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Comment Re:Oh give it a fucking rest (Score 1) 65

Blame the georgians - they discovered the coal that kicked off the industrial revolution! Or what about the victorians who turbocharged it and brought electricity to the masses requiring coal power to generate it??

It's not reasonable to blame anyone before we knew about the greenhouse effect in the late 1800s. It's perfectly reasonable to blame people after that who voted for this.

Comment Re:Something is missing (Score 1) 65

The measures taken did - nothing

The measures taken were fuck all.

Perhaps it is time to exercise our collective masses of grey matter (and our AIs) to figure out some feasible coping measures and implement them.
When that happens I'll believe Global Warming is something other than a Global Barming

When people act smart you'll believe in a thing? Fuck that's stupid.

Comment Re:I bet he does it for 2 reasons (Score 2) 113

This is all moot because it's false that if you use AI you cannot gain copyright on the work. I literally hold a copyright registered with the US copyright office (I registered with them, despite not being a US citizen, because they're precedent-setting), fully disclosing the use of AI in the process, and directly speaking about the matter with a copyright examiner.

What the standard is is that raw, unfiltered outputs are not copyrightable (and even then, there's wiggle room; the argument put forward by the copyright office was "based on their current understanding" (as of several years ago) and presumed very minimal control by the user over the outputs (which was actually already obsolete by the time they put it out, but that's nitpicking)). But the human creative action you take with those outputs can cause the resultant product to be copyrightable. This can be things like sample mixing, mastering, adding vocals, etc, but can also even just be the selection process itself. Yes, assemblage, selection, curation, etc are all potentially copyrightable acts.

In my case, while the samples were (overwhelmingly) AI, the whole project was weeks of work, involving hundreds of generations, track splitting and reassembling, things down to the level of editing individual phonemes (or for example in one part, stripping the vocals and instruments from a sample down to just the residual "other" channel, throwing it into reverse, and then piling on progressively more reverb and volume up to a sudden cutoff to create a tension-point transition). No issues whatoever registering the copyright on it. I'm sure you could do far less and still have a copyrightable work.

Comment Re:I bet he does it for 2 reasons (Score 1) 113

I think people need to keep in mind that marketability (aka enjoyability), talent, and effort are three independent axes. You can be talented at one or more aspects of music production, a genuine skill (play a guitar, sing, etc), but put forth either high or low effort, and make good or terrible music, all independently. You can put forth a lot of effort, but you may or may not be talented, and it may or may not be good. You may make a great enjoyable marketable track, but may or may not have notable talents, and may or may not have put in a lot of effort.

In general: I judge how much I want to listen to it by its enjoyability; I attribute how much the author deserves credit / how much it's "art" by how much non-rote effort they put in; and I value the artist's skill based on their demonstrable talent. All of this independent of what specific tools were used. That said, knowledge of certain facts may colour one's enjoyability of a track. If you hate AI and know / suspect it's AI, that'll strongly colour your enjoyability of it. Or if you know the artist is a bad person or whatnot, that again can colour your enjoyability of a track that you'd otherwise enjoy in a vacuum.

Comment Re:Not a pop yet (Score 1) 48

One thing I've been thinking recently is being in the AI trade but only with high seniority, not common stock. So if there is a "pop", but the underlying business remains sustainable, the high seniority investors end up with the assets and make a mint when the market returns to balance, whereas the stockholders are the ones who suffer. This could mean a mix of convertible bonds / convertible ETFs, preferred shares, senior corporate debt, physical infrastructure (power suppliers, REITs, etc), BDCs and private credit vehicles, etc. Or possibly even common stock in some of the diversified giants (Google, Microsoft, etc), who - while they'd take quite a temporary hit in a crash - would survive and then buy up all the distressed players.

Comment Re:Not a pop yet (Score 3, Informative) 48

Situational Awareness is a "hedge" fund that did the opposite of hedging - they made a bunch of leveraged bets that were all linked to each other in typical market movements. It was headed by Leopold Aschenbrenner, a guy just a couple years out of college, whose employment career had been very brief stints at the FTX crypto exchange firm (until it collapsed) and at OpenAI (until he was fired a year later over an alleged information leak). No financial management experience whatsoever. But he was into Effective Altruism, writing AI whitepapers, all that sort of stuff that Silicon Valley tech bros like, and so when he started a hedge fund, $45B was quickly pumped into it.

Nah, this isn't a sort of bubble-popping event. It's a tangential player in the stock market, not some key participant in operations or loans in the AI ecosystem. My main concern: inference IS profitable. Very. But the heavy leverage of the industry is also very real, and can very much still spread like a contagion. And a likely trigger for that is inflation, triggered by trade wars and the ongoing Hormuz and Ukraine conflicts (or worse, new ones added to the list!). One, inflation directly increases their costs, but two, it causes central banks to raise rates. This starves companies of capital (both loans and equity), incl. to refinance existing liabilities, while also hindering income (e.g. new orders get put off or cancelled). It can easily flip a leveraged company into insolvency, and then that can ripple if there's nothing to stop it.

An investment opportunity can be brilliant, a massive world-changing field with huge margins, but still be a terrible investment. One, because the companies you invest in need to survive continuously and not get blipped out by an adverse market event until they have more ability to withstand them. And two, also, because there's a problem where investors don't merely value the whole market as if it has high odds of success, but value the specific player they're invested in with high confidence as if it will dominate said market. Which, obviously, all players combined cannot do.

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