Rick Bentley writes with more on the story behind the meltdown of Duke Nukem Forever, the game that will now live on only as a cautionary tale: "Although the shutdown was previously reported on Slashdot, this new Wired article goes in-depth behind the scenes to paint a picture of a mushroom cloud-sized implosion. Developers spending a decade in a career holding pattern for below market salary with 'profit sharing' incentives, no real project deadlines, a motion capture room apparently used to capture the motion of strippers (the new game was to take place in a strip club, owned by Duke, that gets attacked by aliens), and countless crestfallen fans. *Sniff*, I would have played that game."

cowmix writes "When TPM came out ten years ago, its utter crappiness shocked me to the core and wounded a entire generation of geeks. My inner child had been abused and betrayed. I moped around, talking to no one, for almost two weeks. I couldn't bring myself to see #2 or #3, whatever they were called. Now, a decade later, comes Star Wars: The Phantom Menace Review, the ultimate, seven-part, seventy minute analysis of this mother of all train wrecks. Not only does it nail how the film blows, but tells us why. Time, apparently, does not heal all wounds." Or, if you prefer all 7 parts embedded in one page, you can check out slashfilm's aggregation.

g0dsp33d writes "Fake Steve Jobs, the alter-alias of Newsweek's Dan Lyons, is calling disgruntled AT&T users to protest comments from AT&T’s Ralph de la Vega that smart phone (specifically iPhone) usage is responsible for their network issues and his plan to end unlimited data plans. The post, dubbed 'Operation Chokehold,' wants AT&T customers to use as much data service as they can on Friday, December 18th at noon. While Fake Steve Jobs is notable for its satire, many Twitter and Facebook users seem to be rallying to its cry. It is unclear if there will be enough support to cause a DDOS."

Hugh Pickens writes "The NY Times reports that Florida's Judicial Ethics Advisory Committee has found in a recent opinion that judges and lawyers can no longer be Facebook friends. The committee says that when judges 'friend' lawyers who may appear before them, it creates the appearance of a conflict of interest, since it 'reasonably conveys to others the impression that these lawyer "friends" are in a special position to influence the judge.' Stephen Gillers, a legal ethics expert at New York University, says the Florida rule goes too far. 'In my view, they are being hypersensitive because in the case of a truly close friendship between a judge and a lawyer involved in a case, the other side can simply seek to disqualify the judge. Judges do not "drop out of society when they become judges," Gillers says. "The people who were their friends before they went on the bench remained their friends, and many of them were lawyers." Still, legal sycophants can take heart: lawyers can declare themselves Facebook "fans" of judges, the committee says, "as long as the judge or committee controlling the site cannot accept or reject the lawyer's listing of himself or herself on the site."'"

A story at the BBC takes a look at the use of private game servers for games that tend not to allow them. While most gamers are happy to let companies like Blizzard and NCSoft administer the servers that host their MMORPGs, others want different rules, a cheaper way to play, or the technical challenge of setting up their own. A South African player called Hendrick put up his own WoW server because the game "wasn't available in the country at the time." A 21-year-old Swede created a server called Epilogue, which "had strict codes of conduct and rules, as well as a high degree of customized content (such as new currency, methods of earning experience, the ability to construct buildings and hire non-player characters, plus 'permanent' player death) unavailable in the retail version of the game." The game companies make an effort to quash these servers when they can, though it's frequently more trouble that it's worth. An NCSoft representative referenced the "growing menace" of IP theft, and a Blizzard spokesperson said,"We also have a responsibility to our players to ensure the integrity and reliability of their World of Warcraft gaming experience and that responsibility compels us to protect our rights."

eldavojohn writes "Benoit Felten, an analyst in Paris, has heard enough of the elusive creature known as the bandwidth hog. Like its cousin the Boogie Man, the 'bandwidth hog' is a tale that ISPs tell their frightened users to keep them in check or to cut off whoever they want to cut off from service. And Felten's calling them out because he's certain that bandwidth hogs don't exist. What's actually happening is the ISPs are selecting the top 5% of users, by volume of bits that move on their wire, and revoking their service, even if they aren't negatively impacting other users. Which means that they are targeting 'heavy users' simply for being 'heavy users.' Felten has thrown down the gauntlet asking for a standardized data set from any telco that he can do statistical analysis on that will allow him to find any evidence of a single outlier ruining the experience for everyone else. Unlikely any telco will take him up on that offer but his point still stands." Felten's challenge is paired with a more technical look at how networks operate, which claims that TCP/IP by its design eliminates the possibility of hogging bandwidth. But Wes Felter corrects that mis-impression in a post to a network neutrality mailing list.

As a follow-up to Epic Games' release of a free version of the Unreal Engine last month, the company has now posted over 160 video tutorials which demonstrate the various uses of the Unreal Development Kit. Roughly 20 hours of footage were created by technical education company 3D Buzz, with topics ranging from user interface to game physics to cinematics.

