For the last thirteen years the Free Software Foundation has published its Ethical Tech Giving Guide. But what's interesting is this year's guide also tags companies and products with negative recommendations to "stay away from." Stay away from: iPhones
It's not just Siri that's creepy: all Apple devices contain software that's hostile to users. Although they claim to be concerned about user privacy, they don't hesitate to put their users under surveillance.

Apple prevents you from installing third-party free software on your own phone, and they use this control to censor apps that compete with or subvert Apple's profits.

Apple has a history of exploiting their absolute control over their users to silence political activists and help governments spy on millions of users.


Stay away from: M1 MacBook and MacBook Pro
macOS is proprietary software that restricts its users' freedoms.

In November 2020, macOS was caught alerting Apple each time a user opens an app. Even though Apple is making changes to the service, it just goes to show how bad they try to be until there is an outcry.

Comes crawling with spyware that rats you out to advertisers.


Stay away from: Amazon
Amazon is one of the most notorious DRM offenders. They use this Orwellian control over their devices and services to spy on users and keep them trapped in their walled garden.

Be aware that Amazon isn't the peddler of ebook DRM. Disturbingly, it's enthusiastically supported by most of the big publishing houses.

Read more about the dangers of DRM through our Defective by Design campaign.


Stay away from: Spotify, Apple Music, and all other major streaming services
In addition to streaming music encumbered by DRM, people who want to use Spotify are required to install additional proprietary software. Even Spotify's client for GNU/Linux relies on proprietary software.

Apple Music is no better, and places heavy restrictions on the music streamed through the platform.


Stay away from: Netflix
Netflix is continuing its disturbing trend of making onerous DRM the norm for streaming media. That's why they were a target for last year's International Day Against DRM (IDAD).

They're also leveraging their place in the Motion Picture Association of America (MPAA) to advocate for tighter restrictions on users, and drove the effort to embed DRM into the fabric of the Web.

"In your gift giving this year, put freedom first," their guide begins.

And for a freedom-respecting last-minute gift idea, they suggest giving the gift of a FSF membership (which comes with a code and a printable page "so that you can present your gift as a physical object, if you like.") The membership is valid for one year, and includes the many benefits that come with an FSF associate membership, including a USB member card, email forwarding, access to our Jitsi Meet videoconferencing server and member forum, discounts in the FSF shop and on ThinkPenguin hardware, and more.

If you are in the United States, your gift would also be fully tax-deductible in the USA.

The end of password sharing is coming to Netflix soon -- and it will be a challenge for both viewers and the streaming giant. From a report: The company has put off this moment for years. Researchers inside Netflix identified password sharing as a major problem eating into subscriptions in 2019, people familiar with the situation say, but the company was worried about how to address it without alienating consumers. Then Covid lockdowns hit, bringing a wave of new subscribers, and the effort to scrutinize sharing petered out.

More than 100 million Netflix viewers now watch the service using passwords they borrow -- often from family members or friends, the company says. Netflix has said that it will put an end to that arrangement starting in 2023, asking people who share accounts to pay to do so. The company expects to begin rolling out the change in the U.S. early in the year. Netflix's crackdown risks squandering years of goodwill the company has built up over the years and angering consumers, who have a crowd of other streaming services to choose from.

Satya Nadella keeps thinking bigger. Microsoft's chief executive has been buying new businesses at an impressive clip. Look for him to add Netflix to the list in 2023. Reuters reports: [...] The two companies are already closely aligned. Netflix chose Microsoft as its advertising partner for a new advertising-supported subscription service. Microsoft President Brad Smith also sits on the Netflix board. Part of the rationale for a deal is that Microsoft wants to offer a video-game streaming service over multiple devices. Netflix has its own big plans in gaming. In 2022, the company co-led by Reed Hastings snapped up developer Spry Fox, its sixth in-house studio. Becoming part of the Microsoft empire would supercharge those ambitions. A bundle with streaming TV and games together is not hard to fathom.

With a market value 13 times that of Netflix, as of early December, $1.8 trillion Microsoft can afford Netflix. A 30% premium would value the Netflix enterprise at nearly $190 billion. Significant cost savings would be hard to find, however. And after taxing the $8 billion of operating profit that analysts project for Netflix in 2024, the implied return on investment would only be half its 8% weighted average cost of capital, per Morningstar analysts. Nadella has defied such back-of-the-envelope financial logic before. And if nothing else, he has shown a willingness to be a bold dealmaker. On that basis, it's easy to believe Microsoft will set its sights on Netflix.

