What is Proof of Music Ownership? 160
scottsk asks: "What is proof of music ownership? I can't find a good answer anywhere. Let's assume some random person is hauled into court allegedly for having music that he has not legitimately bought. What must that person produce to prove the music was purchased legitimately? Is producing an original commercially sold CD with the music acceptable, or is some further proof of purchase needed (cash register receipt, cancelled check, etc.)? What if a person has digitized a commercial cassette, like digitizing a photo? Must the person carry the cassette around forever, or is just the cassette insert sufficient? (What about an LP record that has been digitized?)" Now, what happens if you've lost all of your property in a fire, but still had an off-site digital backup of your legally purchased music somewhere? Does the loss of the original property invalidate the legality of the backups?
The truth of the matter... (Score:5, Insightful)
Slashdot != legal advice (Score:5, Insightful)
If you're talking about the RIAA busting down your door and asking you to prove that you have a legally purchased copy of any of those CD-Rs with "their IP" on them, then I think you can be safe knowing they have to prove that it is more likely than not that those are the result of infringement.
Movable Criteria (Score:3, Insightful)
For a court of law? I don't think that it's ever gotten that far in court yet.
Winning (Score:2, Insightful)
Re:Better Question: Does it Matter? (Score:4, Insightful)
Unfortunately, this would fail in the case of gifts. I could always give you my copy of the music/movie/whatever and could claim that I purchased it as a gift for you (possibly true). This is a valid scenario where someone else is shown as the purchaser of the music. It gets even harder if you pay cash, or go to a store where they give a receipt with the amount on it, but not the item description (used music store, eBay, buy from a friend, etc.).
Depends on your goal - and the RIAAs (Score:2, Insightful)
Thievery, title, and use right... (Score:5, Insightful)
(I am not a lawyer, etc.) There's no express right to make a backup of an audio recording, but leaving that aside, what's the point of a backup except to prolong access to the recording beyond the life of the original media? From the legal perspective, it's silly to even make a backup if one loses the right to use it in the event the original media is destroyed.
Now, the question of theft of the original media is slightly more interesting. A thief obtains no legal title to stolen goods, so if ones original media were stolen, one might retain constructive possession of the originals. That constructive possession would, if we assume the backups were themselves legal, permit the continued use of the backup media.
I wonder whether there's any precedent as to what would happen if the originals were later destroyed by the thief - would the use right terminate? If we assume that destruction of the originals in a house fire would terminate the right to use the backups, then I imagine no use right would be retained if the would-be thief hadn't stolen them but destroyed them and left the pieces in the possession of the owner. Wacky.
-Isaac
Ummm... (Score:2, Insightful)
I believe the proper response for this is "mu".
Your question presupposes that there is a need for individuals to prove that they purchaced some music. I say that there is not. Should a group of the RIAA ilk take consumers to court for owning supposedly pirated music, then the RIAA or the group like them will need to prove to the court that the music is indeed illegitimate; "beyond a reasonable doubt" for criminal cases, and they must have sufficient evidence for strong suspicion for civil damages (IANAL, so I don't know all the legalese speak for the necessary evidence in a civil case).
Where they get you, however, is when you distribute said music. Getting everyone at work to upload all the music they own to the jukebox server, is what RIAA et. al. defines as "stealing". Most people here think this is a good idea, but it does violate copyright laws (since you're basically making a local copy each time you listen to a song on the server), and is not covered by Fair Use.
If you have digitized music, copyright laws and DMCA have little chance of harming you in court, because the onus is on the litigant to prove that you violated these laws. If there is any way that you could have happened upon DRM-free copies of the music, any lawyer worth the $100 you pay for an hour in court will get the case promptly thrown out, and most likely will get the prosecuting party to pay the bill for wasting everyone's time.
What happened with implied innocence? (Score:5, Insightful)
Why do -I- have to prove the mp3 in my mp3 player is legal? Why can't my word suffice? Shouldn't RIAA have to prove I obtained it illegally?
They say I got it from p2p. I say I ripped it off a legal CD I misplaced later. Until they -prove- I actually downloaded it from p2p I should be innocent, shouldn't I?
Re:The truth of the matter... (owned) (Score:4, Insightful)
An unlikely scenario (Score:4, Insightful)
When jackbooted thugs start yanking the iPods of folks walking down the street and demanding to know where the listener obtained the song, then we'll have this problem. Until then, you're only sued for unlawful distribution.
straw man question (Score:3, Insightful)
Let's assume some random person is hauled into court allegedly for having music that he has not legitimately bought.
The only scenario where that might happen is if you're caught shoplifting.
The RIAA has never brought suit against someone in the terms that you describe. They've brought suit against people for distributing music, not posession. In which case, your proof would be a contract/license of some sort that gives you the right to distribute the music.
Re:The question should never come up. (Score:4, Insightful)
Re:The truth of the matter... (owned) (Score:2, Insightful)
Re:The truth of the matter... (owned) (Score:2, Insightful)
Because you do not own the text. That is why you have to pay royalties to stage a play.
KFG
Re:License? (Score:3, Insightful)
If they are selling a license, what are its terms, when did you agree to it and when was it explicitly stated that they were not selling you the CD when you handed over the cash?
The RIAA and its agents claim that they are selling you the CD (not a license to the music). The shop gives you the CD in exchange for money; they are, therefore, by definition selling you the CD. Even if they aren't, you have physical control over the CD so the assumption is that you own it.
If the claim you need a license to use your own property (which is bullshit), then every single person who uses a CD they have bought is in violation (as you agree to no license when buying a CD).
Re:What happened with implied innocence? (Score:4, Insightful)
While you are assumed innocent until proven guilty, there is already evidence against you if you make it to court. It is nearly impossible to prove a negative such as "prove I didn't buy a cd and rip this track off of it".
Re:What happened with implied innocence? (Score:3, Insightful)
In extreme case you can walk into someone's house, pick something moderately expensive up and walk out and with enough cheek simply get out of court innocent. But this takes lots of time and skill and quite a bit of money and works only once, maybe twice. OTOH treating this rule lightly especially with connection to "campaigns" like "war on drugs" leads to extremely easy framing anyone. Just drop a few bags of pot into their property them anonymously tip the police, and voila, instant guilty.
Same here.
Re:Not Something to Worry About (Score:2, Insightful)