A recent post at the Press Start To Drink blog examined the relationship the games industry has with copyright laws. More so than in some other creative industries, the reactions of game companies to derivative works are widely varied and often unpredictable, ranging anywhere from active support to situations like the Chrono Trigger: Crimson Echoes debacle. Quoting: "... even within the gaming industry, there is a tension between IP holders and fan producers/poachers. Some companies, such as Epic and Square Enix, remain incredibly protective of their Intellectual Property, threatening those that use their creations, even for non-profit, cultural reasons, with legal suits. Other companies, like Valve, seem to, if not embrace, at least tolerate, and perhaps even tacitly encourage this kind of fan engagement with their work. Lessig suggests, 'The opportunity to create and transform becomes weakened in a world in which creation requires permission and creativity must check with a lawyer.' Indeed, the more developers and publishers that take up Valve's position, the more creativity and innovation will emerge out of video game fan communities, already known for their intense fandom and desire to add to, alter, and re-imagine their favorite gaming universes."

eldavojohn writes "A number of blog posts are surfacing that are calling out the helpful open source community on their documentation. No, not the documentation for the highly skilled technical people, but the documentation from beginner to apprentice. A two-part series by Carla Schroeder lists bad documentation as 'Linux Bug #1' and advises users to use Google as the documentation. We've discussed before some of open source's documentation being out of date. Is it really as bad as these blogs paint it? Has it come down to using Google before a man page?"

diegocg writes "Linus Torvalds has officially released the version 2.6.32 of the Linux kernel. New features include virtualization memory de-duplication, a rewrite of the writeback code faster and more scalable, many important Btrfs improvements and speedups, ATI R600/R700 3D and KMS support and other graphic improvements, a CFQ low latency mode, tracing improvements including a 'perf timechart' tool that tries to be a better bootchart, soft limits in the memory controller, support for the S+Core architecture, support for Intel Moorestown and its new firmware interface, run-time power management support, and many other improvements and new drivers. See the full changelog for more details."

mantis2009 writes "The US Federal Communications Commission (FCC) published a request for public comment (PDF) on an upcoming transition from the decades-old circuit-based Public Switched Telephone Network to a new system run entirely with Voice over Internet Protocol (VoIP) technology. This is perhaps the most serious indication to date that the legacy telephone system will, in the near future, reach the end of its life. This public commenting phase represents a very early stage in what will undoubtedly be a very complex transition that makes this year's bumpy switch from analog to digital television look relatively easy."

An anonymous reader writes "Controlling computers with our minds may sound like science fiction, but one Australian company claims to be able to let you do just that. The Emotiv device has been garnering attention at trade shows and conferences for several years, and now the company says it is set to launch the Emotiv EPOC headset on December 21. PC Authority spoke to co-founder Nam Do about the Emotiv technology and its potential as a mainstream gaming interface." One wonders what kind of adoption they expect with a $299 price tag.

MojoKid writes "The PC demo for Codemasters' upcoming DirectX 11 racing title, Dirt 2, has just hit the web and is available for download. Dirt 2 is a highly-anticipated racing sim that also happens to feature leading-edge graphic effects. In addition to a DirectX 9 code path, Dirt 2 also utilizes a number of DirectX 11 features, like hardware-tessellated dynamic water, an animated crowd and dynamic cloth effects, in addition to DirectCompute 11-accelerated high-definition ambient occlusion (HADO), full floating-point high dynamic range (HDR) lighting, and full-screen resolution post processing. Performance-wise, DX11 didn't take its toll as much as you'd expect this early on in its adoption cycle." Bit-tech also took a look at the graphical differences, arriving at this conclusion: "You'd need a seriously keen eye and brown paper envelope full of cash from one of the creators of Dirt 2 to notice any real difference between textures in the two versions of DirectX."

kdawson writes "A year after voting unanimously to open 'white space' frequencies for unlicensed use, the FCC has now issued a public notice seeking database proposals (PDF). Howard Feld explains in his blog posting: 'At last! We can get moving on this again, and hopefully move forward on the most promising "disruptive" technology currently in the hopper. And move we are, in a very peculiar fashion. Rather than resolve the outstanding questions about how the database provider will collect money, operate the database, or whether the database will be exclusive or non-exclusive, the Public Notice asks would-be database managers to submit proposals that would cover these issues. ... I label this approach "good, but weird."'"

An anonymous reader writes "Ben Kuchera from Ars Technica is reporting that EA/DICE has substantially changed the game model of Battlefield: Heroes, increasing the cost of weapons in Valor Points (the in-game currency that you earn by playing) to levels that even hardcore players cannot afford, and making them available in BattleFunds (the in-game currency that you buy with real money). Other consumables in the game, such as bandages to heal the players, suffered the same fate, turning the game into a subscription or pay-to-play model if players want to remain competitive. This goes against the creators' earlier stated objectives of not providing combat advantage to paying customers. Ben Cousins, from EA/DICE, argued, 'We also frankly wanted to make buying Battlefunds more appealing. We have wages to pay here in the Heroes team and in order to keep a team large enough to make new free content like maps and other game features we need to increase the amount of BF that people buy. Battlefield Heroes is a business at the end of the day and for a company like EA who recently laid off 16% of their workforce, we need to keep an eye on the accounts and make sure we are doing our bit for the company.' The official forums discussion thread is full of angry responses from upset users, who feel this change is a betrayal of the original stated objectives of the game."