An anonymous reader quotes a report from TorrentFreak: The UK Government's Intellectual Property Office published new piracy guidance today, and it contains a small, easily missed detail. People who share their Netflix, Amazon Prime, or Disney+ passwords are violators of copyright law. And it gets worse. The IPO informs TorrentFreak that password sharing could also mean criminal liability for fraud. [...] In a low-key announcement today, the UK Government's Intellectual Property Office announced a new campaign in partnership with Meta, aiming to help people avoid piracy and counterfeit goods online. Other than in the headline, there is zero mention of Meta in the accompanying advice, and almost no advice that hasn't been issued before. But then this appears: "Piracy is a major issue for the entertainment and creative industries. Pasting internet images into your social media, password sharing on streaming services and accessing the latest films, tv series or live sports events through kodi boxes, fire sticks or Apps without paying a subscription all break copyright laws. Not only are you breaking the law but stopping someone earning a living from their hard work."

TorrentFreak immediately contacted the Intellectual Property Office for clarification on the legal side, particularly since password sharing sits under a piracy heading. The IPO's response was uncompromising, to put it mildly. "There are a range of provisions in criminal and civil law which may be applicable in the case of password sharing where the intent is to allow a user to access copyright protected works without payment," the IPO informs TorrentFreak. "These provisions may include breach of contractual terms, fraud or secondary copyright infringement depending on the circumstances." Given that using the "services of a members' club without paying and without being a member" is cited as an example of fraud in the UK, the bar for criminality is set very low, unless the Crown Prosecution Service decides otherwise, of course.

"Peak TV has peaked," reports the new York Times: The never-ending supply of new programming that helped define the streaming era — spawning shows at a breakneck pace but also overwhelming viewers with too many choices — appears to finally be slowing. The number of adult scripted series ordered by TV networks and streaming companies aimed for U.S. audiences fell by 24 percent in the second half of this year, compared with the same period last year, according to Ampere Analysis, a research firm. Compared with 2019, it is a 40 percent drop. "The second half of the year has really gone off a bit of a cliff," said Fred Black, a research manager at Ampere.

It may take some time for that to become apparent to viewers — if it becomes apparent at all, given the glut. It is usually months and sometimes more than a year for a TV show to premiere after a network orders it.

The drop is a result of broader reckoning inside the entertainment industry. For years, television executives tossed off billions of dollars on TV series to help build out their streaming services and chase subscribers. The spending has been a boon to high-profile writers and producers, who captured eight- and nine-figure deals, as well as for the actors, directors and behind-the-scenes workers who kept the engine going. But Wall Street soured on the buy-at-any-cost strategy starting in the spring, when Netflix, the streaming powerhouse, announced that it had lost subscribers for the first time in a decade. Netflix's stock nose-dived, and other entertainment companies soon watched their share prices fall, too. Hollywood companies quickly shifted, putting a new emphasis on higher profits instead of raw subscriber counts.

Then, in recent months, entertainment companies became increasingly anxious about a slowing economy, the cord-cutting movement and a troublesome advertising market. Since the summer, scores of executives have abruptly been dismissed, strict cost-cutting measures have been adopted and layoffs have taken hold throughout the industry.... Netflix also cut hundreds of jobs and introduced a cheaper advertising tier, overturning the company's longtime pledge to never allow commercials on the service. Warner Bros. Discovery, a company that was formed in April, faces a debt of roughly $50 billion, and has been in severe cost-cutting mode. There have been rounds of layoffs companywide, including at HBO and HBO Max, as well as sudden cancellations. The once-popular series "Westworld" was canceled last month — a move that surprised Hollywood — and the lesser-known, raunchy dating series "FBoy Island" was cut a few weeks ago....

There are a few outliers to this year's trend: Apple TV+ and Amazon have increased the number of adult scripted series they have purchased this year. So has Disney, according to Ampere's research. (For the second half of the year, however, Disney's buying has declined compared with the same period last year.)

Set in Fascist Italy before and during World War II, Guillermo del Toro's Pinocchio is "a magical but distinctly un-Disney-like tale of parenthood, grief, life, death, and war," writes Decider.

