Reader joshtops writes: Wow thanks for the overwhelming response on my previous post. I'm taking notes and intend to give all of the suggested books a go in the near future. If I may, and I hope the editors approve of this, could you also list some of your favorite TV shows and documentaries? Also, is there any show or documentary you think that changed or influenced your life, or at least your perception on any particular subject?

On Tuesday, Apple made its debut into the world of original television programming with "Planet of the Apps," a reality show that brings app developers in a competition to try to get mentoring and assistance from hosts Jessica Alba, will.i.am, Gwyneth Paltrow and entrepreneur Gary Vaynerchuk. Contestants describe their proposals as they ride an escalator down onto a stage where the judges sit, and then fire questions at the app developer. The problem? Critics aren't pleased. An anonymous reader shares a Variety report: Apple's first offering, "Planet of the Apps," feels like something that was developed at a cocktail party, and not given much more rigorous thought or attention after the pitcher of mojitos was drained. It's not terrible, but essentially, it's a bland, tepid, barely competent knock-off of " Shark Tank." Apple made its name on game-changing innovations, but this show is decidedly not one of them. The program's one slick innovation is the escalator pitch. You read that right; I didn't mistype "elevator pitch." The show begins with an overly brief set-up segment, which doesn't spend much time explaining the rules of the show, and which also assumes that a viewer will know who host Zane Lowe is, though a reasonably large chunk of the audience won't. Soon enough, app developers step into a pitch room with a very long escalator in the middle of it. As the four judges listen (often with looks of glacial boredom on their faces), the aspiring creators have one minute of escalator time to tout the product they want funding for. After the app makers get to the bottom of the conveyance, the judges (or "advisors") vote yea or nay. As long as one judge has given the developers a green light, they can continue making their pitch.

Reddit users who have installed copies of the developer beta of iOS 11 are reporting that Apple has finally added support for lossless FLAC audio files in their new mobile operating system. The Next Web reports: The functionality was first spotted on an iPhone 6S Plus running iOS 11 Beta 1 and is reportedly available as part of the newly announced file-management app, Files. Up until now, Apple had deliberately opted to ignore offering playback support for FLAC files in both iTunes and iOS -- though there are numerous third-party apps to do the trick. But it appears things are finally about to change.

According to a cable lobbyist group, cable TV is "failing" as a business due to rising programming costs and consumers switching from traditional TV subscriptions to online video streaming. "As a business, it is failing," said Matthew Polka, CEO of the American Cable Association (ACA). "It is very, very difficult for a cable operator in many cases to even break even on the cable side of the business, which is why broadband is so important, giving consumers more of a choice that we can't give them on cable [TV]." Ars Technica reports: The ACA represents about 750 small and mid-sized cable operators who serve about seven million customers throughout the US. The ACA has also been one of the primary groups fighting broadband regulations, such as net neutrality and online privacy rules, and a now-dead set-top box proposal that would have helped cable TV subscribers watch the channels they subscribe to without a rented set-top box. "The cable business isn't what it used to be because of the high costs," Polka said, pointing to the amount cable TV companies pay programmers for sports, broadcast programming via retransmission consent fees, and other programming. When asked about cord cutting, Polka said, "it's the video issue of our time as consumers learn they have choice" from services like Netflix, Hulu, and Amazon Prime. "It gives consumers more choice, something that they've wanted for a long time, more control from the bundle of cable linear programming," Polka said. "Our members, however, I think are very aggressive in how they are trying to provide consumers that they serve with more choice through on-demand [channels], through availability of over-the-top services, making sure that their broadband plan is fast enough to support a consumer's video habits. So, yes, it's a thing that's happening today, cord cutting, cord shaving. But as an industry, our members are well primed to be able to serve their customers with their broadband service that allows them to consume the video they want."

