Comment Re:So You're The One (Score 1) 130
I shoot with Canon (R5, R6ii) and Sony (A7r3) mirrorless bodies and I have a Samsung S25+ that I regularly forget has any value as a camera at all. I've made efforts to add smartphones to the work that I do, but even with contemporary flagship devices and a willingness to shoot in LOG format for use in big-boy editing software, it's a lot more work to deal with output from a phone than to use a proper camera. Low-light performance is poor at best and shutter lag is a real thing on phones even when they're just being used for photos. The phone is fine for anything I don't care about, but since I do want output of a certain quality, I'd far rather have a big-boy sensor and a fast aperture lens for my projects.
With regard to people shooting professional cinema projects on smartphones, do please go watch behind the scenes footage. Overwhelmingly, you'll see that they're still using tens of thousands of dollars worth of lighting and production assistance to make that workable. Put a couple 36" beauty dishes with 500W continuous sources just out of frame and I think you'll see that even at 30 year old Kodak DC290 will take amazing pictures.
With regard to fixed-lens pocket cameras, the appeal is most often in something that's pocket friendly and dedicated purpose, even if that purpose is just "I know I'm going to be shooting a lot, so I'd rather drain the battery of this thing rather than kill my phone's battery while I'm walking around." You can get to roughly the same place with a smaller Sony full frame body (e.g. A7C R) or a Pansonic/OM Digital MFT camera and a pancake lens, but by the time you buy in to either platform, you've probably spent hundreds or thousands of dollars anyway. It's all well and good to say that you don't need such a thing, but pocket cameras definitely have better sensors that anything in the action-cam class of product that probably represent the cheapest dedicated portable cameras available otherwise.