"Using hundreds of puppets with movable silicone skin, filmmaker Guillermo del Toro and his small army of animators and puppeteers shot simultaneously on 60 stages, 60 cameras, and 60 sets," they add, saying he crafted the two-hour movie that premiered on Netflix this month (and in select theatres) into "a painstaking labor of art."

So what does he think of AI-generated art? Guillermo del Toro: I think that art is an expression of the soul. At its best, it is encompassing everything you are. Therefore, I consume, and love, art made by humans. I am completely moved by that.

I am not interested in an illustration made by machines and the extrapolation of information. I talked to Dave McKean, who is a great artist. And he told me, his greatest hope is that AI cannot draw. It can interpolate information, but it cannot draw. It can never capture a feeling, or a countenance, or the softness of a human face, you know? Certainly, if that conversation was being had about film, it would hurt deeply.

I would think it, as [Hayao] Miyazaki says, "an insult to life itself."
Variety explains that "In a viral moment from the 2016 documentary series NHK Special: Hayao Miyazaki — The One Who Never Ends, the eponymous Studio Ghibli co-founder railed against machine-generated animation." Miyazaki was shown an animation of a zombie-esque creature created by AI, to which he responded: "Whoever creates this stuff has no idea what pain is whatsoever. I am utterly disgusted. If you really want to make creepy stuff, you can go ahead and do it. I would never wish to incorporate this technology into my work at all. I strongly feel that this is an insult to life itself."

After being informed that one animator was attempting to create a machine that "draws pictures like humans do," Miyazaki fired back, "I feel like we are nearing to the end of the times. We humans are losing faith in ourselves."

Longtime williamyf writes: Both ArsTechnica and The Register report that Amazon, Vertigo, and Games Worksop have entered a preliminary deal for the movie, TV, and merchandising rights of the Warhammer 40K franchise. The deal also brings Henry Cavill -- longtime Warhammer 40K fan, actor who played Geralt in Netflix's The Witcher series and Superman in the Zack Snyder DC superhero films -- as both executive producer and actor.

While this is only a memorandum of understanding, it's highly likely that the deal will pass. What is still not clear is if this will be handled by MGM (meaning a higher probability of theatrical releases and physical media) or if it will go to Amazon Studios (increasing the probability of a streaming-only affaire), or both.

What is your opinion? Let us know in the comments. "Warhammer 40K is set in the very distant future (the 40K roughly refers to the years when it takes place) that is analogous in some ways to what historians used to refer to as Europe's Dark Ages," reports Ars. "The franchise is the definition of 'grimdark,' painting a picture of a universe in which billions toil to serve a God-Emperor and vast, brutal warfare."

"The universe is much more expansive than its politics, though, with countless threats to humanity, including Starship Troopers-like insect hordes and space orks, among other beings." It started as a tabletop game and has gone on to spawn numerous popular video games and books over the almost 40 years it's been around.

Today, Disney+ launched its ad-supported tier, "Disney+ Basic," at $7.99/month. The plan is currently only available in the U.S. and will become available in other countries sometime next year. TechCrunch reports: Netflix has its work cut out for it if it wants to compete successfully with Disney+'s new ad-supported tier. For instance, Disney+ Basic not only lets viewers stream high-quality video, including Full HD, HDR10, 4K Ultra HD, Dolby Vision and Expanded Aspect Ratio with IMAX Enhanced, but it also lets subscribers stream on up to four supported devices simultaneously. Plus, the ad plan includes Disney+'s full content catalog. Netflix's ad-supported plan, on the other hand, only supports 720p HD video quality, subscribers can only stream on one device at the same time and around 5% to 10% of Netflix's content library is missing due to licensing restrictions.

Neither Disney+ Basic nor Netflix's "Basic with ads" plan allows offline viewing or downloads. Other features not included in the Disney+ Basic plan at launch are GroupWatch, SharePlay and Dolby Atmos. A Disney spokesperson told TechCrunch that the company hopes to support this in the future, but the exact timing is unknown. Ads will range from 15 to 30 or 45 seconds long, the spokesperson added. As we previously reported, Disney+ is limiting the total ad load to an average of four minutes of commercials an hour. Preschool content has zero ads. "Today's launch marks a milestone moment for Disney+ and puts consumer choice at the forefront. With these new ad-supported offerings, we're able to deliver greater flexibility for consumers to enjoy the full breadth and depth of incredible storytelling from The Walt Disney Company," Michael Paull, president of Direct to Consumer, said in a statement.