The hacking entity TheDarkOverlord (TDO) has reportedly leaked Steve Harvey's Funderdome via The Pirate Bay. TDO said they approached ABC "with a most handsome business proposal" not to leak eight episodes of the ABC show but was "rudely denied an audience." TorrentFreak reports: Late April, a hacking group calling itself TheDarkOverlord (TDO) warned that unless a ransom was paid, it would begin leaking a trove of unreleased TV shows and movies. Almost immediately it carried through with its threat by leaking the season five premiere of Netflix's Orange is The New Black. The leak was just the start though, with another nine episodes quickly following. Netflix had clearly refused to pay any ransom. "We've just released ABC's 'Steve Harvey's Funderdome' Season 01 Episodes 01 through 08. This is a completely unaired show," TDO told TF. Ever since there have been suggestions that TDO could leak additional material. It was previously established that the Orange is the New Black leak was the result of a breach at post-production studio Larson Studios. TDO previously indicated that it had more content up its sleeve from the same location. During the past few hours that became evident when a message sent to TF heralded a new leak of yet another unaired show. TDO refused to confirm where it had obtained the content but since the show was present in an earlier list distributed by TDO, it seems possible if not probable that the episodes were also obtained from Larson. We're unwilling to discuss the source of this material, but we'll go on the record stating that this is content that is owned by American Broadcasting Company and it's just been released on the world wide web for everyone's consumption," TDO said.

Apple unveiled its home speaker during WWDC 2017 on Monday. The device, called HomePod, will go toe-to-toe with existing competitors such as the Amazon Echo and Google Home. Apple said it wanted to combine good speakers with smart speakers you can talk to, referencing Sonos and Amazon Alexa. It said the speaker "needs to rock the house" free from distortion. It also needs to have "spatial awareness" to make the music sound good no matter the room size. It also needs to be fun to use, Apple said, adding that the HomePod does all of this with a customer's privacy in mind. From a report: The device is a pill-shaped circular speaker. It has 7 beam-forming tweeter array. It has a custom-made woofer and an Apple A8 chip. It has multi-channel echo cancellation, real-time acoustic modeling and more. The HomePod can scan the space around it to optimize audio accordingly. Schiller spent a lot of time talking about how good it sounds. Of course the speaker works well with Apple Music. You can talk to the speaker to play anything in your Apple Music library and more. You can say "play more songs like that," or "I like this song." [...] It's going to cost $349. It comes in white and space grey. It starts shipping in the U.S., the U.K. and Australia. Other countries will get HomePods next year.

seoras quotes a report from BBC: A new book by Lord of the Rings author JRR Tolkien is going on sale -- 100 years after it was first conceived. Beren and Luthien has been described as a "very personal story" that the Oxford professor thought up after returning from the Battle of the Somme. It was edited by his son Christopher Tolkien and contains versions of a tale that became part of The Silmarillion. The book features illustrations by Alan Lee, who won an Academy Award for his work on Peter Jackson's film trilogy. It is being published on Thursday by HarperCollins on the 10th anniversary of the last Middle Earth book, The Children of Hurin.

An anonymous reader quotes a report from Ars Technica: In a blog post, YouTube outlined more specific definitions of hate speech and what kinds of incendiary content wouldn't be eligible for monetization. Three categories are classified as hate speech, with the broadest one being "hateful content." YouTube is defining this as anything that "promotes discrimination or disparages or humiliates an individual or group of people on the basis of the individual's or group's race, ethnicity, or ethnic origin, nationality, religion, disability, age, veteran status, sexual orientation, gender identity, or other characteristic associated with systematic discrimination or marginalization." The second category is "inappropriate use of family entertainment characters," which means content showing kid-friendly characters in "violent, sexual, vile, or otherwise inappropriate behavior," no matter if the content is satirical or a parody. The final category is somewhat broad: "incendiary and demeaning content" means that anything "gratuitously" demeaning or shameful toward an individual or group is prohibited. The updated guidelines are a response to creators asking YouTube to clarify what will and will not be deemed advertiser-friendly. YouTube acknowledges that its systems still aren't perfect, but it says it's doing its best to inform creators while maintaining support for advertisers. YouTube also launched a new course in its Creator Academy that creators can take to learn more about how to make "content appealing for a broad range of advertisers."

