"Over the past week, a Reddit employee has posted to subreddits with ousted mods, asking for new volunteers," reports Ars Technica.

But it's not always going smoothly... A Reddit employee going by ModCodeofConduct (Reddit has refused to disclose the real names of admins representing the company on the platform) has posted to numerous subreddits over recent days, including r/IRLEasterEggs, r/donthelpjustfilm, r/ActLikeYouBelong, r/malefashionadvice, and r/AccidentalRenaissance... Like most official Reddit posts since the API war began, the comments under the job ads display users' discontent.

"May I nominate a mod? I think u/ConspirOC would be a great mod, as he created this subreddit and has successfully run it for years, before you forcibly removed him," a user going by LittleManOnACan wrote on ModCodeofConduct's post seeking replacement r/IRLEasterEggs mods. "Additionally, fire Steve Huffman (Fuck u/Spez)."

There's also a desire among Reddit users for a return to not just how things were but an acknowledgment of the efforts made by many previous moderators, how things changed, and why things are different now. A Redditor going by QuicklyThisWay wrote on ModCodeofConduct's post for news mods for r/IRLEasterEggs:

"Just to be clear for anyone 'applying' to be a moderator. The user that created the subreddit and any other mods were removed by admins for making the community private. Even though the option to change to private is available to all subreddits at any time, the admins have not and will not respect any 'autonomy' moderators appear to have...

As Ars has previously detailed, user protests didn't prevent third-party Reddit apps from closing. However, they have disrupted the platform.

Reddit didn't answer questions Ars sent about its replacement mod criteria or how it'll help ensure new mods can properly handle their newfound volunteer duties...
"mods Ars has spoken with over the weeks have frequently pointed to the potential for burnout, death threats, long training sessions (from other volunteer mods), and rapid turnover for Reddit mods..." the article notes, adding "Without mods proven to be dedicated and experienced, it's unclear how fervently such efforts will continue in the future...

"Disgruntled mods and ex-mods continue seeking new platforms to continue community discussions, including Lemmy and Discord. And as of this writing, there are still 1,900 subreddits private, per the Reddark_247 tracker."

Meanwhile, the third annual edition of Reddit's annual pixel-placing event r/Place "turned into a battleground for dunking on the CEO," reports Polygon. A Reddit spokesperson declined to comment about this year's edition of r/Place, telling Polygon via email "redditors are going to reddit."
Gizmodo's article includes a timelapse video (from YouTube) that they say captures "the whimsy — and anger — of its users," including "plenty of protest art directed at CEO Steve Huffman, who goes by u/spez on the platform..." While there are plenty of examples of "Fuck Spez" to go around, the most creative moment occurred at the end of the project. As r/Place wound to a close, users were able to place a pixel once every thirty seconds, but the pixel had to be white — an effort to wipe the slate clean. However, in the final moments of the project, users collaborated to leave one massive "FUCK SPEZ" across the canvas.

Apple's increasing use of "serialization," which pairs hardware components with the logic board using proprietary software locks, is making simple repairs on devices like iPads and iPhones harder and more expensive. In a recent Forbes article, a repair expert claims the Apple Pencil won't work properly on the iPad Pro if the display is replaced with a non-genuine Apple part, or even a screen from another iPad. From the report: This has now been extended to the displays of fifth and sixth generations of the iPad Pro 12.9-inch and third and fourth generation 11-inch tablets, repair expert Ricky Panesar, founder of iCorrect.co.uk, told me. While repairing a customer's device, Panesar found that the Apple Pencil wasn't delivering straight lines when the iPad display was replaced with a screen from another Apple iPad. "We found with the newer versions of the iPad that when you put a new screen on, even if it's taken from another iPad, the pencil strokes don't work perfectly." Panesar explained to me.

"They have a memory chip that sits on the screen that's programmed to only allow the Pencil functionality to work if the screen is connected to the original logic board." He continued. In practice, Panesar found that lines drawn on the replaced display (Panesar says he doesn't use aftermarket parts for repairs) with the Apple Pencil aren't completely straight. He demoed this in the video [here]. Panesar isn't the only person to discover this, a Reddit post from May complained about the same issue. The poster claimed to have bought a sixth generation iPad Mini from a reseller, which is having the same squiggly line problem. Commenters pointed out that the issue is likely related to serialization and linked to Panesar's video.

The world's largest spherical structure "squats on the Las Vegas skyline like an enormous spaceship, black and mysterious," reports CNN, "until night falls, when it will glow like the Earth from space."

