Comment No surprise SUNO scraped those sites, but ... (Score 1) 15
I paid for a year of access to their service last year (recently let it expire/lapse)
I guess you can fight legal battles endlessly over what you're allowed to do with content that was made freely available for you to access over the Internet.... But those "vast music libraries" they "stole" were the same ones the average user of services like YouTube are welcome to pull up and listen to any time they like.
We're really just arguing about if it's ok to write code so a computer can analyze the music and use it to create new music based on ideas it "learned" from the content
To me, the impressive part of SUNO was the way I could supply my own original lyrics as text, complete with instructions on how I'd like to hear the words sung, and have it churn out a realistic-sounding result with a backing track fully assembled to go with it. If you listen to enough SUNO content, you start to get a sense that specific music genres it uses result in only a certain resulting sound/feel/vibe. I could tell it to regenerate something I told it to create in the style of an "Irish jig", for example -- and over dozens of attempts? I'd wind up with maybe 4 or 5 really different ways it constructed it, and the rest feeling like small changes to those basic constructs. But to me, that's ok. You shouldn't try to use an AI music creation tool to crank out complete, "ready to play/perform" pieces of music that got rid of human musicians. A SUNO creation should be identifiable as a SUNO creation when a discerning listener hears it.
I see SUNO handling relatively "low effort" music creation needs like advertising jingles or as a tool to inspire a musician to build from what it gave them as a staring point. For a lot of background music, such as what's needed in a video game? It makes sense too.