What is the difference between taking a photograph of something completely natural (and therefore the photographer only observed) and a Midjourney produced image where the artist actually directs a computer to produce an image.
The difference for the copyrightable photo is that a human took the photo after determining the subject matter, lighting, time, temperature, conditions and composition created a work of art.
Also, ask the Dave Slater, a wildlife photographer who's camera was briefly taken by a bonobo which then snapped a selfie of itself grinning into the camera and was denied copyright protection of the work. Or ask the elephant owners who tried to copyright the artwork that the elephants painted.... The copyright bills are all clearly worded, that it needs to be created by a human. You can contend that especially in the case of the elephant where it paints a picture at the request of the human handlers is no different than an AI algorithm doing the same thing at the request of the human. If the human made it him/herself, it would be copyrightable, but if they didn't, it isn't.
Sure you can go on and on about using tools and technology to help develop new art or generate a better result (such as the differences that something like an airbrush allowed vs traditional paint or using photo editors to remove red eye, or make people look "more fit", etc...). The blurry line seems to be crossed when the human isn't the one directly creating the work but instead letting an algorithm do it for them. This is the same issue as has been discussed in book authorship and what is and isn't copyrightable (i.e. fact data is not copyrightable, numbers are not copyrightable, math is not copyrightable). As a result a mathematical algorithm creating an output, that output is not copyrightable.
It isn't management's job to micromanage disk space. The management screwup was hiring incompetent IT staff.
Or probably more likely it still was a management screwup because they didn't approve the purchase of a fully redundant storage platform with proper excess capacity. Very likely had a conversation similar to the following:
IT employee: "We need to expand our storage system."
Manager: "We just did that last year."
IT employee: "Yes, I know, but we have been using it at a rate faster than originally projected."
Manager: "We don't have the budget, make due with what you have, we bought twice as much as originally planned because you wanted redundancy, use that redundancy and spare capacity to make due."
and how copyright liability would work with AI.
- It shouldn't. If an image is fully generated by an algorithm, then it is a new work.
I'm not so certain of that. As we are quickly moving down the rabbit hole of human-computer interactions, asking a computer algorithm to "create a photorealistic copy of which afterwards it produces a copy of artwork, would not that copy violate copyright of the original (under the hypothetical that the original is still copyrighted)? Even though an algorithm then generated that "new copy", it only exists because the original did in the first place, and thus it is in violation of that original work.
In this particular case above, I would stress that the AI algorithm isn't necessary at fault, but the person who commanded it to violate the copyright (in the same way that a tool is not at fault if it was used to break a crime, but the person using the tool).
The real questions become, if the works generated by AI can not be copyrighted, then a vast use of AI can not be monetized, and thus research and development for AI will then be stymied due to no foreseeable return on the investment, but really we should not be worried about that issue. The tools will still have a purpose in helping to speed up some tasks, just not be able to be used for others such as creative works (involving copyrights, patents, etc).
"The Mets were great in 'sixty eight, The Cards were fine in 'sixty nine, But the Cubs will be heavenly in nineteen and seventy." -- Ernie Banks