The $2 billion arena — called "The Sphere" — was built just east of the Venetian hotel/casino. It's 366 feet tall and 516 feet wide (or 111 meters tall and 157 meters wide) — and it boasts the world's highest-resolution wraparound LED screen: Its exterior is fitted with 1.2 million hockey puck-sized LEDs that can be programmed to flash dynamic imagery on a massive scale — again, reportedly the world's largest... The acts onstage will be dwarfed by the towering 16K LED screen, which wraps over and around much of the audience.
It was fully illuminated for the first time on Tuesday to celebrate the Fourth of July, CNN points out (offering some video footage). When it opens in September, the plan is to light up its exterior with animations every day and night.

Slashdot reader Tony Isaac says the news "got me wondering how they got such great video on the curved surface of the sphere." It turns out there's a whole lot more than just the exterior that breaks new ground in audio and video technology. An older IBC article goes into detail about how they accomplished both the exterior and interior screens, and the high-resolution audio inside.
CNN reports: Rich Claffey, Sphere's chief operations officer, says that more than 160,000 speakers spread around the bowl will deliver the same pristine sound to every seat, whether someone is in the top row or down on the floor. The venue also is equipped with haptic seats that can vibrate to match whatever is happening onscreen — an earthquake, for example — and 4D machines that can create wind, temperature and even scent effects.

"The way I describe it to my friends and family is, it's the entertainment venue of the future," Claffey says. If it all sounds a little over the top, well — this is Vegas.
The arena's first act will be 25 concerts by U2 (with tickets starting at $140). "There's nothing like it. It's light years ahead of everything that's out there," says U2's The Edge during a tour of the venue in a recent Apple Music video...

And U2's Bono adds that "Most music venues are sports venues. They're built for sports — they're not built for music. They're not built for art. This building was built for immersive experiences in cinema and performance... "

We've just had the world's first press conference with AI-enabled, humanoid social robots. Click here to jump straight to Slashdot's transcript of all the robots' answers during the press conference, or watch the 40-minute video here.

It all happened as the United Nations held an "AI for Good" summit in Geneva, where the Guardian reports that the foyer was "humming with robotic voices, the whirring of automated wheels and limbs, and Desdemona, the 'rock star' humanoid, who is chanting 'the singularity will not be centralised' on stage backed by a human band, Jam Galaxy."

But the Associated Press describes how one UN agency had "assembled a group of robots that physically resembled humans at a news conference Friday, inviting reporters to ask them questions in an event meant to spark discussion about the future of artificial intelligence. "The nine robots were seated and posed upright along with some of the people who helped make them at a podium in a Geneva conference center... Among them: Sophia, the first robot innovation ambassador for the U.N. Development Program, or UNDP; Grace, described as a health care robot; and Desdemona, a rock star robot."

"I'm terrified by all of this," said one local newscaster, noting that the robots also said they "had no intention of rebelling against their creators."

But the Associated Press points out an important caveat: While the robots vocalized strong statements - that robots could be more efficient leaders than humans, but wouldn't take anyone's job away or stage a rebellion - organizers didn't specify to what extent the answers were scripted or programmed by people. The summit was meant to showcase "human-machine collaboration," and some of the robots are capable of producing preprogrammed responses, according to their documentation.
Two of the robots seemed to disagree on whether AI-powered robots should submit to stricter regulation. (Although since they're only synthesizing sentences from large-language models, can they really be said to "agree" or "disagree"?)

There were unintentionally humorous moments, starting right from the beginning. Click here to start reading Slashdot's transcript of the robots' answers:

An anonymous reader quotes a report from NewScientist: Netflix researchers have created a new type of AI-powered green-screen technology that can produce realistic visual effects for film and television in real time. Green-screen technology is routinely used to capture footage of actors that can then be inserted in the foreground of virtual or prerecorded scenes. To do this, actors are filmed against a bright green background, which is easily isolated and removed digitally. This process can be done automatically with reasonable accuracy, such as in television weather forecasts, but it can be thrown by items of green clothing or by transparent or fine objects, like wisps of hair. When greater accuracy is needed in films or television series, specialist operators tweak settings manually, sometimes requiring hours to perfect a shot.

In a bid to create a technique that is both fast and accurate, Netflix has come up with a method it calls Magenta Green Screen (MGS). Actors are filmed against a background of bright green LEDs while being lit from the front with red and blue ones, which together create a magenta glow (see video, [here]). Because digital cameras work by taking an individual red, green and blue value for each pixel, this technique has the effect of creating a green channel that records only the background, with the foreground appearing black, and red and blue channels that record only the foreground, leaving the background looking black. Together these create the magenta and green look. Film editors can replace the green channel in real time, realistically and instantly placing the actors in the foreground of another scene, with even potentially tricky areas, such as transparent bottles or the area around strands of hair, working without problems.

But there is a problem with the method. Because the foreground is only recorded in blue and red, it leaves the actors looking magenta-tinted. To solve this, Netflix uses artificial intelligence to put the full range of color back into the foreground, using a photograph of the actors lit normally as a reference to create a realistic-looking green channel. This AI works quickly, but not yet in real time, although fast techniques such as averaging the red and blue channels to create an approximation of a green channel work effectively enough for the director to monitor while filming.

