Back in the 20-aughts, someone tried to make cassettes happen again. It was so Fetch. You couldn't get cassette tapes to save your life except for exorbitant prices on ebay. Any machine that would record or play one shot up in price as the mouth-breathing automatons jumped on the bandwagon.
Let's be clear here - cassette tapes have precisely zero redeeming qualities other than portability (compared to their predecessor - the 8-track). They were a bad compromise to get portability. To think you could put 4 tracks on a 1/8th inch tape running at a very unregulated 1 7/8 inches per second and retain some semblance of audio quality was ludicrous, but it was portable, and that's what people wanted. It turned out that audio quality didn't matter, because of car noise, crowds of people noise, commuter train noise, wind noise, exercise noise, the inherent noise created by the format, and most of the other use cases for portable audio, made audio quality obsolete.
Many efforts were made to deal with the high frequency noise that was a characteristic of the format. "High bias" tapes treated with a chrome additive allowed recording of high frequencies at much greater amplitude, which it was hoped would increase the S/N in the higher frequencies and allow for flat playback. It worked, sort of, but not really.
But seriously, if you want to "take risks" then you have to stick to album tapes. Making mix tapes eliminates risk just like creating your own playlists on Spotify. If you want to "be a rebel" and "take risks," then listen to the playlists that Spotify curates for you, without skipping. Don't dig up half-century old technology and call yourself erudite.