If Trump had promised to destroy hollywood, I would have voted for him 10x harder.

(And i expect I would be disappointed because he wouldn't actually follow through with it)

Anyway, hopefully, AI gets the job done and finally kills that wretched industry. I look forward to further democratization of movie making.

(fwiw, my knee jerk reaction is to oppose the merger.)

The current generation of these smartglasses devices will fail and disappear.

Let me show my work:

1. women cannot use these smart glasses to take selfies.
2. therefore, women will not wear them.
3. therefore, the only people who wear them will be men
4. anything that men do but which women do not do is probably criminal, but certainly creepy, a red flag, or a cause of the ick
5. therefore, men will be shamed (or arrested) into not wearing them either

QED.

I don't think training a model with copyrighted data is any kind of gray zone at all.

Running inference against such a model _might_ be infringing.

But I don't see the legal argument that model training would be.

Think of model training as lossy data compression. You provide an input, it produces a compressed artifact, and it can no longer reproduce the original when you uncompress it. It can produce _something_. It cannot reproduce the original.

On slashdot, we all agree that format shifting copyrighted works should be allowed and unrestricted, right?

If there is applicable case law here about how lossy a "reproduction" can be before copyright has something to say about it, that would be relevant. Do you know of any?

I think you're repeating something that feels emotionally valid but in my experience, isn't factually (or legally) accurate.

I have found AI models to be frustratingly _obedient_ of copyright.

I'll be in a situation where I ask a specific question about what a document says, and the AI repeatedly says the work is copyrighted and it can't just tell me what it says _verbatim_, but it can answer specific questions for me in its own words (while telling me to check the original).

Two examples from my life are procedural questions about what Roberts Rules of Order would require in a given situation, and, what ASD STE-100 says about how to name/word things.

The applicable US law would appear to be USC 17 Sec 106 and 107, which on one hand limits derivative works, but on the other, allows fair use for purposes of teaching, scholarship, or research.

(USC references provided by AI, btw. Which I haven't read)

I used to agree with you, and then oddly enough, about 25-30 years ago, I came across this signature on another regular slashdot posters postings:

"The law, in its majestic equality, forbids the rich as well as the poor to sleep under bridges, to beg in the streets, and to steal bread."

(AI tells me the attribution is "The Red Lily", Anatole France, 1894)

I think the only Premium TVs left are the business TVs that give you meaningful mechanisms to not have intrusive "Smart" features.

Is there a meaningful difference between a Sony TV that harvests data and won't let you opt-out of "smart" features, and a Wal-mart TV that harvests data and won't let you opt-out of "smart" features?

I guess I am blessed to not be an audiophile and not have flawless supervision :)

FWIW, I have:
- a 20 yo 720p dumb 42" plasma
- a 20 yo 1080P dumb 50" plasma
- a 1yo 4k Samsung 65" TheFrame TV

That last one was a splurge I wanted because the "Art Mode" is just too beautiful, and at the time, Samsung really had the only coherent offering. (I guess there are now "off brand" ArtTV attempts from HiSense and others.. i have no experience with them.)

On the ArtTV, we watch youtube or DVDs or XBox on it a little of the time, and all that stuff looks fine to me on the 65" Samsung. But the TV is otherwise displaying pretty artwork almost all of the time, and whatever Samsung has done with the screen, dimming control, bezel, etc, really does work and really is lovely. And you don't need a service or an app to get the experience - just stick a USB full of public domain masterpieces into the TV.

Even so, the Samsung ecosystem is pretty annoying. I can have it show my images in ArtMode, but i cannot have the "real" experience you'd get with a subscription - with Art XML metadata and stuff (artist, date, etc). We don't always remember what a piece is or who painted it when it comes up..

Anyway, AFAIK, the only way to get TVs that aren't enshittified spyware is a business SKU, right?

In my house, we use Steam to play "windows-only" games on:
- Devuan with XFCE
- Devuan with Cinnamon
- Arch with hyprland
- bone stock Ubuntu 24
- ubuntu 25 laptop w/ second GPU

From my POV, there's not much need to port games to Linux. With the heroic efforts of Valve, most Windows games now just work. Win32, DX, D3D, and whatever else windows game devs have been using seems to have become the defacto reference gaming API on Linux.

Steam makes it work on every linux distro we've tried.

In writing this, it occurs to me: The F/OSS ecosystem does a very good job of re-implementing someone else's API/products (WINE, Proton, LibreOffice, etc)

The F/OSS ecosystem does a comparatively poor job at independently developing its own technology and then standardizing/universalizing those choices. E.g. the transition from X11 to Wayland; the systemd "situation(s)", desktop environments... gui greeters, audio muxers...

I think Valve has done the right thing. They made existing games work on Steam; they made Steam work on most linux distros.

Making everyone use a reference linux platform seems to be a total non-starter.

We already have a reference gaming platform: Windows 7 thru 10. And what we learned in 2025 is that Steam on nearly _any_ Linux often implements that windows reference gaming platform better than Windows 11 does.

There is, unfortunately, no free lunch. At the extreme, if you just kept printing money (even if itâ(TM)s digital) to make sure bread stays affordable you just end up with a bread shortage and bread lines.

Despite very credible allegations, Biden was never convicted of raping raping Tara Reade. And his daughter's recollections of him inappropriately showering with her outlasted any statute of limitations. But I see where you're going, there. The rest is a good fit, right down to the weaponized government, for sure. The plot twist is that the real kingpins are behind the scenes, using him as a puppet. It's good villain story line material fresh from real life.

do any of your three new members understand percentages?

You could do it â" but I imagine it would require real-time sensing of the Earth magnetic field in various locations and communication back to the device, since it does change all the time.

This may be real, though â" birds manage to navigate this way as far as I know.

The "current crisis" is manufactured and amplified externally. Nobody is doxxing Tesla owners with maps using Molotov cocktails as map cursors or burning lots full of vehicles in for service in some way that is a function of whether Musk is personally present on the factory floor vs doing something else he thinks is vital to our economic survival. All of it is ginned up hate based on the politics surrounding the pruning of vast left slush funds and debt-funded waste that has to go away. That's an entire industry with vested interests, and acting against it certainly brings out the coordinated hate, attacks on stock value, media smearing, and of course thousands of people who now say he's a nazi though they can't actually articulate why they think that.

No, him being "on the factory floor" or off it doesn't precipitate some "current crisis," except in the sense that entrenched interests currently having their oxen gored by drying up things like the NGO money laundering industry are doing their best to try to wreck the company to make a point.

So the people who made it should have been earning minimum wage, is that your point? Spread that dollar amount across five and half yeads and even modest team of people and their overhead, and they're making middle five figures after taxes. Is that a lot, to you?

It took five and a half years to make it. So, in perhaps over-simplified terms, that's ~$670k year working on it. Let's say you had six people working on the project, and had NO overhead at all beyond their personal income while making it. That's roughly $100k per person before they paid taxes, which is either pretty good or not very good at all, depending on where you live and how. But one supposes they also had some overhead. This wasn't done on their kids' laptops at night. There was music to compose, audio to record and design, and a lot more.

So, yeah. "Just" 3.7M is a fair characterization.

This is also my question. I am one of the remaining paid Skype users. Itâ(TM)s great for receiving and making calls to US numbers overseas. Iâ(TM)m open to VoIP number suggestions.