President Emmanuel Macron is partially blaming video games for the spread of violence in France following the shooting death of a teenager during a police traffic stop in a Paris suburb last week. NPR reports: "It sometimes feels like some of them are experiencing, on the streets, the video games that have intoxicated them," Macron said in a press conference on July 1. He added that protesters are using Snapchat and TikTok to organize themselves and spread "a mimicking of violence, which for the youngest leads to a kind of disconnect from reality." Concerns that video games promote shootings, massacres or rioting are now about half a century old; it has been traced back to the 1976 release of Death Race, an arcade video game which put players behind the wheel of a car to mow down humanoid figures for points. The argument gained renewed traction in the 1990s with the release of much more realistic first-person shooter games. It is an old bogeyman that politicians have latched onto in the wake of horrific tragedies. But it has become less common as troves of studies have largely concluded there is no causal link between video games and violent behavior.

Christopher Ferguson, a professor at Stetson University in Florida who has studied the impact of such games on the public, said he is surprised at Macron's comments. The president is 45 years old and belongs to a generation raised with video games, so "seeing him mention this is almost anachronistic," Ferguson said, sounding perplexed. "The evidence is very clear. Whatever may be going on in France, whatever violence is occurring, it certainly is not due to violence in video games." Decades of research, especially long-term experiments spanning decades, have consistently found "that playing violent video games, do not cause even prank-level aggressive behaviors, let alone violent crimes," Ferguson said. He also noted that the overall violent crime in the U.S. dropped significantly between 1993 and 2020, the same period during which violent video games soared in popularity.

And it's not just in the United States. A 2019 study out of Oxford University determined that early violent video game playing among British teenagers does not predict serious or violent criminal behavior later in life. According to Ferguson, if video games were the cause of rampant violence, then countries like Japan, South Korea and the Netherlands, which consume more violent video games per capita, would be rife with bloodshed. "Instead, they're three of the most peaceful countries on the planet in terms of violent crime," he said. "You could wave a magic wand and take all these people's video games away, and that's not going to have any effect in any way going to help their lives and reduce their aggression," Ferguson said. So why do politicians turn to the familiar refrain? Ferguson said it is a way for elected leaders to shift the blame away from failing government policies. "It gets people talking about the wrong thing. They're thinking about video games. They're not thinking about gun control or whatever inequalities are happening in France," Ferguson said.

CNBC has created a 15-minute video titled "The Rise and Fall of Skype," telling the story of how Skype was developed in just nine months in 2003 by a six-person group of childhood friends in Estonia. "We were smart engineers," says Skype's former chief technical architect Ahti Heinla. "We learned on the go. None of us had any telecoms background." But at the end of the interview, he concedes "I myself use Skype right now fairly little. I still have it installed on my phone, but my primary communication methods now are elsewhere."

GigaOm founder Om Malik tells CNBC it was Skype's missteps that enabled the massive growth of WhatsApp, and shared this succinct diagnosis of what's happening to Skype. "Microsoft is where consumer brands go to die." From an accompanying article on CNBC's web site: In 2005 eBay bought it. That deal didn't work out as planned, and an investor group led by Silver Lake purchased a majority stake. Microsoft then stepped in, shelling out $8.5 billion for the company in 2011. Even backed by the world's largest software company, Skype is falling by the wayside. During the pandemic, consumers and business workers turned to tools like Zoom and Meta's WhatsApp, and now there are any number of options to quickly connect with groups of friends and colleagues over smartphones... Microsoft has promoted Skype in Outlook and Windows and even enriched the app with its Bing generative artificial intelligence chatbot. But the numbers still don't look great.

In March 2020, Microsoft said Skype had 40 million daily active users, a number that's since slipped to 36 million, according to a spokesperson. Microsoft's newer Teams communication app, by contrast, is growing in popularity, rising from nearly 250 million monthly users in July 2021 to a record of over 300 million in the first quarter.
Microsoft Teams reached an all-time high of 300 million active users in the second quarter of 2023, according to CNBC's video report. But a research VP at International Data Corp says Microsoft Teams was successful — in taking users away from Skype.

GigaOm's Malik says Microsoft "failed to capitalize on Skype, 100%. Steve Balmer was the king of buying things and not knowing what to do with them... What happened with Skype is the story of every large company with a lot of middle management: they didn't innovate on the product for a very long time."

Jordan Novet from CNBC Business News calls Skype "a product with an uncertain future," arguing that Microsoft "is pouring a lot of engineering resources into making Teams a big destination for communication. It's not doing the same thing with Skype." Could Skype make a comeback? "Anything is possible," Novet concedes. "Microsoft is trying to make Skype happen in a bigger way now." He points out that Skype is now equipped with Bing's AI-powered chatbot, so "You can talk to Bing in Skype. Will that make Skype explode in popularity, or make a comeback? I don't think so."

