How much of that is related to GOG's reputation for being selective about what games and genres they accept? I get the impression that GOG is a bit more "curated" than some other PC game stores. The curators don't really want visual novels (a style of menu-driven adventure game). And apart from new releases by CD Projekt (which owned GOG before the end of 2025), I suspect that GOG seeks to poach "catalog" games that have already been successful on the competing store Steam as opposed to having a game at day one.

Sources include GOG forums (thread; thread)

Use of "digital" meaning purchasing a download appears to have originated in "digital phonorecord delivery", a term of art in a United States copyright law.

My own NES emulator is on Codeberg, but there are well over a dozen emulators on GitHub. Start here:

- LIJI32/SameBoy (Game Boy)
- TASEmulators/fceux (NES)
- mgba-emu/mgba (Game Boy, Game Boy Advance)
- nesdev-org/MesenCE (NES, Super NES, Game Boy, Game Boy Advance, PC Engine, Master System/Game Gear, WonderSwan)
- jsgroth/jgenesis (Mega Drive/Mega CD, Super NES, Master System/Game Gear)
- dolphin-emu/dolphin (GameCube, Wii)
- stenzek/duckstation (PlayStation)
- ares-emulator/ares (numerous)
- Dwedit/PocketNES (PocketNES on Game Boy Advance)
- FluBBaOfWard/NitroSwan (WonderSwan on Nintendo DS)
- FluBBaOfWard/NGPDS (Neo Geo Pocket on Nintendo DS)
- FluBBaOfWard/NitroGrafx (PC Engine on Nintendo DS)

Which emulator of a 20+-year-old console did you see deleted from GitHub, unless it included ROMs or system software copied without permission?

The problem is that a lot of home ISPs don't let their customers port forward because there just aren't enough IPv4 addresses to go around, and I'd bet a lot of your audience are behind ISPs that don't provide IPv6 (such as Frontier fiber). When an ISP is using carrier-grade network address translation (CGNAT) to put an entire neighborhood behind a single IPv4 address, how would the ISP's router know to which customer to direct a TCP SYN packet received at that address? I guess each Forgejo instance operator could pay per month for some sort of proxy service using a reverse SSH tunnel.

If you're using your Google Account to sync your TOTP keys across devices using Google's Authenticator app, you need some way to sign in to Google for that.

If you want "as dumb as possible", the search keyword for that is "static site generator". Then you can redirect /wp-admin/ to Automattic's front page.

People still develop new games for the Master System (which uses a Z80), the Genesis (which uses a Z80 as a sound coprocessor), and especially the Game Boy (whose Sharp SM83 CPU isn't exactly a Z80 but is similar). And they're selling these games both as ROM filess on itch.io and as cartridges.

- Johny, Johny
- Yes papa?

The advertising clause wasn't "non-free" as much as a practical problem that was incompatible with the GPL's ban on additional restrictions. It was largely removed when much popular software switched from the 4-clause original BSD license to the 3-clause or 2-clause version.

The appropriate copyright notice clause remained in 3-clause and 2-clause BSD licenses. This clause is also present in GPLv2 and GPLv3.

In the case of BitTorrent, even the fastest Internet connection won't get you a lot of successful peer connections if your ISP blocks all inbound TCP connections.

Such a new ecosystem already has grown, as I understand it. It's called getting Netflix, HBO Max, Paramount+, Disney+/Hulu, Peacock, Prime Video, or Apple TV to accept your pitch and fund it. These take the place of cable television channels in the pre-broadband economy. And there are still a lot more pilot screenplays than budget to produce all of them.

With the decline of third places, particularly since the pandemic and as online shopping has taken over the functions of malls, how do people usually meet people in 2026?

If only I could get my home ISP to add IPv6...

Would it benefit the public to completely do away with the other 1%? How could something like The Amazing Digital Circus have been produced purely on a hobby budget?

How does the producer of a video go about seeding "word of mouth" and getting onto "curated lists"?

Yes, by excluding a lot of viewers who lack an IP address that can accept inbound TCP connections, unless I'm missing something. It also excludes viewers who have an iPhone or iPad and don't have a Mac with which to build and ad-hoc sign an app because Apple has reportedly banned BitTorrent clients from the App Store.

And how might that have been? I might be misremembering, but this was my recollection:

1. Movie studios and TV channels funded production of videos to be viewed by the public. Very few pitches got funded.
2. Movie studios promoted upcoming and newly released movies through television advertising, and TV channels promoted shows to the channel's own viewers.
3. Movies were paywalled, and TV was ad-supported (in the case of broadcast) or behind the combination of ads and a paywall (in the case of cable).

Also, before YouTube, most end-user devices on the Internet had an IP address, even if dynamic, which could accept incoming connections. Nowadays, a lot of Internet subscribers' devices are behind network address translation (NAT), and if you share your IP address with the whole neighborhood, the ISP is unlikely to forward a port to your device.

Under your proposal:
1. How would the producer of a video cover the cost of producing the video before it even reaches BitTorrent?
2. How would a viewer learn of a video that they are likely to enjoy?
3. How would the system work around users who "leech", or view the video without contributing to its decentralized hosting?

The copyright statute of Slashdot's home country defines a "copy" as a physical object in which a work is embodied, such as a book, ROM cartridge, or optical disc. The statutory license associated with ownership of a copy of a computer program includes making intermediate copies "as an essential step" in the use of the program. Title 17, United States Code, section 117. Historically, console makers and game publishers have lacked power to revoke this license with respect to a particular copy of a game that isn't online-only. With the end of video game distribution on optical disc, this license becomes revocable, and that's the problem.