Exactly. There are many different learning styles. (One issue I had with school is I don't learn like most people - several learning disabilities/issues - so I'm aware of the differences and how things need to be altered, but for most students, yes, repetition within that first 24 hours is important.)

I haven't been in the classroom since close to the year 2000, so I don't remember the study names. What I do remember is that there were studies, plural - studies, that showed that when you learn how to do a new task or learn new information, that using that information or practicing the task within 24 hours increases the chance of it being remembered by a large percentage. That's over 25 years ago for me, and I'm not going to claim it's at a certain percentage, but I know it was WELL over 50%. So if you learn a new process in Algebra, or a new move in ballroom dance, and you don't practice it within 24 hours, you have a lower chance of remembering it. But it was at least over a 50% increase in your chance of remembering it IF you reinforced it by going through it within 24 hours.

I preferred to use homework as practice - not as learning new material (although that might help if it includes reading for the next day's class). I also worked in psych treatment, which meant I taught more than one subject - I had the odd mix of science and math plus English (lit and grammar). So I'd assign reading overnight that gave us more chance for discussion (discussion, not lecture!), and the math I assigned was to use what we had learned in class. For science, I'd actually prefer to assign reading for what we had done that day, compared to what we would do the next day. That way students found the reading easier, it went faster, and they'd bring in a few questions the next day that we could review (before moving on to new material).

When I grew up, I was forced to go to a prep school where we had 3 or more hours of homework a night, plus we were required to stay for some form of athletics, so I rarely got home before 6 PM. With that in mind, I was selective about homework. For the time I was teaching in public schools (as opposed to my time teaching in treatment), the dept. heads and supervisors jumped on me for not giving enough homework or for assigning science material we had reviewed in class - pretty much everything about my homework system offended the dept heads or supervisors.

Ads? Never saw that many, now I only see ONE on the page at all.

Guess you haven't heard of Brave and are still being tracked all over the internet,then.

Well, that isn't too hot. My kiln, in my barn, was running a firing last night that got just about that hot for cone 6 pottery and it can do cone 10, even hotter.

It'll take more than a furnace that can do what the average potter's kiln can do before it sounds impressive.

Ah - yes, I did misread it. Jobs did push people and created the Reality Distortion Field, but he could not have gotten much going without Woz.

And, yes, I was talking about Woz' accomplishments.

Some of his logic designs were amazing. I was learning digital logic when I got my //e and started studying schematics. (The //e was a generation removed, but had some features from the ][ series and I studied those as well.) For one example, the ][ disk drive. Just as a quick and simple example, he had a 7400 chip needed and used 1 ro 2 of the NAND gates on it. He used the other gates as amplifiers from the disk signal. Not something that was at all standard at that time (don't know if it is now). That's the one I can remember, but he was using ONE gate as an amp instead of at least one, if not three more chips. Things like that kept the costs down more than most would think.

I can't remember other examples, but his habits of having to keep chip counts down, so he could make what he wanted when his family didn't have a lot of money, came through in a number of ways in his designs.

Hmmm...

That's being a little bit harsh.

He sold *new* cars! ;)

They really should be honoring Steve Wozniak instead. He's the one that did the work, did the innovation, made a floppy disk drive work for a price lower than anyone else could imagine by innovating. He's the one who did the designs and made it all possible. But Jobs was more visible and knew how to capture headlines.

Seriously, Jobs and Apple would have been NOTHING without Woz doing the kind of stuff he can do.

Clicked to update my password - now the Plex site login won't work at all. I don't mean it won't take the new PW. I mean you can't get the login page.

Not surprised, really. So freaking many bugs in Plex that never get fixed I've questioned their code quality for a while now.

Popeye's great, and they're still making the comic strip. Nancy's gotten pretty good again. Little Orphan Annie eventually got canceled, but man, it was just insane after around 2000 or so.

Patents keep getting longer too. They used to be 14 years long, and now they're 20.