Microsoft's current head of Skype was not available for CNBC's video. But as a kind of epilogue, they report that Jaan Tallinn, one of Skype's original programmers, now "spends most of his time discussing the dangers of unchecked AI development."

"I don't know what the future holds for Skype..." he tells CNBC. "I'm concerned about humans being wiped out, so it's unlikely that we'll need Skype if that happens."

Some YouTube users with ad blockers are seeing a new three-strikes popup menu while watching videos. "The popup menu in the screenshot suggests users will be barred from YouTube viewing after watching three videos with an ad blocker enabled," reports Android Authority. From the report: "It looks like you may be using an ad blocker. Video playback will be blocked unless YouTube is allowlisted or the ad blocker is disabled," reads an excerpt of the screenshot. The service presents users with two buttons, prompting them to either allow ads in their ad blocker or letting them buy YouTube Premium. YouTube confirmed to The Verge that it's currently running "a small experiment globally that urges viewers with ad blockers enabled to allow ads on YouTube or try YouTube Premium."

A collection of over 2,200 new old stock computers from the 1980s, manufactured by a company called NABU and featuring a groundbreaking pre-internet network, are being liberated from a barn in Massachusetts. "In a way, this is two stories: The first, of a breakthrough network from Canada, a consumer-friendly 1983 version of the internet decades ahead of its time," writes Ernie Smith via Motherboard. "The other story, of the man who got a hold of these machines, held onto them for 33 years, and mysteriously allowed them to flood the used market one day. One day, thanks to a confluence of the right people noticing the right eBay listings, these two stories merged and created a third story -- the tale of a computer network, brought back to life." An anonymous Slashdot reader shares an excerpt from the report: For more than two decades, the biggest retro computing story in recent memory sat like a sleeper cell in a Massachusetts barn. The barn was in danger of collapse. It could no longer protect the fleet of identical devices hiding inside. A story like this doesn't need the flash of a keynote or a high-profile marketing campaign. It really just needs someone to notice. And the reason anyone did notice was because this barn could no longer support the roughly 2,200 machines that hid on its second floor. These computers, with a weight equivalent to roughly 11 full-size vehicles, were basically new, other than the fact that they had sat unopened and unused for nearly four decades, roughly half that time inside this barn. Every box was "new old stock," essentially a manufactured time capsule, waiting to be found by somebody.

These machines, featuring the label of a forgotten brand built around an idea that was tragically too early to succeed, could have disappeared, anonymously, into the junkyard of history, as so many others like them have. Instead, they ended up on eBay, at a bargain-basement price of $59.99 each. And when the modern retro computing community turned them on, what they found was something worth bringing back to life. It took a while for anyone to notice these stylish metal-and-plastic machines from 1983. First, information spread like whispers in the community of tech forums, Discord servers, and Patreon channels where retro tech collectors hid. But then, a well-known tech YouTuber, Adrian Black, did a video about them, and these eBay machines, slapped with the logo of a company called NABU, were anonymous no more. [...]

Black was impressed. These devices, which utilized the landmark Z80 processor -- a chip common in embedded systems, arcade machines like Pac-Man, and home consoles like the Colecovision -- had an architecture very similar to the widely used MSX platform, making them a great choice for device hackers. (Well, minus the fact that they didn't have floppy drives.) Plus, they were essentially new. "It's new old stock, but it is tested," he says at the beginning of the clip. "I think the seller actually peeled the original tape off, tested it, and then taped it back up again." Essentially, this was the retro-computing version of a unicorn: An extremely obscure platform, being sold at a scale wide enough that basically anyone who wanted one could have it. And on top of all that, NABU -- an acronym standing for Natural Access to Bi-directional Utilities -- was essentially the 1983 version of AOL, except built around proprietary hardware. The flood of interest was so significant that it knocked the seller's eBay account offline for months while the company verified that the units were actually his. (They were.)

For people who love tinkering with devices, there was a lot to work with here, especially in 2023. There was a real chance that this relic of the past could live again, with its network available to anyone who took a chance on buying one of these devices. "The kind of hardware and software hacking that people are doing with those wouldn't have been possible 10 or even 5 years ago," says Sean Malseed, host of the popular YouTube channel Action Retro and one of the many people who bought a NABU from the mysterious eBay listing. "These machines were once considered basically e-waste, but instead they're seeing a very unlikely renaissance." So where did this computer come from? Why did this seller have so many? And why didn't you know about the NABU until now? [...]