Microsoft says it has reached a 10-year agreement with Nintendo to make Call of Duty available on Nintendo consoles if the Activision Blizzard acquisition closes. From a report: The deal is similar in length to what Microsoft has offered Sony, and the Xbox maker has also committed to continue to offer new versions of Call of Duty on Steam at the same time they launch on Xbox. The deal is clearly designed to put pressure on Sony to accept a similar offer, just days after Microsoft president Brad Smith said "Sony has emerged as the loudest objector" to Microsoft's proposed $68.7 billion acquisition and that "it's as excited about this deal as Blockbuster was about the rise of Netflix." Microsoft confirmed earlier this week that it had offered Sony a 10-year contract to make each new Call of Duty release available on PlayStation the same day as it launches on Xbox.

Around 2009 Slashdot was abuzz about how over-the-air broadcasting in North America was switching to a new standard called DTV. (Fun fact: North America and South America have two entirely different broadcast TV standards — both of which are different from the DVB-T standard used in Europe/Africa/Australia.) But 2022 ends with us already talking about DTV's successor in North America: the new broadcast standard NextGen TV.

This time the new standard isn't mandatory for TV stations, CNET points out — and it won't affect cable, satellite or streaming TV. But now even if you're not paying for a streaming TV service, another article points out, in most major American cities "an inexpensive antenna is all you'll need to get get ABC, CBS, Fox, NBC and PBS stations" — and often with a better picture quality: NextGen TV, formerly known as ATSC 3.0, is continuing to roll out across the U.S. It's already widely available, with stations throughout the country broadcasting in the new standard. There are many new TVs with compatible tuners plus several stand-alone tuners to add NextGen to just about any TV. As the name suggests, NextGen TV is the next generation of over-the-air broadcasts, replacing or supplementing the free HD broadcasts we've had for over two decades. NextGen not only improves on HDTV, but adds the potential for new features like free over-the-air 4K and HDR, though those aren't yet widely available.

Even so, the image quality with NextGen is likely better than what you're used to from streaming or even cable/satellite. If you already have an antenna and watch HD broadcasts, the reception you get with NextGen might be better, too.... Because of how it works, you'll likely get better reception if you're far from the TV tower.

The short version is: NextGen is free over-the-air television with potentially more channels and better image quality than older over-the-air broadcasts.
U.S. broadcast companies have also created a site at WatchNextGenTV.com showing options for purchasing a compatible new TV. That site also features a video touting NextGen TV's "brilliant colors and a sharper picture with a wider range of contrast" and its Dolby audio system (with "immersive, movie theatre-quality sound" with enhancements for voice and dialogue "so you get all of the story.") And in the video there's also examples of upcoming interactive features like on-screen quizzes, voting, and shopping, as well as the ability to select multiple camera angles or different audio tracks.

"One potential downside? ATSC 3.0 will also let broadcasters track your viewing habits," CNet reported earlier this year, calling the data "information that can be used for targeted advertising, just like companies such as Facebook and Google use today...

"Ads specific to your viewing habits, income level and even ethnicity (presumed by your neighborhood, for example) could get slotted in by your local station.... but here's the thing: If your TV is connected to the internet, it's already tracking you. Pretty much every app, streaming service, smart TV and cable or satellite box all track your usage to a greater or lesser extent."

But on the plus side... NextGen TV is IP-based, so in practice it can be moved around your home just like any internet content can right now. For example, you connect an antenna to a tuner box inside your home, but that box is not connected to your TV at all. Instead, it's connected to your router. This means anything with access to your network can have access to over-the-air TV, be it your TV, your phone, your tablet or even a streaming device like Apple TV....

This also means it's possible we'll see mobile devices with built-in tuners, so you can watch live TV while you're out and about, like you can with Netflix and YouTube now. How willing phone companies will be to put tuners in their phones remains to be seen, however. You don't see a lot of phones that can get radio broadcasts now, even though such a thing is easy to implement.
But whatever you think — it's already here. By August NextGen TV was already reaching half of America's population, according to a press release from a U.S. broadcaster's coalition. That press release also bragged that 40% of consumers had actually heard of NextGen TV — "up 25% from last year among those in markets where it is available."

