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Comment I have an Eizo FlexScan L568 in front of me (Score 1) 330

It's a 4:3 monitor with a fantastic colour and contrast. It's also been serving me faithfully for 6 or 7 years without causing any problems.
So needless to say, I am both a fan of Eizo monitors and lesser-than-HD aspect ratios. I am intrigued by this 1:1 aspect ratio Eizo monitor, but 26" is too big for my home. It is, however, almost ideal at work, where I do research: reading scientific articles and doing MEMS design would benefit a lot from this very monitor.

Comment Re:There rarely is a single cause (Score 3, Insightful) 222

It's not Oil being a part of the equation, it's cheap oil, which really wasn't available until he beginning of the 20th, that was the feedstock for all that complexity.

See how much innovation and growth you can manage when just brewing your cup of coffee in the morning either requires you to build a fire or fork over lots of money for a few watts.

Comment Re:Microsoft is not less evil,more companies are E (Score 2) 525

Wait a second: GP listed reasons why Microsoft was and still is a sociopathic entity, and your one and only counterargument is "I have long ago concluded that on Slashdot success = evil"? Looks like you arrived to the end of your brain, and it was a very short journey indeed.

Comment Re:The Fix (Score 1) 67

Broadly speaking, I agree, but you're overthinking it: all those companies failed or were significantly crippled because of a simple issue: corporate psychopaty. People in top positions including and especially CxOs, looking after their own interest at the expense of everybody else's. In previous years you had executives that tried to manage their companies for a long-term success. Nowadays, most executives (of large publicly traded companies) are just parasites. But even parasites don't try to kill their host. Corporate psychopaths don't give a shit - they just jump ship using their vast network of connections/golf buddies to land a new executive job at another company.

Comment Re:Nothing? (Score 1) 429

As long as there's no faster-than-light travel, "X happens before Y" is an invariant - it's true in all reference frames.

No. http://math.ucr.edu/home/baez/... and for the longer version http://en.wikipedia.org/wiki/L.... In these examples, the doors either close at the same time for the observer stationary with respect to the barn, or at different times for the observer running with the pole.

OK, sorry, should have said ""X doesn't happen after Y" is an invariant" (there don't exist reference frames such that X happens before Y in one frame and X happens after Y in another frame).

Again no. A running coming from the other direction would see the doors close in the other order. I think the AC parallel to this post explains it pretty well.

Comment Re:Nothing? (Score 4, Informative) 429

As long as there's no faster-than-light travel, "X happens before Y" is an invariant - it's true in all reference frames.

No. http://math.ucr.edu/home/baez/... and for the longer version http://en.wikipedia.org/wiki/L.... In these examples, the doors either close at the same time for the observer stationary with respect to the barn, or at different times for the observer running with the pole.

Comment Re:The saddest thing about this (Score 2) 257

I don't know the current stage of professional development of this pianist, but there are two main possibilities: either he's not improved since the review, or he has.

I have last heard him in 2013. At least up until that point, he has not improved. If anything, he's crystallized into that interesting, virtuoso but ultimately empty style that the review very well described. His recitals showcase his incredible control of the instrument, but leave the audience completely unfulfilled, with no real musical experience to speak of.

Comment Re:Sparks but no flame: Pianist Dejan Lazic at Ken (Score 3, Insightful) 257

I've heard Lazic's recitals, and I must say, this review perfectly describes them. All of them. The man is talented, certainly, but fails to produce even the slightest musical effect on the listener. His play is a waste of great pianistic control - all that control and virtuosism bring about nothing of substantial value.

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