After hunting down torrent sites for more than a decade, Hollywood now has a more complex piracy threat to deal with. From a report: Piracy remains a major threat for the movie industry, MPA Stan McCoy said yesterday during a panel session at the St. Petersburg International Economic Forum. Much like Hollywood, copyright infringers are innovators who constantly change their "business models" and means of obtaining content. Where torrents were dominant a few years ago, illegal streaming devices are now the main threat, with McCoy describing their rise as Piracy 3.0. "Piracy is not a static challenge. The pirates are great innovators in their own right. So even as we innovate in trying to pursue these issues, and pursue novel ways of fighting piracy, the pirates are out there coming up with new business models of their own," McCoy said. "If you think of old-fashioned peer-to-peer piracy as 1.0, and then online illegal streaming websites as 2.0, in the audio-visual sector, in particular, we now face challenge number 3.0, which is what I'll call the challenge of illegal streaming devices."

Eloking quotes a report from Polygon: Take-Two Interactive has purchased physics-based space simulation Kerbal Space Program, according to announcements from publisher Take-Two and developer Squad. "We have been impressed with Kerbal Space Program since its launch, and we are committed to grow this unique experience while continuing to support its passionate community," said Michael Worosz, senior vice president, head of corporate development and independent publishing at Take-Two, in a release. "We view Kerbal Space Program as a new, long-term franchise that adds a well-respected and beloved IP to Take-Two's portfolio as we continue to explore opportunities across the independent development landscape." Kerbal Space Program officially launched on PC in 2015. The game had been available through Steam's Early Access program since 2013. It has since gone on to sell more than 2 million copies on console and PC. Developer Squad said in a statement that the acquisition won't alter its plan for continued development of Kerbal Space Program. The developer is currently working on the Making History Expansion for the game.

Pirates of the Caribbean: Dead Men Tell No Tales and Baywatch were never going to be critical darlings. Both movies led the domestic box office to its worst Memorial Day weekend showing in nearly 20 years. Quartz adds: In the fallout, are Hollywood producers blaming the writers? The actors? Themselves? (Of course not.) No, they are blaming Rotten Tomatoes. They say the movie-review site, which forces critics to assign either a rotten or fresh tomato to each title when submitting reviews, regardless of the nuances of their critiques, poisoned viewers against the films before they were released. "Insiders close to both films blame Rotten Tomatoes, with Pirates 5 and Baywatch respectively earning 32% and 19% Rotten. The critic aggregation site increasingly is slowing down the potential business of popcorn movies. Pirates 5 and Baywatch aren't built for critics but rather general audiences, and once upon a time these types of films -- a family adventure and a raunchy R-rated comedy -- were critic-proof. Many of those in the industry severely question how Rotten Tomatoes computes the its ratings, and the fact that these scores run on [the movie-ticket buying site] Fandango (which owns RT) is an even bigger problem," Deadline reported. [...] The site has a separate score that measures audience reception, which it displays next to the critic rating. And quite a few smell what The Rock is cooking -- 70% of Baywatch viewers on Rotten Tomatoes said they liked it. But the critic score is what many people look to when deciding whether to spend their hard-earned money at the cinema. Also read: Hollywood Producer Blames Rotten Tomatoes For Convincing People Not To See His Movie.

An anonymous reader shares an article: ESPN's problem isn't competition over content: They didn't position themselves for a future where cord cutting was a reality, according to former ESPN personality Bill Simmons. "They didn't see a lot of this coming," said Simmons. "They didn't see cord cutting coming. They weren't ready for it. A lot of decisions were made based on subs staying at a certain level. They had to realize they were a technology company. The ones winning are now Facebook, Twitter, Amazon, Hulu. ESPN should have been in that mix, but they're in Bristol. They should have had a place in Silicon Valley. That was their biggest mistake." ESPN is far from over, Simmons points out. Though it may make less money in the future, it has such strong cable deals, he said. "Everybody in here was paying $7 for ESPN whether they watched or not," he said. Simmons left ESPN in May 2015 after a public breakup, and signed a deal for an HBO series called "Any Given Wednesday" shortly after. The HBO show was cancelled in November 2016. Simmons also launched a new website called The Ringer in 2016. Also read Bloomberg's profile of executives at the company: ESPN Has Seen the Future of TV and They're Not Really Into It.

