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Comment Re:The Drive used to have "Deep Tracks" (Score 1) 7

FM is now an analog/digital mix. They broadcast the analog channel with two digital channels piggybacked on the signal. They don't call it digital, they call it "High Def".

And if they're too broke to pay the fees, they must have trouble selling ads. KSHE has no problem, but they're probably the most popular station in St Louis.

Comment Re:Other art forms that contain music (Score 1) 628

I certainly agree that copyright lengths are way too long, and that the extreme lengths hinder creative expression. I ran across it with Random Scribblings; I had to change Dork Side of the Moon, reducing the lyrics of the two songs to "fair use" snippets, since I can find no way to contact Roger Waters for usage permission. That album is four decades old and should not be under copyright.

You are right, copyright is supposed to encourage creators so their work will belong to everyone after the copyright lapses. How is anyone supposed to get Hendrix or Cocker to perform again?

It does add challenges to creativity.

Comment Re:*sips pabst* (Score 3, Insightful) 351

It's actually a tragedy and missed opportunity, that Jackson has so little talent as a director, and so little discipline in telling a story.

I was appalled by how little he regarded the audience - and proportionally insulted his actors - in "Desolation". Huge musical cues 'instructing' the audience of the drama or character development that was supposed to be on screen, at all times. This seems to be because he cannot elicit real performances from his actors.

I might muse that this is because to Jackson, they are not actors - but merely the armatures on which he templates his green-screen composited glory... But to assume that this is the root of his deficiency, rather than another symptom of of his artlessness, would be to succumb to curmudgeonly urges.

The lesson to be taken away is that Jackson should be designing games, not ruining popular cinema.

It appears that - despite the contempt it provoked in my teenaged self - Rankin and Bass actually produced the best ever adaptation of Tolkien, with the greatest respect and truth towards the source text in feel and substance. Perhaps, when we have destroyed the concept of copyright as a tool of corporate greed, another - more thoughtful - filmmaker might use this as a point of departure for a loving and well-crafted "Hobbit".

Comment Re:The Drive used to have "Deep Tracks" (Score 1) 7

Interesting article, but a bit suspect. I think probably the difference between "Deep Tracks and KSHE is that "deep tracks" is a secondary stream similar to KSHE2; you need a digital radio to pick it up, and KSHE (which is listened to world-wide) is the main feed, and KSHE2 isn't streamed. Your link says "A great deal of care went into the "Deep Tracks' station, making it one of highest quality rock stations in America. the music was locally programmed and carefully selected. DJs were used to give greater insight into songs and deliver a better listening experience. Most recently, the DJs used were local rock radio veterans Seaver and Byrd"; no different than tonight's show on KSHE.

Tonight you can hear Journey - Departure, Joe Walsh - So What, Steve Miller Band - Book of Dreams, Def Leppard - Hysteria, Blind Faith's only album, and Pink Floyd - Wish You Were Here. They play the whole album uncut and uninterrupted without a disk jockey talking over the music.

Oops; that was last night, being retired I lose track of what day it is. They haven't announced next week's yet.

So I suspect "deep tracks" is in trouble not for the format, but for streaming their second channel. Also, the RIAA and ASCAP collect higher fees from streaming than broadcasting, making that article look even more suspicious.

Submission + - #metalgate SJWs prove their real purpose: censorship (deathmetal.org)

hessian writes: Social Justice Warriors (SJWs) comprise the driving force behind the incursion into metal against which #metalgate is a reaction. Metalheads do not want to be told what to think by a self-appointed cabal determining what is “true” based on their ideological agenda. It does not matter which agenda that is, only that it swallows up truth and metal equally and uses them as means toward its real goal, which is power and control.

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