Prime Video has supplanted Netflix as the No. 1 subscription streaming outlet in the U.S. in an annual ranking compiled by research firm Parks Associates. Deadline reports: The company didn't disclose its methodology for how it isolates the number of Prime Video subscribers, a metric long cloaked in secrecy due to Amazon's general reluctance to disclose statistics about its Prime business. Still, Parks has been a reputable tracker of the streaming space for more than a decade. For many years in the 2010s, its rankings looked consistent, with the former "Big 3" of Netflix, Prime Video and Hulu sharing the top three spots, always with Netflix at the top. Today, the rankings are much more fragmented given how many new players have entered the scene. The list reflects total subscribers through September 2022, via the OTT Video Market Tracker, a Parks offering described by the firm as "an exhaustive analysis of market trends and profiles of the nearly 100 over-the-top video service providers in the U.S. and Canada."

Amazon said last year it has more than 200 million Prime members, with Prime Video among the program's benefits. Several weeks ago, the company also recently said The Lord of the Rings: The Rings of Power has been viewed by more than 100 million Prime subscribers worldwide. [...] Netflix, meanwhile, has hit a plateau in the U.S., even shedding a small amount of subscribers over recent quarters. The company reported 73.4 million subscribers in the U.S. and Canada as of September 30, up 100,000 from the previous quarter but below levels in 2021 and earlier this year.

On a global basis, of course, Netflix continues to lead the field with a bit more than 223 million subscribers. Disney has been hot on its heels, with Disney+ now at 164.2 million and the company overall reaching 235.7 million across Disney+, Hulu and ESPN+. The rest of the 2022 chart looks relatively similar to the 2021 edition, though NBCUniversal's Peacock broke through to take the No. 10 spot as Showtime dropped out of the picture.

Streaming giant plans global expansion of program that helped make 'Don't Look Up' less serious. From a report: Before Netflix's 2021 release of "Don't Look Up," a small group of its U.S. subscribers previewed the film and told the streaming giant that the movie came across as too serious, according to people familiar with the matter. The film's creators used that feedback to dial up the comedic element of the film and make it appeal to a broader audience, the people said. While the film received lukewarm reviews among critics, "Don't Look Up" was nominated for four Academy Awards and broke a Netflix record for weekly viewing hours of a film, a record it still holds. Netflix is now planning to expand its group of previewers beyond its current base of 2,000-plus subscribers to include tens of thousands of users around the world early next year, people familiar with those plans said.

Netflix is working to ensure that every dollar spent on content yields the highest level of member attention and engagement across its 223 million-strong subscriber base globally, and comes as streamers more heavily scrutinize content spending and focus more on profitability. Netflix this year suffered two consecutive quarters of subscriber losses and has told Wall Street it expects to keep its spending on new shows and movies to about $17 billion annually for the next few years. The company returned to subscriber growth in the third quarter.

A torrent site user accused of downloading and uploading at least 120TB of movies, TV shows, eBooks, music and software, has avoided an immediate prison term. The 28-year-old was arrested as part of a police operation against DanishBytes. A member of the same site was sentenced earlier this month after he uploaded Netflix content obtained using hacked credentials. TorrentFreak reports: Early November 2021, Denmark's Public Prosecutor for Special Economic and International Crime (SOIK) announced that six people had been arrested following criminal referrals by Rights Alliance. All were members and/or operators of ShareUniversity and DanishBytes. Prosecution of site operators is not uncommon but when it's deemed in the public interest, pirate site users can also face charges. Every case is unique so criteria differ, especially across national borders, but when evidence shows large volumes of infringement, successful prosecutions become more likely. That was the case when a former DanishBytes user was sentenced last week. According to Danish anti-piracy group Rights Alliance, the 28-year-old man was a regular site member and wasn't involved in running the site. That being said, evidence showed that for the period January 2021 to November 2021, he downloaded and/or uploaded no less than 3,000 copyrighted works, including movies, TV shows, music, books, audiobooks and comics.

Information released by the National Unit for Special Crimes (NSK), a Danish police unit focused on cybercrime, organized crime, and related financial crime, reveals that the user's traffic statistics interested prosecutors. "During the period, the man downloaded no less than 100 TB and uploaded no less than 20 TB of copyrighted material," NSK says. BitTorrent trackers operating a ratio model usually insist on a better ratio of downloads to uploads but DanishBytes' situation was out of the ordinary.

