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We've improved Slashdot's video section; now you can view our video interviews, product close-ups and site visits with all the usual Slashdot options to comment, share, etc. No more walled garden! It's a work in progress -- we hope you'll check it out (Learn more about the recent updates).

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Comment: Re:Can anyone really see the difference? (Score 1) 94

Diablo III @ 5120x2880: 31 fps. That's with the R295X (mobile) card, and presumably also with the i7. I'm not sure if that's average, or minimum. Some games may be playable at those sorts of framerates, but they might not be enjoyable.

Text and photos on the iMac look as high resolution as those in a glossy magazine-- that's the main benefit.

Other possible benefits include editing 4K video with room for palettes and the like.

Comment: Re:Sort of like shitposting... (Score 1) 307

by Jeremy Erwin (#48927167) Attached to: The iPad Is 5 Years Old This Week, But You Still Don't Need One

I use my iPad to stream Amazon Prime video to my AppleTV-- technically I could use my Macs to watch the same streams, but they wouldn't be HD. This proved a welcome surprise, as many of the other services like Macs-- but demand additional payment for streaming to the iPad.

Comment: Re: Technically DSLR doesn't specify a mirror or n (Score 1) 192

by Jeremy Erwin (#48862139) Attached to: Samsung's Advanced Chips Give Its Cameras a Big Boost

The shutter was a mirror. At the time did they have a shutter behind the mirror, or use the mirror as the shutter?

Wikipedia's article on the history of SLR camera

states:

Early 35 mm SLR cameras had similar functionality to larger models, with a waist-level ground-glass viewfinder and a mirror which remained in the taking position—blacking out the viewfinder—after an exposure, returning when the film was wound on. Innovations which transformed the SLR were the pentaprism eye-level viewfinder and the instant-return mirror—the mirror flipped briefly up during exposure, immediately returning to the viewfinding position.

Now, when the viewfinder blacks out, that means that the mirror has been raised to take a picture. If the mirror did not return instantly, or even worse, did not return until the film was rewound, this would mean that the shutter would be the only thing keeping the film from being overexposed. To solve this problem You could add a film door, and use a leaf shutter, but this complicates matters.

Mirrors are heavy. Shutters are light enough to be moved in small fractions of a second.

In a twin lens reflex camera, the mirror reflects the light entering the viewfinder lens, to the viewfinder screen at the top of the camera. The mirror doesn't need to move. because there's another lens below for the film.

Comment: Re: Yet sensors have improved (Score 1) 192

by Jeremy Erwin (#48856005) Attached to: Samsung's Advanced Chips Give Its Cameras a Big Boost

You are happy with an f2.8 lens? Seriously? If they could make a f1.8 or faster lens without making it insanely big, they would. It's a compromise and not necessary with the better sensors/smaller bodies.

Sigma has recently released a f 1.8 zoom lens. It's merely the 17-35mm range, though. f2.8 is useful because many of the existing bodies have focal points that are extra precise at f 2.8 or faster. So if a photographer uses the existing "holy trinities", that functionality is never lost. As for faster apertures,

Nikon does have a 200 mm f/2.0 that is big, heavy, and expensive. It once produced a 300 mm f2.0 that had those three qualities in spades. Apparently, they were quite useful in cinematography, and many of them were converted to different mounts.

The problem with long, ultrafast lenses is math.

Want a f2.0 85mm lens?The effective aperture must have a diameter of 42.5mm.
Want a f2.0 300mm lens? The effective aperture must have a diameter of 150 mm.

And of course, the front element must be large enough to let that much light through-- the afforementioned 300 mm lens has a 160mm front thread-- big, and heavy. (Photographers have slightly different expectations about the 400mm 2.8 lens, which requires a similarly sized effective aperture.)

Comment: Re:Sensors are only part of the equation (Score 1) 192

by Jeremy Erwin (#48854325) Attached to: Samsung's Advanced Chips Give Its Cameras a Big Boost

Someone asked why the 300mm/2.8 lens was significant. The reason for it is the 300mm/2.8 and the 70-200mm/2.8 lenses are pretty much lenses that set the bar or standard for optical clarity, so to speak, for both the Nikon and Canon camps.

According to DXOMark, the top scoring lenses for both the Canon 1Dx and the Nikon 810E are both made by Carl Zeiss-- e.g Carl Zeiss Apo Planar T* Otus 85mm F14 ZF.2.

The top scoring Canon is, indeed, the 2.8 300mm. But Nikon's best lens is the 2.0 200mm. Now, it has a 2.8 400mm and 2.8 300mm that are almost as good-- but it has a number of portrait lenses up there as well.

(The 70-200mm zooms are almost second rate in comparison. Besides, people have accused the Nikkor of being slightly short.)

If you're a sports photographer, I suppose I understand why you might judge a lens manufacturer on the basis of its 300mm f 2.8. But that's not necessarily the most exquisitely designed lens in the lineup.

Comment: Re:Center sharpness is not as important (Score 1) 192

by Jeremy Erwin (#48853973) Attached to: Samsung's Advanced Chips Give Its Cameras a Big Boost

I own a D7000, the D90's successor. It has an optical viewfinder, and a mirror. When I press the shutter button, the mirror flips up, blanking out the viewfinder, the shutter is tripped for a fraction of a second, and then the mirror flips down again, letting me see through the viewfinder again. The viewfinder is a purely optical device, relying on a pentaprism to show an upright version of what the film or sensor will be exposed to.

After turning off the camera, and even after removing the batteries, the viewfinder will still let me look through the lens-- not a great advantage, mind you, but it is a consequence of the technology, It does save on batteries, though.

In a mirrorless camera, the viewfinder is a tiny lCD display, showing what the camera sensor is recording. The viewfinder will not go dark when the shutter is pressed, and it will even show the effects of in camera electronic filters. I don't have such a camera, but I would imagine that the viewfinder would be blank if I turned off the camera and removed the batteries. :)

You can make a smaller, lighter camera, if you ditch the flipping mirror for a screen on the back or a electronic viewfinder. An electronic viewfinder is even useful for recording video-- on my D7000, the optical viewfinder is completely blanked out during video mode, as otherwise the mirror would get in the way.

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