Comment then the greedheads can fix the cars for free (Score 2) 649
forever.
forever.
to get rid of the slop, you have to net it and destroy it. the Japanese have proposed a craft to net the slop and burn it up on re-entry. that's a PLAN.
by providing free services and dealing with the baboons in cuss-at-tomer "service."
right now. I have the answer.
dogs come from puppies
I am unfortunately relegated to a matter of higher truthiness for the duration of the esteemed Congress, and therefore must submit my regrets.
Phineas T. Barnum, esq.
Head Clown
1) if you play music beyond personal enjoyment, which license is inherent in "buying a record," you need to license the play with ASCAP or BMI as appropriate for the song. scale varies depending on audience size; there are deals for radio stations and web usage.
2) if you wish to license the songs for playing in your own band for public performance, there is a set rate.
3) if you would like a custom album or CD for a special occasion, you need to license master usage from the Harry Fox Agency. I thought about it for my wedding music, but looked north of $60 a copy. nope.
4) if by chance you wanted any artwork used on the original album, you would have to negotiate that with the art owner, typically the record company.
this is why all the record outfits have "special services" departments. correlate it all, make the package, one stop, one check.
since the late 40s, ASCAP has required licenses for airplay, and the broadcasters created their own licensing agency, BMI in the 50s. when I was growing up a broadcast brat, the music director weeded out incoming discs that were not of those two organizations (CAPAC in Canada later reached a deal with ASCAP to collect their royalties), and counted up the needle drops. nickle a drop in those days, it was raised to 7 cents a play in the 70s. stations cut their check every month to the agencies.
in the past dozen-odd years, BMI in particular has been putting boots on the ground, checking restaurants, coffee shops, doctors offices, whatever to see if they had a reuse license for music. if you had Muzak or 3M service, they walked out. if not, and you didn't have a license, it was mafia time... sign a contract right there, or you're sued. it applies whether you have your own discs or tapes, or are playing the radio.
recently outfits have been putting up their own music streams across their chains... "Subway radio" "LA Fitness Network" and so on. if the HQs don't have their licenses, as Muzak and 3M arranged, they are up shit crick.
why this bozo congresscritter didn't do any research of his own... oh that's right, their instructions are in the envelope with the cash... well, he's an idiot.
the new offense is "using the internet."
'nuff said.
geez, folks, a 1/16 inch steel wire cable along the umbilical would allow the robot herders to pull the clinker back and see what burned up. instead, the Gang That Can't Think Straight just sends haywire crap in and hopes to beat the odds and the physics. this is also a job for a vidicon, tubes, and light bulbs, not solid-state stuff. or considering the heat, an image dissector.
50 years from now, these guys will be repeating the same sophomoric mistakes and shrugging their shoulders.
why does some nation's law propogate across the entire Internet? it's time to stop this crap. if they block Google, then Google can block all service from
bad writers paid by bad people to promulgate bad policies to screw almost everybody. that is the billionnaires trying to take back the plantations from the 99%.
if you read that fishwrap, do exactly the opposite.
well-known, widely recognized, drawn from basically every other language so everybody has something to like. and I already know it, so there!
everybody's doing it...
all those tin-star dictator countries where people are fed into the meat grinder if they spit on the sidewalk. dude, shut down my iPhone and I'm throwing my sledgehammer right through your blue-tint screen.
Those who can, do; those who can't, write. Those who can't write work for the Bell Labs Record.