The new system is simply another set of inputs. You will still get search results even if you don't click on anything. In fact, I would bet that actual user interaction with this new system is going to be very small. Most of the input that Google will get will be people trying to game the system.
I didn't even know about Kagi. In fact, it has been a long time since I have even considered using someone besides Google. I just resigned myself to the idea that things were forever broken. Thanks for the insight.
That is a very good point. duckduckgo.com (to use an example) does not summarize the search results for you, and, once you know what to look for the ads are clearly marked. To be honest, purchasing ads on duckduckgo.com is likely a sign of good taste on the part of the advertiser as well. Honestly, I hadn't even considered using a non-Google search option for a long time. That is almost certainly part of the problem. Thanks for your response.
There was nothing automatic about Google's trustworthiness. It simply counted up links that lead back to a particular page. If it had more links it was (supposedly) a better page. Almost immediately webmasters around the world started gaming the system. Google still restricts some of the things my account can do for hidden links that were added to some ads on websites that I ran in like 2001. GoDaddy and all of the other big web hosting companies of that era all rose to prominence on the strength of gaming the PageRank system.
I am sure that other industries tell the same story.
PageRank might seem trustworthy to you, but that's only because you weren't trying to game the system back in the day. I can assure you that, right from the start, people were abusing PageRank in precisely the same way that upsets you now. The only difference was that registering a domain back then cost $70 for two years, and you probably created the links you used to game the system by writing Perl. That raised the barrier to entry significantly. However, there was still real money to be made in that arena, and whether the winners paid Google directly, or paid for back links to their content (or both), I can guarantee you that the road to your trust was paved in money.
In the end Google has decided that the most reliable way to have publishers show that their information is trustworthy is to force them to pay for the privilege. Coincidentally that also happens to be the method that makes Google the most money. For years an entire SEO industry has thrived around the idea that if you pay someone enough money they can trick Google to steal your information instead of your competitors. Now we are finally at the endgame and Google doesn't even send traffic. They simply summarize the information for their customers. Chances are excellent that you don't even leave the google.com domain.
Google's competitors are simply doing the same thing at a different domain. All of them make their money by charging publishers to show up prominently in search ranks. Whether you are rooting for Oceania, Eurasia, or Eastasia it's Big Brother all of the way down.
Literally this dude has dozens, if not hundreds of people working on PowerBI for decades if you count the roots of PowerBI and he's like "look what I can do". It's a dashboard, nobody cares about your dashboards, ever. Dashboards are great for your personal use case but boring to literally every one else.
And just a few months ago he's out there claiming that it will end all software dev jobs and the best he can do with it is make a dashboard? Should have stuck to the stories about ending the world.
I got Google Play Music for my family back when that was a thing. It was the same price as Spotify, had the same catalog, and included any music on Youtube as well. The fact that it included ad free Youtube was just a bonus. These days that has morphed into Youtube Premium, and I still pay for it. I am mostly there for the music, but the ad free Youtube is not terrible.
The interesting thing is that it is pretty clear that most people just watch the ads. Youtube had $60 billion in yearly revenue last year. More than Disney, NBCUniversal, Paramount, and Warner Brothers combined. Roughly $20 billion of that is credited to Youtube Premium which is bigger than any of its Hollywood competitors.
There's a reason that Peacock is being included with Youtube Premium and not the other way around. Youtube is worth something. Peacock, not so much.
Things have changed dramatically since the heyday when everyone had a cable subscription. I used to work for SlingTV (and then Dish), and I had a front row seat as the whole industry imploded. Every year the television networks and movie studios would sit down and renegotiate their contracts. Despite the fact that viewership was always down at least 10% year over year they always wanted price increases. If the cable providers pushed back (as Dish often did) they would lose access to channels, invariably during football season when it mattered most.
You see, as technology started allowing people to purchase their entertainment piecemeal it soon became clear what parts they were willing to pay for, and which parts they weren't willing to pay for. Hollywood thought that people paid for cable subscriptions to watch their scripted television. It turns out that, for most people anyway, the part of television that they were willing to pay for was live sports.
That's why Disney won't sell you ESPN unless you bundle it with everything else that they sell, and that's also why Disney is suing SlingTV for reselling access on a daily basis. SlingTV's "sports pass" allows you to pay for just the games that you want at a ridiculous price. Disney should be stoked, but instead it has sued because it wants to force sports fans to continue to pay for their other channels.
Almost no one is watching traditional scripted television these days. The few hits that the networks do have tends to be reality TV stuff like "Dancing with the Stars," where the audience can watch people compete in real time. Youtube (not YoutubeTV) has at least half again as many viewers as their next highest competitor (Netflix), at any time during the day, on traditional 10 foot devices (your living room TV). That's not counting people watching Youtube on their phones or their computers. Youtube is killing scripted content on living room televisions, during prime time. During the day its an order of magnitude worse.
Take a look at nielsen.com and take a look for yourself. It's absolutely grim. Look at the shows that are doing relatively well, they are all either sports or sports commentary. That's literally the only reason that anyone watches anything besides YouTube and Netflix.
Apple spent over $20 billion building up a content catalog. At their height they were spending nearly $5 billion a year making shows. They made some great shows and got rave reviews. Amazon spends $1 billion a year for the rights to Thursday night football. That is arguably the worst football game of the week. However, Prime generally gets as many viewers for a single game as Apple has total subscribers, including all of the free subscriptions that Apple gives away. It's not just Apple that is shifting away from scripted television either. Take a look at any of the streaming sites (including Netflix) and you will see that all of their recent moves have been to try and compete for the sports market. That's definitely what YouTube is doing by bundling Peacock.
Hollywood is currently circling the drain. Everyone is up for sale right now. No one is watching scripted television. They certainly aren't paying for it.
There is no next move. Netfilx was buying them for their back catalog. The part of WB that people care about is the part that makes new movies and television, and that part is dead no matter who purchases WB.
If you haven't seen the tour of the Warner Brother's lot, you should do that now. They are still even filming some shows there. My guess is that, no matter who owns it they will probably keep something open there as a museum, but the days of it functioning as a working studio are quickly coming to an end. Heck, they are already living in the past. Most of what they talk about when you visit the studio is shows that they stopped filming over 20 years ago.
Still, it is very interesting to see how shows like "Friends" and "Gilmore Girls" was filmed before computers could be used to create whatever shot you needed.
Romero doesn't do any victim blaming on id here. He tries to show sympathy, which apparently Carmack still has no idea how to do. Sucks for everyone at id, and I honestly haven't really enjoyed any of their games since Doom 2 but they will have have a place in many gamer's hearts. Everyone how worked there deserves better than to be downsized this way.
[Used gemini for formatting. It seems to have edited the text somewhere, and the table on bottom is atrocious. I ought to come back to this later. It's too late to continue with it now.]
The less time planning, the more time programming.
