Don't care. If your shit shows me ads, it's not getting into my kitchen. Note to self: Don't buy appliances from Samsung anymore.

Yes, I am vocal in how much I hate ads. I believe the CEOs of advertising companies should get one hit with a stick for every time their ad bothered someone even in the slightest.

Exactly what I'm saying.

The fact that users and enterprise customers are not demanding better software from Microsoft with the same fervor their ancestors demanded that the witch be burnt speaks volumes.

And I'm specifically talking about operating systems here. Software can crash for all I care. I'm fine software quality being all over the place, the market can sort that out. But operating systems are natural monopolies and the foundation for everything else. We should not accept shoddy quality there.

We are obligated to ignore stupid laws. To mock them, to flaunt them and ultimately get them removed.

We are not sheep.

Users should never be able to do things that cause crashes in the same way that drivers should not ever be able to press any button or press any pedal that causes the engine to spontaneously burst into flames.

I'm also a Mac user, but let's not boast here, shall we?

My personal guess would have been at least 10x. Did Microsoft bribe the study authors?

Dude, are you living under a rock?

These bands are creating new music. But the money that allows them to do so comes from their old music. I have bands in my collection that have been making music for 30 years.

No they don't. They don't even make ok money. Tours are expensive and a lot of people, from road crew to venue security, take their cut before the musicians. The big guys, they make a killing on tours. But the small ones sometimes don't even break even.

In fact, a common wisdom in the industry is that touring is worth it not because the tour itself makes profits, but because it builds a fanbase and drives what is called "catalog discovery" - both old and new fans looking buying the albums with the songs they liked (and for the old fans, didn't know).

This study: https://www.giarts.org/article... says that 28% of income across all the musicians surveyed comes from tours. The share is larger for the rock/pop sector where it nears 40% but even that isn't easy money. And if you consider that only 20% of the rock/pop musicians make more than $50,000 a year, then it becomes a hollow statement.

Plus, it goes directly against your first statement - while on tour the band is not creating new music. So if you want to drive musicians more towards constantly creating (which most of them already do), then you can't make live performances the main income source.

There is more than one study and more than one way to look at it. Especially for streaming, having a catalog matters, especially for the smaller artists who will never have a charts-level hit:

"In 2024, nearly 1,500 artists generated over $1 million in royalties from Spotify aloneâ"likely translating to over $4 million across all recorded revenue sources. What's remarkable is that 80% of these million-dollar earners didn't have a single song reach the Spotify Global Daily Top 50 chart. This reveals a fundamental shift from hit-driven success to sustainable catalog-based income, where consistent engagement from devoted audiences matters more than viral moments or radio dominance."

https://cord-cutters.gadgethac...

Also don't forget that many studies such as DiCola's "Money from Music" focus on the superstars and the big hits. That is true, the charts pop music generates 80% or so of its income within the few weeks it stays in the charts and then drops of sharply.

Honestly, I don't care about the charts and superstars. They wouldn't starve if we cut copyright terms to six weeks. I do care about the indie artists that I enjoy. Who after ten years get the band back together for another tour through clubs with 200 or 500 people capacity. I'm fairly sure they would suffer if the revenue from those albums disappeared. And disappear it would. Maybe fans would still buy the CDs from the merch booth, but Spotify would certainly not pay them if it didn't have to.

Everyone's (rightfully) bitching about this, and I agree, but none of that solves the problem.

What's the alternative? Give me a TV brand that gives you, ideally, a dumb TV, but alternatively a decent smart TV that is easy to work with.

Responsiveness is an important, and often overlooked, characteristic. It's important.

Brand/model recommendations; go!

He's basically a newborn :-)

Yes, but there is an important difference: TV had to appeal to an average audience member. Meanwhile the social media algorithms are intentionally working against you, trying to specifically find and use your triggers.

That's quite a different intent there.

On the TV, parents could also check the program for what they thought was suitable for their kid or not. They could watch the same program, even if not in the same room. Social media is a lot more personal and a lot harder to track and filter.

Hard disagree.

Not everything is subject to hype cycles. A lot of especially the SMALLER musicians, for example, basically live off their back catalog. I routinely buy the entire collection of artists that I freshly discover and fall in love with. And I totally feel that it is right that I pay them for music they made, no matter when they made it.

What is an abomination is copyright terms of DEATH + 70 years. Or whatever Disney pushed it to by now. I'm ok with inheritance of creative work, but it should not put the children into "never have to work in their entire life" territory.

Then again, there are two aspects: Creative control and money. I think that the Tolkien estate did a generally good job of protecting the integrity of JRR's works. Well, if we ignore Rings of Power, I have no idea what lies Amazon told them to get the approval for that shitshow.

And let's not forget that coypright law is also what protects GPL software.

One of the lessons we've had as the Federal, multi-branch nature of the US governmennt has frustrated Trump is that the government may be fucking us over, but it's not doing it in *unison*. It's doing it piecemiel, on the initiative of many interests working against each other, just as the framers intended. The motto on the Great Seal notwithstanding, there are myriad roadblocks to consolidating power in the hands of a single individual. It takes time and repeated failures. This is why the second Trump Adminsitration is worse than the first; they've figured out ways around things like Congressional power of the purse, put more of their henchmen in the judiciary, and normalized Congress lying down and letting the president walk all over them. It's a serious situation, although fortunately Trump isn't long for this world.

Why? We already have machine code. What could an "AI-optimized programming language" do that neither machine code nor current programming languages already do?

Uh, you can do that today. That "intermediate language" is any programming language that has enough stuff on the Internet that the LLMs have trained them.

Now whether or not that's a good idea or a recipe for desaster is an ongoing discussion. As a security professional, my take is simple: Thank you AI, my job is secure until I retire. Just when technical solutions like W^X or Rust's memory ownership to list just two of dozens, were eliminating entire classes of vulnerabilities.

The best part? I don't even need to learn anything new. AI has trained on insecure code, example code, "why does this not work" Stackoverflow questions and a whole lot of other stuff full of bugs and vulns. They're all showing up again in vibe coded slop.

The bots are the most interesting part of reddit. It's fascinating to me what foreign actors want us thinking or believing.

It's not like the organic reddit content has any value. This will be like the time onlyfans pretended they were going to get rid of porn.