The site launched in January 2021 in the wake of other sites being shut down, so had to get going from a standing start with no users. Even when arrests were being made, the site still had a relatively small userbase, which can limit opportunities to upload more. That may have been a blessing in disguise. Faced with the evidence, the man decided to plead guilty and was sentenced last week at the Court in Vibourg. In common with similar prosecutions recently, he received a suspended conditional sentence of 60 days' probation, 80 hours of community service, and confiscation of his computer equipment. The case against the DanishBytes user began with a Rights Alliance investigation and a referral to the police. As part of his sentence, the man must pay the anti-piracy group DKK 5,000 (US$600) in compensation but Rights Alliance director Maria Fredenslund is focused on the deterrent effect of another successful prosecution.

Netflix's trailblazing DVD-by-mail rental service has been relegated as a relic in the age of video streaming, but there is still a steady -- albeit shrinking -- audience of diehards who are happily paying to receive those discs in the iconic red-and-white envelopes. From a report: Netflix declined to comment for this story but during a 2018 media event, co-founder and co-CEO of Netflix Reed Hastings suggested the DVD-by-mail service might close around 2023. When -- not if -- it happens, Netflix will shut down a service that has shipped more than 5 billion discs across the U.S. since its inception nearly a quarter century ago. And it will echo the downfall of the thousands of Blockbuster video rental stores that closed because they couldn't counter the threat posed by Netflix's DVD-by-mail alternative.

Shortly before breakup from video streaming, the DVD-by-mail service boasted more than 16 million subscribers, a number that has now dwindled to an estimated 1.5 million subscribers, all in the U.S., based on calculations drawn from Netflix's limited disclosures of the service in its quarterly reports. Netflix's video streaming service now boasts 223 million worldwide subscribers, including 74 million in the U.S. and Canada. "The DVD-by-mail business has bequeathed the Netflix that everyone now knows and watches today," Marc Randolph, Netflix's original CEO, said during an interview at a coffee shop located across the street from the post office in Santa Cruz, California.

Netflix has put up more than a dozen job listings on its website for Netflix Games Studio's Los Angeles office. From a report: These listings give us a few hints about the company's plans for the new studio. In particular, Netflix is hiring a game director to work on "a brand-new AAA PC game." Last month at TechCrunch Disrupt, Netflix VP of Gaming Mike Verdu originally announced that his company was opening a new studio in Southern California. Verdu also said that Chacko Sonny would be leading the studio. Sonny is the former executive producer on Overwatch.

Sonny left Blizzard Entertainment, the company behind Overwatch, while the company was dealing with a California lawsuit for sexual harassment and discrimination as well as an investigation by the Securities and Exchange Commission. He was also in charge of the development of Overwatch 2. And now it seems like Netflix wants to put together the core team for the initial project of Netflix Games Studio in Los Angeles. The game director will be in charge of a AAA PC game. That would be the company's first PC game as Netflix currently only offers games for smartphones and tablets. In the video game industry, AAA projects are major games with very large budgets and development teams.

Netflix agreed to some exclusive theatrical distribution for "Glass Onion" and "Matilda the Musical," but it's not clear exhibitors will get much more. From a report: "Glass Onion: A Knives Out Mystery," the much-anticipated follow-up to the 2019 sleeper hit directed by Rian Johnson, was supposed to be the moment Netflix crossed the Rubicon. Rather than give the film a perfunctory theatrical release -- a strategy designed to ensure most viewers ultimately watch a movie on the streaming service -- Netflix, in a first, would give the film a traditional, exclusive run in a large number of cinemas. It didn't happen.

After much back and forth, and contrary to the wishes of some Netflix employees and Mr. Johnson, a theatrical release for "Glass Onion" that at one point some people inside the company hoped would reach up to 2,000 screens ended up at 638 in the United States. The movie, which was released on Wednesday and has received positive reviews, will run in theaters for just one week before becoming available on Netflix on Dec. 23. What was supposed to be the moment to prove the value of theaters to the streaming giant will not come to pass. Yet the company is also involved in another intriguing theatrical experiment this weekend, one that could end up providing Netflix with even more valuable feedback.

