I knew someone pushing this shit a few years ago and claiming it was "therapy." She got arrested for dealing (other) drugs and then fled the country after making FALSE accusations at a number of people...

We would have to re-arrange society to ease many of the stressors in life. I predict we'll be needing those drugs for a while.

Based on the cost of products from China vs the price of products made in China but sold by non-Chinese companies, I'd say the price well more than covers the cost of everything for practically any product where they also choose to display ads.

They just want more, more, always more.

It's also possible that Dolby is twisting logic into a pretzel in order to make this claim. It wouldn't be the first far-fetched theory of infringement to go through court.

Users should never be able to do things that cause crashes in the same way that drivers should not ever be able to press any button or press any pedal that causes the engine to spontaneously burst into flames.

I'm also a Mac user, but let's not boast here, shall we?

My personal guess would have been at least 10x. Did Microsoft bribe the study authors?

Dude, are you living under a rock?

These bands are creating new music. But the money that allows them to do so comes from their old music. I have bands in my collection that have been making music for 30 years.

No they don't. They don't even make ok money. Tours are expensive and a lot of people, from road crew to venue security, take their cut before the musicians. The big guys, they make a killing on tours. But the small ones sometimes don't even break even.

In fact, a common wisdom in the industry is that touring is worth it not because the tour itself makes profits, but because it builds a fanbase and drives what is called "catalog discovery" - both old and new fans looking buying the albums with the songs they liked (and for the old fans, didn't know).

This study: https://www.giarts.org/article... says that 28% of income across all the musicians surveyed comes from tours. The share is larger for the rock/pop sector where it nears 40% but even that isn't easy money. And if you consider that only 20% of the rock/pop musicians make more than $50,000 a year, then it becomes a hollow statement.

Plus, it goes directly against your first statement - while on tour the band is not creating new music. So if you want to drive musicians more towards constantly creating (which most of them already do), then you can't make live performances the main income source.

The first thing I do on installing Linux is nuke NetworkManager and it's ilk.

Anecdotally, the only crashes I've ever had on MacOS were due to HDMI and cheap USB dongles. Find a combination that works and you're not going to have problems. I've been a consistent MacOS user since 2017.

Haven't had a single issue in years, on Apple Silicon.

These things include:

- booting
- rebooting
- using basic high quality hardware (asus/mb/msi boards w/ corsair/crucial memory, nvidia GPUs, seasonic PSUs)
- installing drivers

I've seen crashes on W10/W11 on each of these, sometimes (often) requiring "repair" that fails, and a reinstall (of the OS). Multiple machines.

I just won't do it anymore.

On linux, sleep/hibernation is more like a Polish revolver with one bullet loaded. When it works, it works. When it doesn't, it really doesn't.

Hey, believe it or not, that is actually the OS crashing.

The crash might occur in the driver, but it's still the OS crashing.

These driver crashes on Windows typically lead to having to reinstall/"repair" Windows. It takes a lot of time, and is a frequent occurrence. It's more common than it used to be in the W7 days by far.

I've been doing this for 30 years as well, and you're full of crap. Even with new, reputable (high end) hardware, it's a common problem.

Assuming it's remotely true (and there's good reason for thinking it isn't), it still means the FBI director was negligent in their choice of personal email provider, that the email provider had incompetent security, and that the government's failure to either have an Internet Czar (the post exists) or to enforce high standards on Internet services are a threat to the security of the nation (since we already know malware can cross airgaps through negligence, the DoD has been hit that way a few times). The FBI director could have copied unknown quantities of malware onto government machines through lax standards, any of which could have delivered classified information over the Internet (we know this because it has also happened to the DoD).

In short, the existence of the hack is a minor concern relative to every single implication that hack has.

There's no reason a smart TV MUST have an account with the manufacturer or seller unless they want to enshittify it.

You may want to have accounts with various streaming services or perhaps you just want it to stream video you have on a NAS.

There is more than one study and more than one way to look at it. Especially for streaming, having a catalog matters, especially for the smaller artists who will never have a charts-level hit:

"In 2024, nearly 1,500 artists generated over $1 million in royalties from Spotify aloneâ"likely translating to over $4 million across all recorded revenue sources. What's remarkable is that 80% of these million-dollar earners didn't have a single song reach the Spotify Global Daily Top 50 chart. This reveals a fundamental shift from hit-driven success to sustainable catalog-based income, where consistent engagement from devoted audiences matters more than viral moments or radio dominance."

https://cord-cutters.gadgethac...

Also don't forget that many studies such as DiCola's "Money from Music" focus on the superstars and the big hits. That is true, the charts pop music generates 80% or so of its income within the few weeks it stays in the charts and then drops of sharply.

Honestly, I don't care about the charts and superstars. They wouldn't starve if we cut copyright terms to six weeks. I do care about the indie artists that I enjoy. Who after ten years get the band back together for another tour through clubs with 200 or 500 people capacity. I'm fairly sure they would suffer if the revenue from those albums disappeared. And disappear it would. Maybe fans would still buy the CDs from the merch booth, but Spotify would certainly not pay them if it didn't have to.