My proposal has been requiring authors to take affirmative steps to get a copyright (it's not automatic or free, though the fee is nominal), so that we only have to worry about the works the author specifically wants to protect, and that the terms would be 1-year with renewals. The number of renewals would depend on the type of work, but in no event would be all that long.

There was a study some years ago that suggested that 15 years was optimal in general. I'd like to see more investigation of that.

Strong disagree. First, life terms are too unpredictable (and might be shorter than fixed or renewable terms of years). Second, part of the goal of copyright is to encourage the creation of unauthorized derivative works; that's why we have limited terms to begin with.

If an author writes a series of books over years in a common setting, with common characters, the first one entering the public domain only opens up the setting and characters as they were in the first book; third party authors can fork it -- instead of the character of John Smith remaining in Everytown USA on his farm, which was what the original author kept writing about, the new unauthorized one has him set out on magic spy adventures in space. The market can sort out whether this is popular or successful.

This sort of thing has worked out okay before. The Aeneid is just the pro-Trojan, pro-Roman fanfic sequel to the Iliad. (Virgil: "Turns out some of the Trojans survived the war and escaped and had crazy adventures! Let's follow them instead of continuing with Odysseus or Agamemnon.")

No, it's not. This is, no pun intended, patently obvious -- look at all of the unsuccessful artists out there, who will never be successful by virtue of their art even if the copyright lasted a billion years.

Copyright gives people a shot at success, but ensures nothing. Most works are, with regard to copyright-derived income, total flops. Most artists don't get reasonably paid from their copyrights.

It's a lot more like a lottery ticket; lots of people try their luck, and all but a handful lose. The tiny number of big winners, combined with the poor math skills of the average artist or gambler, result in people trying again and again and again, almost always fruitlessly.

But as a side effect, our culture gets enriched with all of this art. Maybe not much, if it's bad, but the only way to get more good art is to have more art created period.

I agree that it should vary, probably by medium. Different media have different viable commercial lifetimes, ranging from less than a full day, in the case of a daily newspaper, to usually no more than a couple of decades (and possibly less, now) in the case of TV and movies. On the other hand, I don't think we need guaranteed minimums at all. If an author wants a copyright, let them apply for it -- by as simple a means as possible, but still requiring an affirmative act and the payment of a token sum, such as $1, so that they have to put in at least a little thought. In many cases, the author won't bother, in which case, why should we be putting a copyright on it anyway?

So what if instead there is an auto mechanic who dies unexpectedly at a young age, and who left behind a young family with children that had depended on their income? Do they get a royalty on the cars he fixed, or do you say fuck his family, he should've been a successful artist.

No reason for there to be a special solution that only benefits young, dead, successful authors and their surviving families. Everyone dies, and plenty of people die young or otherwise leave their family in dire straits. And the vast majority of creators are never successful in the first place, whether during their lives or posthumously.

Better then to have a more generalized solution: encourage people to get life insurance policies, regulate the insurance market so that they actually pay out, and provide a social safety net just in case. This solution doesn't fuck up our copyright laws, helps more people, is more reliable (what if the work suddenly stops being popular?), and is just plain better in every imaginable respect.

Copyrights have their uses, but providing for one's widow and orphans is not one of them. That's just a red herring meant to play on people's sympathies.

No, that's fine. Remember, it's not just Hollywood that does that; everyone can and does. For example, the Wicked movie just came out, which is the film adaptation of a musical adaptation of a novel which came out in 1995, which in turn was a derivative work based on the novel The Wonderful Wizard of Oz from 1900 which has been in the public domain since 1956. (Although Gregory Maguire, the author of Wicked, did put in a few elements from the still-copyrighted 1939 film, but little enough as to not matter -- mainly just the Witch's green skin)

This is all exactly the sort of thing we want to encourage: authors -- and songwriters, and performers, and filmmakers -- creating new works derived from older works just as much as we encourage them to create new original works. The main thing is to get more works created, of any kind -- sheer quantity is the only way to get more works of quality.