On Friday, "Matilda the Musical," financed and produced by Netflix, will open on more than 1,500 screens in 670 locations across the United Kingdom and Ireland. The movie, starring Emma Thompson as the villainous Miss Trunchbull, will be released and promoted by Sony Pictures, which, in a unique one-picture deal, licensed the rights to Netflix on the condition that Sony could hold onto the United Kingdom for a theatrical release. ("Matilda," which is based on a stage musical that itself is based on a children's book by Roald Dahl, is beloved in the United Kingdom. The musical has been running in London's West End since 2011.) "It will be a good example of what could be done," said Tim Richards, founder and chief executive of Vue International, a London-based exhibitor with theaters in countries including the United Kingdom, Denmark, Germany and Italy. âoeIf there was ever a film made for the big screen, it's 'Matilda.'"

Netflix's new anthology series "Kaleidoscope" will give viewers their own unique experience watching a team of skillful thieves attempt to pull off a robbery they've been planning for over 20 years. From a report: In a sneak peek clip, the cast and crew share the intricacies of the series and how it's making a new spin on the traditional anthology series. "Every episode had multiple connections to every other episode," said the show's creator, showrunner and executive producer Eric Garcia in the clip. Garcia is also one of the "Kaleidoscope" writers.

In the eight-part series, the audience will follow "a crew of masterful thieves and their attempt to crack a seemingly unbreakable vault for the biggest payday in history. Guarded by the world's most powerful corporate security team, and with law enforcement on the case, every episode reveals a piece of an elaborate puzzle of corruption, greed, vengeance, scheming, loyalties and betrayals," reads a description of the show, which premieres on Netflix Jan. 1.

Netflix has introduced a new account management page called "Manage Access and Devices" that gives users the ability to remove access privileges from specific devices. The feature is available on the web and in the streaming service's Android and iOS apps. Ars Technica reports: Previously, users could see a list of devices that had recently accessed their accounts, and they could revoke access to all devices simultaneously, but they could not revoke access on a case-by-case basis. Each item in the list of devices will include an IP address-based location, a device type, and the user profile that most recently accessed Netflix from that device.

Netflix describes it as a security feature, in that it's useful to users who don't share their passwords at all. For example, you now have a way to clean up after yourself if you stayed at an Airbnb and signed into your Netflix account on the smart TV there but forgot to sign out before you left. Further, the page could help you identify if someone has gained access to your account via a compromised password.

"Cixin Liu's sci-fi novel The Three-Body Problem can't stop jumping to other formats," reports Gizmodo: In addition to next year's Netflix series from The Terror: Infamy's Alexander Woo and Game of Thrones creators David Benioff and DB Weiss, last year saw the release of a serialized podcast (different from the audiobook version).

And for 2022, we've got an animated series that's premiering actually pretty soon.

Come December 3, an anime version of The Three-Body Problem will release on the Chinese streaming platform Bilibili. This series was originally announced in 2019 with a trailer, but things have been fairly quiet on that front up until now. Developed by CG studio YHTK Entertainment in partnership with The Three-Body Universe, a studio built specifically for the purpose of managing the franchise, a new trailer for the upcoming anime was released earlier in the week during a Bilibili anime showcase.
"Having enjoyed the book, I think it looks promising," writes Slashdot reader Camembert. The 2008 book was the first in Liu's hard sci-fi series Remembrance of Earth's Past — and according to Gizmodo, this is just the beginning: Bilibili's adaptation is the first of a larger initiative called the Three-Body Global Creator Project. Per the press release, animation studios across the world are permitted to explore the Remembrance franchise to showcase its global potential through various art and animation styles....

And if animation or Netflix aren't your bag, Tencent Video has made a live action version of The Three-Body Problem, though that version has yet to receive a release date.

Amir Rahimi, vice president of game studios at Netflix, said in a blog post that, close to the first anniversary of launching games a year ago, Netflix is announcing that Spry Fox is joining as its sixth in-house games studio. VentureBeat reports: Spry Fox is an award-winning independent studio focused on cozy, original games. Their unique approach to game development and success with titles like Triple Town, Alphabear and Cozy Grove will help accelerate Netflix's creative development in another beloved genre and add to the growing variety of Netflix's games catalog that will have something for everyone, Rahimi said.

Rahimi said Netflix looks forward to creating games with a studio whose values -- a relentless focus on employee and player joy -- align closely with its own. "Our games journey has only just begun, but I'm proud of the foundational work we've been doing to build out our in-house creative capacity so that we can deliver the best possible games experience -- including no ads and no in-app purchases -- to our members as part of their membership," Rahimi said.