Google violated its promised standards when placing video ads on other websites, according to new research that raises questions about the transparency of the tech giant's online-ad business. From a report: Google's YouTube runs ads on its own site and app. But the company also brokers the placement of video ads on other sites across the web through a program called Google Video Partners. Google charges a premium, promising that the ads it places will run on high-quality sites, before the page's main video content, with the audio on, and that brands will only pay for ads that aren't skipped.

Google violates those standards about 80% of the time, according to research from Adalytics, a company that helps brands analyze where their ads appear online. The firm accused the company of placing ads in small, muted, automatically-played videos off to the side of a page's main content, on sites that don't meet Google's standards for monetization, among other violations. Adalytics compiled its data by observing campaigns from more than 1,100 brands that got billions of ad impressions between 2020 and 2023. The company shared its findings with The Wall Street Journal. In a statement, Google said the report "makes many claims that are inaccurate and doesn't reflect how we keep advertisers safe."

The US Supreme Court refused to revive a lawsuit by music website Genius Media accusing Alphabet's Google of stealing millions of song lyrics. From a report: The justices left in place a ruling that tossed out the suit, which accused Google of violating a contract with Genius by using its song lyrics in search results without attribution. It's the latest victory at the Supreme Court for Google, which earlier this year won a battle over whether its video-streaming platform YouTube can be held liable for hosting terrorist videos.

There are deep disagreements over how copyright laws apply to online speech and aggregation. The lower court said Genius does not own any of the copyrights to its lyrics -- instead, those are held by the songwriters and publishers. Genius claimed that Google violated its contract by scraping lyrics and boosting them in Google Search results without any attribution. Genius, which claimed the saga caused millions of dollars in losses for the website, initially sued Google in 2019. In order to drum up attention and prove its case, Genius said it used a secret code spelling out the word "red-handed" to prove Google was stealing its lyrics. "We appreciate the court's decision, agreeing with the Solicitor General and multiple lower courts that Genius' claims have no merit," Google spokesman Jose Castaneda said Monday. "We license lyrics on Google Search from third parties, and we do not crawl or scrape websites to source lyrics."

The "BepiColombo" mission, a joint European-Japanese effort, "has recently completed its third of six planned flybys of Mercury, capturing dozens of images in the process," reports the Byte: At its closest, the spacecraft soared within just 150 miles of Mercury. This occurred on the night side of the planet, however, too dark for optimal imaging. Instead, the first and nearest image was taken 12 minutes after the closest approach, at the still impressive proximity of some 1,100 miles above the surface.
Now the ESA has spliced together 217 images from that flyby into a short video, which culminates with a zoomed-in closeup of Mercury's cratered surface. And the music in that video had a little help from AI, reports Phys.org: Music was composed for the sequence by ILÄ (formerly known as Anil Sebastian), with the assistance of AI tools developed by the Machine Intelligence for Musical Audio group, University of Sheffield.

Music from the previous two flyby movies — composed by Maison Mercury Jones' creative director ILÄ and Ingmar Kamalagharan — was given to the AI tool to suggest seeds for the new composition, which ILÄ then chose from to edit and weave together with other elements into the new piece.

The team at the University of Sheffield has developed an Artificial Musical Intelligence (AMI), a large-scale general-purpose deep neural network that can be personalized to individual musicians and use cases. The project with the University of Sheffield is aimed at exploring the boundaries of the ethics of AI creativity, while also emphasizing the essential contributions of the (human) composer.
From the ESA's announcement: BepiColombo's next Mercury flyby will take place on 5 September 2024, but there is plenty of work to occupy the teams in the meantime... BepiColombo's Mercury Transfer Module will complete over 15 000 hours of solar electric propulsion operations over its lifetime, which together with nine planetary flybys in total — one at Earth, two at Venus, and six at Mercury — will guide the spacecraft towards Mercury orbit.

The ESA-led Mercury Planetary Orbiter and the JAXA-led Mercury Magnetospheric Orbiter modules will separate into complementary orbits around the planet, and their main science mission will begin in early 2026.
One spaceflight blog notes the propulsive energy required for an eventual entry into the orbit of Mercury "is greater than that of a mission to fly by Pluto.

"Only one other spacecraft has orbited Mercury, and that was NASA's MESSENGER probe, which orbited the planet from 2011 to 2015."

Google last month upgraded its Bard chatbot with a new machine-learning model that can better understand conversational language and compete with OpenAI's ChatGPT. As Google develops a sequel to that model, it may hold a trump card: YouTube. From a report: The video site, which Google owns, is the single biggest and richest source of imagery, audio and text transcripts on the internet. And Google's researchers have been using YouTube to develop its next large-language model, Gemini, according to a person with knowledge of the situation. The value of YouTube hasn't been lost on OpenAI, either: The startup has secretly used data from the site to train some of its artificial intelligence models, said one person with direct knowledge of the effort. AI practitioners who compete with Google say the company may gain an edge from owning YouTube, which gives it more complete access to the video data than rivals that scrape the videos. That's especially important as AI developers face new obstacles to finding high-quality data on which to train and improve their models. Major website publishers from Reddit to Stack Exchange to DeviantArt are increasingly blocking developers from downloading data for that purpose. Before those walls came up, AI startups used data from such sites to develop AI models, according to the publishers and disclosures from the startups.

