Sure, it can generate a nice painting in the style of Monet, but it can't produce something that will make the average person say, "Wow, that's something new
... and interesting." The proper understanding of AI is not in reference to copyright, because it can't produce something creative or original. It can only shuffle what it has already seen. It is more akin to an automated Mad Lib generator than anything else.
How is this any different than Thomas Kinkade?
Which brings us to the second point: because AI output is only mechanically produced, never inspired, it is necessarily copyright infringement, even if it only infringes in the most infitesimal way from each of its training inputs.
Bob Ross taught mechanical painting. Paint by numbers without the numbers. Besides, there is a definition for actionable infringement, and that definition is substantial similarity. Infinitesimal is not substantial by definition.
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