Billionaire Sean Parker's plans to bring movies to your home as soon as they release in theatres has hit new roadblocks. After receiving praises for "Screening Room" from directors and producers Steven Spielberg, Ron Howard, J.J. Abrams, and Peter Jackson, as well as Hollywood studios, the buzz for the startup has started to wane. From a report: Though Parker and cofounder Prem Akkaraju have promoted the company in the last two years at CinemaCon, it's gotten little traction due to a naivete of the industry, competitors, and studios' and theater chains' decade-long discussion about how to move forward on Premium VOD (PVOD) (alternative source), Business Insider has learned. "Everything you've heard in the press about studios and theaters wanting to explore a PVOD window, nothing about that revolves around Screening Room," a source close to the talks told Business Insider. Screening Room's main pitch to studios and exhibitors has been that it can bring added revenue to all sides of the equation. Out of the proposed $50 rental fee, 20% would go to the movie's distributor, and a participating theater chain would get up to $20 of the fee, plus each customer receives two tickets to see that rented title at their local theater. Screening Room would take 10% of each fee. Sources told Business Insider that all of the bells and whistles Screening Room is selling don't matter until the studios and theaters can agree on a Premium VOD (or PVOD) window. Industry players don't want movies to be available on PVOD simultaneously with theatrical release dates because the first two weeks of a theatrical run are still when studios and exhibitors get a majority of a movie's income. Also read: Sean Parker Is Going To Great Lengths To Ensure 'Screening Room' Is Piracy Free, Patents Reveal.

After 11 years, Sony has stopped shipping the PlayStation 3 to retailers in Japan. The country stopped production on the 500GB model in December last year, but now a recent update on PlayStation Japan's website suggests that the other lingering units have all been shipped as well. It's only a matter of time before the console stops being produced altogether in other parts of the world. Engadget reports: Selling over 70 million units in just seven years, the PlayStation 3 was certainly a console to be reckoned with. Yet, for all its achievements, the long-surviving gaming machine initially made a name for itself for all the wrong reasons. With Sony riding high on the PlayStation 2's market-leading sales numbers, its successor launched at the eye-watering price of $499 -- and consumers weren't too happy about it. Luckily for Sony, publishers stuck with the pricey console, and exclusive games like Uncharted, Heavy Rain, The Last Of Us and Metal Gear Solid 4 helped to right the course of Sony's initially water-riddled ship. With the sun-setting on the aging console in the East, the news doesn't bode well for the future of the PlayStation 3 across the rest of the world. Sony has previously announced that PS Now will soon move exclusively to PS4 and PC. While few players will be mourning the loss of the pricey service, there are many PS3 owners still benefitting from free games on PlayStation Plus and downloading new content from the PS Store. As Sony slowly begins to start winding the console down, it's unlikely that gamers will be able to continue to use these services for much longer on the aging gaming system.

Reader jader3rd writes: NPR has a story about computer composed soundtracks being used for small video projects.

Ed Newton-Rex, the company's founder, is a composer who studied computer programming, and says he started to ask himself: "Given what we know about how music's put together, why can't computers write music yet?" "You basically make a bunch of choices that really anyone can relate to," Rex says. "That's one of our aims. We wanted to make it as simple as possible, [to] really democratize the process of creation." Despite the successes there's been limited investment, because audiences and producers are uncomfortable with it. "On the credits they don't want to see 'Composed by Computer Program Experiments in Musical Intelligence by David Cope,' " he says. "It's the last thing they want to show their audience."

But how much longer will that last, until audiences are comfortable with seeing that a movies soundtrack was computer composed?

An anonymous reader writes: A professor of health policy at Australia's Curtin University got seven different science journals to put his dog on their editorial board. The dog is now associate editor for the Global Journal of Addiction & Rehabilitation Medicine, and sits on the editorial board of Psychiatry and Mental Disorders. The professor says he feels sorry for one researcher who recently submitted a paper about how to treat sheath tumors, because "the journal has sent it to a dog to review." The official profile of the dog lists its research interests as "the benefits of abdominal massage for medium-sized canines" and "avian propinquity to canines in metropolitan suburbs."
An Australian news site points out that career-minded researchers pay up to $3,000 to get their work published in predatory journals so they can list more publications on their resumes. "While this started as something lighthearted," says the dog-owning professor, "I think it is important to expose shams of this kind which prey on the gullible, especially young or naive academics and those from developing countries."