The advantage that Google gains in AI from owning YouTube may reinforce concerns among antitrust regulators about Google's power. On Wednesday, the European Commission kicked off a complaint about Google's power in the ad tech world, contending that Google favors its "own online display advertising technology services to the detriment of competing providers." The U.S. Department of Justice in January sued Google over similar issues. Google could use audio transcriptions or descriptions of YouTube videos as another source of text for training Gemini, leading to more-sophisticated language understanding and the ability to generate more-realistic conversational responses. It could also integrate video and audio into the model itself, giving it the multimodal capabilities many researchers believe are the next frontier in AI, according to interviews with nearly a dozen people who work on these types of machine-learning models. Google CEO Sundar Pichai told investors earlier this month that Gemini, which is still in development, is exhibiting multimodal capabilities not seen in any other model, though he didn't elaborate.

An anonymous reader quotes a report from SFGATE: A strange letter showed up on Kay Dean's doorstep. It was 2017, and the San Jose resident had left a one-star review on the Yelp page of a psychiatry office in Los Altos. Then the letter arrived: It seemed the clinic had hired a local lawyer to demand that Dean remove her negative review or face a lawsuit. The envelope included a $50 check. Dean, who once worked as a criminal investigator in the U.S. Department of Education's Office of Inspector General, smelled something fishy. She decided to look into the clinic, part of a small California chain called SavantCare. By the time her work was done, she'd found a higher calling -- and SavantCare's ex-CEO was fighting felony charges.

Since then, Dean, 60, has mounted a yearslong crusade against Yelp and the broader online review ecosystem from a home office in San Jose. Yelp, founded in San Francisco in 2004, is deeply entrenched in American consumer habits, and has burrowed itself into the larger consciousness through partnerships with the likes of Apple Maps. The company's crowdsourced reviews undergird the internet's web of recommendations and can send businesses droves of customers -- or act as an insurmountable black mark. Dean follows fake reviews from their origins in social media groups to when they hit the review sites, methodically documenting hours of research in spreadsheets and little-watched YouTube videos. Targets accuse her of an unreasonable fixation. Yelp claims it aggressively and effectively weeds out fakes. But Dean disagrees, and she's out to convince America that Yelp, Google and other purveyors of reviews cannot be trusted.

"This is an issue that affects millions of consumers, and thousands of honest businesses," she said in her YouTube page's introductory post on April 30, 2020, facing the camera dead-on. "I'm creating these videos to expose this massive fraud against the American public and shine a light on Big Tech's culpability." "I don't do it lightly. If I put a video up, it's serious," she told SFGATE in May. "I'm putting myself out there." Dean is particularly motivated by the types of small businesses that she's found gaming Yelp's recommendation algorithm. She has spotted seemingly paid-for reviews on the pages of lawyers, home contractors, and doctors' offices -- high-ticket companies for which she says she'd "rather have no information than fake information."

An anonymous reader quotes a report from Ars Technica: Researchers have devised a novel attack that recovers the secret encryption keys stored in smart cards and smartphones by using cameras in iPhones or commercial surveillance systems to video record power LEDs that show when the card reader or smartphone is turned on. The attacks enable a new way to exploit two previously disclosed side channels, a class of attack that measures physical effects that leak from a device as it performs a cryptographic operation. By carefully monitoring characteristics such as power consumption, sound, electromagnetic emissions, or the amount of time it takes for an operation to occur, attackers can assemble enough information to recover secret keys that underpin the security and confidentiality of a cryptographic algorithm. [...]

On Tuesday, academic researchers unveiled new research demonstrating attacks that provide a novel way to exploit these types of side channels. The first attack uses an Internet-connected surveillance camera to take a high-speed video of the power LED on a smart card reader -- or of an attached peripheral device -- during cryptographic operations. This technique allowed the researchers to pull a 256-bit ECDSA key off the same government-approved smart card used in Minerva. The other allowed the researchers to recover the private SIKE key of a Samsung Galaxy S8 phone by training the camera of an iPhone 13 on the power LED of a USB speaker connected to the handset, in a similar way to how Hertzbleed pulled SIKE keys off Intel and AMD CPUs. Power LEDs are designed to indicate when a device is turned on. They typically cast a blue or violet light that varies in brightness and color depending on the power consumption of the device they are connected to.

