A few days ago we posted a story for you to discuss the best presidential candidates for Super Tuesday, but I figured it would be an interesting idea to try that again, but split the discussion into 2 halves. This is the Republican half — please only discuss the Republican candidates in this story. Huckabee, McCain, and Romney only.

theodp writes "From 1977's lovable Xeroxing Monk to 2007's smug-and-rich SalesGenie pitch man, Valleywag has rounded up videos for its Top 10 most memorable tech-oriented Super Bowl commercials. The commercials are: Apple (1984), Monster (1999), CareerBuilder (2005), GoDaddy (2005), Xerox (1977), E*Trade (1999), Pets.com (2000), Computer.com (2000), SalesGenie.com (2007) and OurBeginning (2000). This year's ads are coming soon." I've always been a fan of the Outpost.com gerbil cannon spot.

mrogers writes "A journalism student in Afghanistan has been sentenced to death by a Sharia court for downloading and sharing a report criticizing the treatment of women in some Islamic countries. The student was accused of blasphemy and tried without representation. According to Reporters Without Borders, sixty people are currently in jail worldwide for criticizing governments online, fifty of them in China, but this may be the first time someone has been sentenced to death for using the internet. Internet censorship is on the rise worldwide, according to The OpenNet Initiative."

The C|Net Crave blog has up an article exploring the history of console gaming, and wonders aloud about the pecking order of the various systems. "Gaming is so subjective that there is no single "greatest" system ever. It might sound like a cop-out, but it really depends on what standards you're using and what generation you grew up in. I loved the SNES, and would personally call it the greatest system of all time. However, the NES and PlayStation could both easily be called the best, based on the standards they set and the advances they presented to gaming." The Guardian follows up this piece, noting that the article's rose-colored recollections of the SNES days may not be entirely accurate. Subjective or not, it's a good question: which consoles have a valid place in history and which ones should be forgotten?

sleeplesseye writes "In a speech at the Midem music industry convention in Cannes, Paul McGuinness, longtime manager of the band U2, has called on Internet service providers to immediately introduce mandatory French-style service disconnections to end music downloading, and has urged governments to force ISPs to adopt such policies. McGuinness criticized Radiohead's 'In Rainbows' pay-what-you-want business model, saying that 'the majority of downloads were through illegal P2P download services like BitTorrent and LimeWire'. He also accused ISPs, telcos, device makers, and numerous specifically named companies such as Apple, Google, Yahoo!, Oracle, and Facebook of building 'multi billion dollar industries on the back of our content without paying for it', and of being 'makers of burglary kits' who have made 'a thieves' charter' to steal money from the music industry. The full text of his speech has been posted on U2's website."

The AP has a story on Netflix's move to head off expected competition from Apple: the company will lift limits on streaming its movies for most subscribers. The story reports on rumors of an Apple movie-download service that may be announced by Steve Jobs on Tuesday. In the past Netflix has imposed limits on how long its subscribers could watch streamed movies; for example, those who paid $16.99/mo. could stream up to 17 hours per month. The limits will end on Monday for most subscribers (except for those paying $4.99 for two DVD rentals a month, said to be a small minority). The company has 6,000 movies available for streaming, compared to 90,000 that you can get delivered in the mail.

sehlat brings us a New York Times report that Sony has agreed to start selling DRM-free music from Amazon's MP3 store. This comes days after Sony revealed plans for physical MusicPass cards that would allow DRM-free access to a small portion of Sony's library. Now that all four major record labels are on board with Amazon, some are expecting Apple to make moves away from DRM as well. From the NYTimes: "Sony's partnership with Amazon.com also underscores the music industry's gathering effort to nurture an online rival to Apple, which has sold more than three billion songs through its iTunes store. Most music purchased on iTunes can be played only on Apple devices, and Apple insists on selling all single tracks for 99 cents. Amazon, which sells tracks for anywhere from 89 cents to over a dollar, offers the pricing variability the labels want."

Popular in Victorian and Steampunk fantasies, airships and zeppelins evoke a certain elegance that most modern travelers don't associate with the airplane. Some companies are capitalizing on that idea, and a need to move cargo by air in an era of ever-increasing fuel costs, to re-re-introduce commercial zeppelins. Popular Mechanics notes four notable airship designs, all with specific design purposes. One craft in particular, the Aeroscraft ML866, is being funded by the US government's DARPA group. It looks to combine the best elements of the helicopter and the zeppelin. "The Aeroscraft ML866's potentially revolutionary Control of Static Heaviness system compresses and decompresses helium in the 210-ft.-long envelope, changing this proposed sky yacht's buoyancy during takeoff and landings, Aeros says. It hopes to end the program with a test flight demonstrating the system. "

gracey1103 writes "Popular Mechanics has put together an easy-to-follow matrix of where the '08 presidential candidates stand on different science, tech and environment issues. Everything is cited and links back directly to each candidate's published policy pages so you can get more info."

Rock, Paper, Shotgun notes the kickoff of a new Discovery channel series called Rise of the Videogame. Blogger John Walker discusses the show, which just began last week, with an eye towards its research rigor and friendliness to the subject matter. He comes away fairly impressed, both by the topics covered and the casting. Along with games industry luminaries like Nolan Bushnell and Al Alcorn, they chat with folks like Steve Russell (of Spacewar! fame) and Smartbomb author Heather Chaplin. "A little visually overwrought with its montage footage of real-world conflict, it's otherwise a solid, informative and supremely well 'cast' documentary. If you've read around the subject, it won't tell you anything new. But it's fantastic to hear the stories from the people themselves. Episode 2 is very sensibly about the rise of Mario, next Wednesday."

ScentCone writes "The Telegraph covers a New Scientist report about two US cosmologists who suggest that, a la Schrodinger's possibly unhappy cat, the act of observing certain facets of our universe may have shortened its life . From the article: 'Prof Krauss says that the measurement of the light from supernovae in 1998, which provided evidence of dark energy, may have reset the decay of the void to zero — back to a point when the likelihood of its surviving was falling rapidly.'"

stm2 writes "As a long time fan of the stories, I watched as Star Wars transformed from one of the better sci-fi stories told to 'Whedon is my master now.' An article at the TechRepublic blog explores the weakness of the sequel trilogy and states that the Midi-chlorians are the culprit. Was it the Midi-chlorians, Jar Jar Binks, the actors? When did Star Wars jump the shark?. A bonus question: Did George Lucas redeem himself in Episode III?"

a.d.venturer writes "Elite, the Metroid series, Dungeon Siege, God of War I and II, Half-Life (but not Half-Life 2), Shadow of the Colossus, the Grand Theft Auto series; some of the best games ever (and Dungeon Siege) have done away with the level mechanic and created uninterrupted game spaces devoid of loading screens and artificial breaks between periods of play. Much like cut scenes, level loads are anathema to enjoyment of game play, and a throwback to the era of the Vic-20 and Commodore 64 - when games were stored on cassette tapes, and memory was measured in kilobytes. So in this era of multi-megabyte and gigabyte memory and fast access storage devices why do we continue to have games that are dominated by the level structure, be they commercial (Portal), independent (Darwinia) and amateur (Angband)? Why do games still have levels?"