Well, I'm definitely opposed to this law, but think about your example: regardless of whether you know Anthony Hopkins age or not (I certainly don't know it without looking it up), he is visually and obviously unsuited to that role.
Consider more a case of Emily Kinney, whose age was at one time a bit hard to look up. She was pretty convincingly portraying Beth Greene on The Walking Dead - a 16-17 year old character - while the actress was in her late 20's.
You have to think of cases where people CAN'T really tell that the person isn't suited for the role just by looking at them.
Exactly. Loser pays all system basically means you DO NOT sue a big company regardless of how solid you think your claim is. I don't care if Microsoft wrote a program that caused my computer to intentionally come to life and shoot my dog, I wouldn't sue them for fear of maybe just POSSIBLY losing, which would mean I'm on the hook for their legal fees and I'm basically screwed for life.
Now, loser pays some capped portion of the opponent's legal fees and I could get behind that.
The Supreme Court hasn't seem to have made any rulings lately that I'd say are too far off-base, and their title *SUPREME* court basically means that they're the ones tasked with interpreting what the constitution means. You might as well accuse Hermin Melville of not knowing the ending of Moby Dick.
Of course I'm guessing your post is just another one of those "government is bad, mmmkay" type posts where everyone is always doing everything wrong despite never including any actual examples. It's always easier to bring generic discontent than specific talking points.
When using fx boxes to emulate other hardware, you always want a high-power, distortion-free system that can reproduce exactly what it is fed. This way, when you employ "fuzzbox v.1.9" or "fender jazzman-ish rev 6", or the former feeding into the latter, they sound like those things, instead of those things plus new grunge.
This is typical for studios; the repro system is pristine. Because you always what to hear what's there, not what's there plus something the end listener won't hear, and because as I said earlier, no general *music* repro system should be operating in a regime where it is adding distortion -- because that sucks.
There are plenty of high-power, low-noise solutions that allow emulation to do exactly what it was designed to do. You just have to be savvy enough to pick them instead of that Marshall stack you always drooled over...
The answer is MyCroft
I plan on buying one of these the very soonest I can once they are actually shipping the hardware. Echo is crippled by the many limitations Amazon coded in on purpose -- it's basically something that looks up text matches and does something if it finds one. No language parsing worth a damn. Even so, it's very useful, and within those limits, you can make stuff for it, Amazon's pretty open about it as long as you can set up a secure server (ugh) or use their cloud (double-ugh.) Siri, as per usual for Apple, is a much more closed system, and frankly, it's of no interest at all to me because of that.
Mycroft is completely open source. I have very high hopes for it because of that. I have reams of my own natural language processing code I should be able to plug right in the moment there is a speech-to-text engine I can use directly. Others do as well. Custom apps in the home space, that are actually somewhat smarter than...
[if string == "turn on light" then TurnOnLight]
I suggest everyone check MyCroft out. Perhaps you'll be as enthused as I. I can hope.
How many hardware guys does it take to change a light bulb? "Well the diagnostics say it's fine buddy, so it's a software problem."