There are limitations to both attacks that make them unfeasible in many (but not all) real-world scenarios (more on that later). Despite this, the published research is groundbreaking because it provides an entirely new way to facilitate side-channel attacks. Not only that, but the new method removes the biggest barrier holding back previously existing methods from exploiting side channels: the need to have instruments such as an oscilloscope, electric probes, or other objects touching or being in proximity to the device being attacked. In Minerva's case, the device hosting the smart card reader had to be compromised for researchers to collect precise-enough measurements. Hertzbleed, by contrast, didn't rely on a compromised device but instead took 18 days of constant interaction with the vulnerable device to recover the private SIKE key. To attack many other side channels, such as the one in the World War II encrypted teletype terminal, attackers must have specialized and often expensive instruments attached or near the targeted device. The video-based attacks presented on Tuesday reduce or completely eliminate such requirements. All that's required to steal the private key stored on the smart card is an Internet-connected surveillance camera that can be as far as 62 feet away from the targeted reader. The side-channel attack on the Samsung Galaxy handset can be performed by an iPhone 13 camera that's already present in the same room. Videos here and here show the video-capture process of a smart card reader and a Samsung Galaxy phone, respectively, as they perform cryptographic operations. "To the naked eye, the captured video looks unremarkable," adds Ars.

"But by analyzing the video frames for different RGB values in the green channel, an attacker can identify the start and finish of a cryptographic operation."

Influencers in the video-game industry are evolving from playing games to making them. From a report: Over the weekend, One True King, a media company focused on gaming content, launched Mad Mushroom, a new publishing division. "We have a unique competitive advantage in this space," said OTK co-founder Asmongold, a top streamer on Twitch, Amazon's live-streaming platform. "We can give games the push they need to actually go out to market, get eyes on the game and give [developers] insight." Moving forward, OTK's stable of gaming influencers will collaborate with lead adviser Mike Silbowitz, a gaming industry veteran who has previously worked at Square Enix, to publish, distribute, test and market games.

Currently, publishers pay top influencers tens of thousands of dollars to demo new games in front of their sizable audiences of live viewers on social media platforms, particularly Twitch and Google's YouTube. According to company executives, by reducing such marketing and user-acquisition costs, the organization can take a reduced cut of sales, say, 30% rather than the regular 40% or 50%, potentially benefiting the makers of independent games. "Twitch streamers have a large tool that is effectively a non-cost, which is their time and their audience," Asmongold said.

Influencers are increasingly diversifying their income streams beyond social media networks, which can be culturally and financially volatile. Popular gamers have said they anticipate that selling products directly to their audience will eventually form a larger fraction of their revenue. Top streamers, particularly those who have carved out a niche within a specific genre, are looking to publish and advise on both top tier and indie games that might appeal to the specific tastes of their fans.

An anonymous reader quotes a report from Ars Technica: When should you be concerned about a NAS hard drive failing? Multiple factors are at play, so many might turn to various SMART (self-monitoring, analysis, and reporting technology) data. When it comes to how long the drive has been active, there are backup companies like Backblaze using hard drives that are nearly 8 years old. That may be why some customers have been panicked, confused, and/or angered to see their Western Digital NAS hard drive automatically given a warning label in Synology's DiskStation Manager (DSM) after they were powered on for three years. With no other factors considered for these automatic flags, Western Digital is accused of age-shaming drives to push people to buy new HDDs prematurely. The practice's revelation is the last straw for some users. Western Digital already had a steep climb to win back NAS customers' trust after shipping NAS drives with SMR (shingled magnetic recording) instead of CMR (conventional magnetic recording). Now, some are saying they won't use or recommend the company's hard drives anymore.

As users have reported online, including on Synology-focused and Synology's own forums, as well as on Reddit and YouTube, Western Digital drives using Western Device Digital Analytics (WDDA) are getting a "warning" stamp in Synology DSM once their power-on hours count hits the three-year mark. WDDA is similar to SMART monitoring and rival offerings, like Seagate's IronWolf, and is supposed to provide analytics and actionable items. The recommended action says: "The drive has accumulated a large number of power on hours [throughout] the entire life of the drive. Please consider to replace the drive soon." There seem to be no discernible problems with the hard drives otherwise.

Synology confirmed this to Ars Technica and noted that the labels come from Western Digital, not Synology. A spokesperson said the "WDDA monitoring and testing subsystem is developed by Western Digital, including the warning after they reach a certain number of power-on-hours." The practice has caused some, like YouTuber SpaceRex, to stop recommending Western Digital drives for the foreseeable future. In May, the YouTuber and tech consultant described his outrage, saying three years is "absolutely nothing" for a NAS drive and lamenting the flags having nothing to do with anything besides whether or not a drive has been in use for three years. A user on SynoForum discussed their "panic" upon seeing the label. And SpaceRex said one of its clients also panicked and quickly replaced the "warning" drives out of fear of losing business-critical data. "It is clearly predatory tactics by Western Digital trying to sell more hard drives," SpaceRex said in a June 10 video. "Users are also concerned that this could prevent people from noticing serious problems with their drive," adds Ars. "Further, you can't repair a pool with a drive marked with a warning label."

