck them (Score 1) 110

They run as a rectangular banner at the bottom â" part of a widget that also shows news, the weather and a calendar.

Don't care. If your shit shows me ads, it's not getting into my kitchen. Note to self: Don't buy appliances from Samsung anymore.

Yes, I am vocal in how much I hate ads. I believe the CEOs of advertising companies should get one hit with a stick for every time their ad bothered someone even in the slightest.

Comment Re:Windows is crashing because? (Score 1) 183

Exactly what I'm saying.

The fact that users and enterprise customers are not demanding better software from Microsoft with the same fervor their ancestors demanded that the witch be burnt speaks volumes.

And I'm specifically talking about operating systems here. Software can crash for all I care. I'm fine software quality being all over the place, the market can sort that out. But operating systems are natural monopolies and the foundation for everything else. We should not accept shoddy quality there.

Comment Re:Good. Now copyright terms (Score 1) 91

Dude, are you living under a rock?

These bands are creating new music. But the money that allows them to do so comes from their old music. I have bands in my collection that have been making music for 30 years.

And I'm pretty sure even small bands make good money nowadays from touring,

No they don't. They don't even make ok money. Tours are expensive and a lot of people, from road crew to venue security, take their cut before the musicians. The big guys, they make a killing on tours. But the small ones sometimes don't even break even.

In fact, a common wisdom in the industry is that touring is worth it not because the tour itself makes profits, but because it builds a fanbase and drives what is called "catalog discovery" - both old and new fans looking buying the albums with the songs they liked (and for the old fans, didn't know).

This study: https://www.giarts.org/article... says that 28% of income across all the musicians surveyed comes from tours. The share is larger for the rock/pop sector where it nears 40% but even that isn't easy money. And if you consider that only 20% of the rock/pop musicians make more than $50,000 a year, then it becomes a hollow statement.

Plus, it goes directly against your first statement - while on tour the band is not creating new music. So if you want to drive musicians more towards constantly creating (which most of them already do), then you can't make live performances the main income source.

Comment How is the lack of govt information relevant? (Score 3, Insightful) 80

Assuming it's remotely true (and there's good reason for thinking it isn't), it still means the FBI director was negligent in their choice of personal email provider, that the email provider had incompetent security, and that the government's failure to either have an Internet Czar (the post exists) or to enforce high standards on Internet services are a threat to the security of the nation (since we already know malware can cross airgaps through negligence, the DoD has been hit that way a few times). The FBI director could have copied unknown quantities of malware onto government machines through lax standards, any of which could have delivered classified information over the Internet (we know this because it has also happened to the DoD).

In short, the existence of the hack is a minor concern relative to every single implication that hack has.

Comment Re:Good. Now copyright terms (Score 1) 91

There is more than one study and more than one way to look at it. Especially for streaming, having a catalog matters, especially for the smaller artists who will never have a charts-level hit:

"In 2024, nearly 1,500 artists generated over $1 million in royalties from Spotify aloneâ"likely translating to over $4 million across all recorded revenue sources. What's remarkable is that 80% of these million-dollar earners didn't have a single song reach the Spotify Global Daily Top 50 chart. This reveals a fundamental shift from hit-driven success to sustainable catalog-based income, where consistent engagement from devoted audiences matters more than viral moments or radio dominance."

https://cord-cutters.gadgethac...

Also don't forget that many studies such as DiCola's "Money from Music" focus on the superstars and the big hits. That is true, the charts pop music generates 80% or so of its income within the few weeks it stays in the charts and then drops of sharply.

Honestly, I don't care about the charts and superstars. They wouldn't starve if we cut copyright terms to six weeks. I do care about the indie artists that I enjoy. Who after ten years get the band back together for another tour through clubs with 200 or 500 people capacity. I'm fairly sure they would suffer if the revenue from those albums disappeared. And disappear it would. Maybe fans would still buy the CDs from the merch booth, but Spotify would certainly not pay them if it didn't have to.

Comment Re:Blessing in disguise? (Score 1) 78

I got one around 2008. They were the best of the non-premium 1080p HDMI screens at the time.

The one I got had slightly better test review scores on display quality than the LG that year. The Sony was 20% better for 3x the price.

It lasted about twelve years and by then a bigger 4K with much brighter colors was half the cost in nominal dollars, so probably 1/4 the cost in real terms.

And by then cheap flashable streaming sticks were available as was pihole and fairly easy outbound NAT rewriting rules to keep the beasts contained.

Comment Re:Coming soon off the back of this (Score 1) 112

Doesn't have to be a credit card. A class III user digital certificate requires a verification firm be certain of a person's identity through multiple proofs. If an age verification service issued such a certificate, but anonymised the name the certificate was issued to to the user's selected screen name, you now have a digital ID that proves your age and optionally can be used for encryption purposes to ensure your account is only reachable from devices you authorise.

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