New submitter cinemetek quotes a report from University of Central Florida: Researchers at the University of Central Florida have developed a new color changing surface tunable through electrical voltage that could lead to three times the resolution for televisions, smartphones and other devices. Current LCD's are made up of hundreds of thousands of pixels that display different colors. With current technology, each of these pixels contain three subpixels -- one red, one green, one blue. UCF's NanoScience Technology Center (Assistant Professor Debashis Chanda and physics doctoral student Daniel Franklin) have come up with a way to tune the color of these subpixels. By applying differing voltages, they are able to change the color of individual subpixels to red, green or blue -- the RGB scale -- or gradations in between. By eliminating the three static subpixels that currently make up every pixel, the size of individual pixels can be reduced by three. Three times as many pixels means three times the resolution. That would have major implications for not only TVs and other general displays, but augmented reality and virtual-reality headsets that need very high resolution because they're so close to the eye.

An anonymous reader quotes a report from Ars Technica: Comcast's customer satisfaction score for subscription TV service fell 6 percent in a new survey, putting the company near the bottom of rankings published by the American Customer Satisfaction Index (ACSI). Comcast's score fell from 62 to 58 on ACSI's 100-point scale, a drop of more than 6 percent between 2016 and 2017. The ACSI's 2017 report on telecommunications released this week attributed the decrease to "price hikes for Xfinity (Comcast) subscriptions." Satisfaction with pay-TV providers dropped industry-wide, tying the segment with Internet service (a product offered by the same companies) for last place in the ACSI's rankings. The ACSI summarized the trend as follows: "Customer satisfaction with subscription television service slips 1.5 percent to 64, tied with Internet service providers for last place among 43 industries tracked by the ACSI. Many of the same large companies offer service for Internet, television, and voice via bundling. The threat of competition from streaming services has done little to spur improvement for pay TV. Customer service remains poor, and cord-cutting continues to accelerate. More than half a million subscribers defected from cable and satellite TV providers during the first quarter of 2017 -- the largest loss in the history of the industry. Customers still prefer fiber optic and satellite to cable, putting FiOS (Verizon Communications) in first place with a 1 percent uptick to 71. AT&T takes the next two spots with its fiber optic and satellite services."

Napster co-founder Sean Parker has been working on his new service called Screening Room, which when becomes reality, could allow people to watch the latest Hollywood blockbusters in their living room as soon as they premiere at the box office. This week we get a glimpse at the kind of technologies Parker is using to ensure that the movies don't get distributed easily. From a report: Over the past several weeks, Screening Room Media, Inc. has submitted no less than eight patent applications related to its plans, all with some sort of anti-piracy angle. For example, a patent titled "Presenting Sonic Signals to Prevent Digital Content Misuse" describes a technology where acoustic signals are regularly sent to mobile devices, to confirm that the user is near the set-top box and is authorized to play the content. Similarly, the "Monitoring Nearby Mobile Computing Devices to Prevent Digital Content Misuse" patent, describes a system that detects the number of mobile devices near the client-side device, to make sure that too many people aren't tuning in. The general technology outlined in the patents also includes forensic watermarking and a "P2P polluter." The watermarking technology can be used to detect when pirated content spreads outside of the protected network onto the public Internet. "At this point, the member's movie accessing system will be shut off and quarantined. If the abuse or illicit activity is confirmed, the member and the household will be banned from the content distribution network," the patent reads. [...] Screening Room's system also comes with a wide range of other anti-piracy scans built in. Among other things, it regularly scans the Wi-Fi network to see which devices are connected, and Bluetooth is used to check what other devices are near.

An anonymous reader shares an article: The music-streaming service Tidal is saying goodbye to yet another CEO. Jefffrey Toig, who became the company's CEO in December 2015, is leaving the company. This would make him the third CEO leaving Tidal after two years, following the departure of Andy Chen and Peter Tonstad. In a statement to CNET, Tidal said that it will announce a new CEO in the coming weeks. The Jay-Z-owned music service has relied heavily on star power and album exclusives, but its bet doesn't seem to be making any splashes. On top of that, the company was accused in January of lying about its 3-million subscriber-base. They were accused of creating fake accounts.