Forgot your password?

typodupeerror

Comment: Re:Exploiting creativity is what makes $ (Score 1) 520

by mrogers (#37636550) Attached to: Is the Creative Class Engine Sputtering?
While I agree with your criticism of the "creative economy" fable, I can see one way in which "creative industries" can genuinely increase productivity, and that's by making people want more stuff, or newer stuff, or higher-status stuff, which in turn makes them work harder, keeping the ol' investment capital flowing. Novelty is an important part of that process, and novelty is the sine qua non of the "creative industries": even when the product sucks, at least it's new.

The stimulation of demand through advertising and marketing has been driving Western economies since the Second World War, and it works just as well for intangible as tangible goods. So while I agree with your criticism, I don't think you should limit it to the "creative industries" - I think it applies to any industry that would vanish in a puff of smoke without its advertising department.

Comment: Re:He is using strange definitions (Score 1) 520

by mrogers (#37636444) Attached to: Is the Creative Class Engine Sputtering?
It's hard to see why a video store clerk (what is a video store?) is a creative persona.

The "creative class" isn't the class of creative people - it's the class of people whose jobs depend on the production of intangible goods such as stories, music and software. That's why video store employees (remember them?) and software engineers are members of the class but shoe store employees and hardware engineers aren't. It's a well-recognised labour category in the UK, but apparently not in the U.S., according to this excellent article about the creative industries:

In Britain, where the pioneering work on the concept has been done, the category covers design, advertising, theatre, dance, music, visual arts, creative writing, crafts, plus museums and galleries. On the ministerial level it also includes leisure, entertainment, tourism and heritage industries, and sports. The situation in the UK, in particular, is quite different because throughout the 1990s to the present, “creative industry” has been a government-established, recognized, and practiced category for government policy and administration. In the United States, in contrast, the terms “creative industries” and “culture industries” are rarely used outside academic circles. The term “creative economy” does appear in some policy discussions and documents on a local and sometimes regional level. . . . . In other cases, the terms “information economy,” and “intellectual property” are the common framing concepts and cover the effort to control and efficiently commodify creative material, especially in its intangible forms.

Comment: Game Theory: A Critical Introduction (Score 3) 152

by mrogers (#37524264) Attached to: Ask Slashdot: Best Way To Learn About Game Theory and AI?
The best technical introduction to game theory I've come across is Game Theory: A Critical Introduction by Shaun P. Hargreaves-Heap and Yanis Varoufakis, which introduces the most important concepts while placing them within their philosophical context (for example, to what extent is it reasonable to regard humans as the kind of agents assumed by game theory?). I've been studying game theory for years and wish I'd read this book a long time ago.

If you really have no patience for philosophy, try Game Theory for Applied Economists by Robert Gibbons instead. ;-)

John Maynard Smith's Evolution and the Theory of Games is accessible and indispensable.

Less technical works that explore the implications of the theory in fascinating ways include The Evolution of Cooperation (the book that first got me interested in the subject) and The Complexity of Cooperation by Robert Axelrod, and anything by Brian Skyrms.

Comment: My response to the draft recommendations (Score 2) 141

by mrogers (#37309550) Attached to: .UK Registrar Offers To Let Police Close Domain
Having stuck my oar in during a previous consultation, I was emailed a copy of the draft recommendations and asked for feedback. Here's the response I sent to Nominet.

Dear ______,

Thank you for circulating this draft. I'm disappointed to find that Nominet is still considering adopting a policy that effectively grants the police new powers. In a democratic society, the only acceptable way for police powers to be extended is through legislation. If there is a genuine need for the police to be able to take down websites without judicial supervision, Parliament should grant the police that power. If Parliament does not do so, no other organisation should arrogate the right to do so - particularly when, as the draft notes, the Government is currently considering such legislation.

It may be inconvenient for the police, and perhaps even "harmful to consumers", that judicial oversight sometimes imposes delays on police work. Nevertheless, that oversight exists for good reasons, and attempts by the police to circumvent it are misguided and dangerous.

Court orders are available at very short notice for other kinds of urgent police work; if the courts have not seen fit to make orders for taking down websites available to the police as quickly as the police would like then it is worth asking why not. Nominet should not allow itself to be manipulated by the police into short-circuiting the judicial process.

As a piece of quasi-legislation, the draft is seriously lacking. It does not define key terms such as "consumer harm" or "UK law enforcement agencies with which Nominet has a trusted relationship". No process is defined for deciding which cases "involve disputes between private parties, freedom of expression or political speech", or for challenging such decisions.

The vague language in the final paragraph about an "appeal mechanism" and an "independent panel" makes no concrete commitments to meaningful oversight. Indeed, it is difficult to imagine how it could do so, since Nominet does not have any legal powers to punish wrong decisions or make reparations. The courts do - they are the proper venue for such decisions.

Best regards,
______

Comment: Re:Tor? (Score 1) 111

by mrogers (#36995804) Attached to: Belarus Cracks Down On VKontakte
But your dog isn't (I assume) a political activist. Facebook doesn't go out of its way to track down accounts with false names, but if someone complains that your account has a false name, it will be suspended until you provide legal documentation of the name, such as a passport or driver's license.

This has happened, and continues to happen, to activists around the world. Michael Anti, the Chinese journalist, was one high-profile case. There's a Facebook fan page about him, but he's no longer allowed to have a Facebook account.

Comment: Use HTTPS (Score 5, Informative) 194

by mrogers (#36995768) Attached to: Widespread Hijacking of Search Traffic In the US
Another good reason to install HTTPS Everywhere, a browser extension that will redirect your Google searches to the HTTPS version of the site. By checking the certificate presented by the server, your browser can then be sure that it's talking directly to Google. (HTTPS Everywhere also works for a lot of other popular sites.)

Or, if you don't like Google, use DuckDuckGo, which uses HTTPS by default with no need for a browser extension.

Comment: Re:Pretty much never? (Score 1) 203

by mrogers (#36645910) Attached to: BitTorrent Turns 10

I think something like TPB model is there to stay, if necessary they'll just move it to be a TOR onion site, still centralized but anonymous.

On that point, it's interesting to see clients like MediaGet and Frostwire 5 incorporating search into the client. If one of the sites they rely on gets shut down, not only could the clients switch to another site at the next upgrade, they could potentially switch to another way of contacting the site (eg through Tor, as you suggested) without the users needing to be any the wiser.

Preserve Wildlife! Throw a party today!

Working...