Some of the affected products with WDDA include the WD Red Pro, WD Red Plus, and WD Purple. A discussion post about how to disable WDDA via SSH can be found here.

Long-time Slashdot reader destinyland writes: CBS News interviewed 71-year-old Mark Hamill, who remembers that in his first audition for Star Wars, they didn't give him the whole script. So "I couldn't figure out, is this like a send-up of Flash Gordon or whatever? You couldn't tell. Because nobody talks like this!"

Hamill also does impressions of the other actors he worked with. "I was asking Harrison, because he had been in American Graffiti. I said, 'You know George. Is this like a joke, or — should we send it up, make fun of it?'" And then he mimics Harrison Ford as saying "Yeah, Whatever. Get it done." ("So he was no help.") Later Hamill also describes meeting Alec Guinness, who eventually had to remind Hamill to stop calling him "Sir Alec." ("I want to be known by my name, not my accolade...")

And after playing Mozart in the Broadway production of Amadeus, Hamill remembers the reaction when he'd suggested appearing in the movie adaptation. Director Milos Forman said, "Oh ho ho ho. No, no, no. The Luke Skywalker is not to be being the Mozart." (Hamill's reaction? "At least he's honest.")
There's a clip of Hamill doing voice-over work for the animated Batman series, and (about three minutes in) a quick clip from Mark Hamill's 1976 screen test with Harrison Ford. There's even a photo of Hamill's appearance in a 1971 episode of The Partridge Family. At the end of the interview, Hamill doesn't say whether or not he'll ever reappear in the role of Luke Skywalker again. "You never say never. I just don't see any reason to, let me put it that way. They have so many stories to tell, they don't need Luke any more."

But the interviewer points out that "if you find yourself in Ukraine during an air strike, you might hear Luke Skywalker's voice talking you down" -- since he also provides the voice for a warning app linked to Ukraine's air defense system.

Isaac-Lew (Slashdot reader #623) writes: The Lego scene in "Spider-Man: Across The Spider-Verse" was animated by a 14-year-old high school student after the producers saw the trailer he made that was animated Lego-style.
The teenager had used his father's old computers to recreate the trailer "shot for shot to look as if it belonged in a Lego world," reports the New York Times: By that point, he had been honing his skills for several years making short computer-generated Lego videos. "My dad showed me this 3-D software called Blender and I instantly got hooked on it," he said. "I watched a lot of YouTube videos to teach myself certain stuff..."

[A]fter finding the movie's Toronto-based production designer, Patrick O'Keefe, on LinkedIn, and confirming that Sony Pictures Animation's offer was legitimate, Theodore Mutanga, a medical physicist, built his son a new computer and bought him a state-of-the-art graphics card so he could render his work much faster... Over several weeks, first during spring break and then after finishing his homework on school nights, Mutanga worked on the Lego sequence... Christophre Miller [a director of "The Lego Movie" and one of the writer-producers of "Spider-Verse."] saw Mutanga's contribution to "Across the Spider-Verse" not only as a testament to the democratization of filmmaking, but also to the artist's perseverance: he dedicated intensive time and effort to animation, which is "not ever fast or easy to make," Miller said.

'The Lego Movie' is inspired by people making films with Lego bricks at home," Lord said by video. "That's what made us want to make the movie. Then the idea in 'Spider Verse' is that a hero can come from anywhere. And here comes this heroic young person who's inspired by the movie that was inspired by people like him."

In a blog post today, YouTube said it will stop removing content that "advances false claims that widespread fraud, errors, or glitches occurred in the 2020 and other past US Presidential elections." The online video platform says that the "ability to openly debate political ideas, even those that are controversial or based on disproven assumptions, is core to a functioning democratic society -- especially in the midst of election season." The Verge reports: YouTube first introduced its election misinformation policy in December 2020, which barred users from posting content that spread false claims about the integrity of US elections. The platform says it has removed "thousands" of videos since implementing the policy. "In the current environment, we find that while removing this content does curb some misinformation, it could also have the unintended effect of curtailing political speech without meaningfully reducing the risk of violence or other real-world harm," YouTube states. "As with any update to our policies, we carefully deliberated this change."

Despite the policy reversal, YouTube says it will continue to enforce rules that prevent users from discouraging others from participating in an election. It will also take action against content that aims to mislead users about the time, place, or requirements for voting as well as content that disputes the validity of mail-in voting. Additionally, YouTube says it still prominently surfaces content from "authoritative sources" in search results and recommendations.