Rock, Paper, Shotgun notes the kickoff of a new Discovery channel series called Rise of the Videogame. Blogger John Walker discusses the show, which just began last week, with an eye towards its research rigor and friendliness to the subject matter. He comes away fairly impressed, both by the topics covered and the casting. Along with games industry luminaries like Nolan Bushnell and Al Alcorn, they chat with folks like Steve Russell (of Spacewar! fame) and Smartbomb author Heather Chaplin. "A little visually overwrought with its montage footage of real-world conflict, it's otherwise a solid, informative and supremely well 'cast' documentary. If you've read around the subject, it won't tell you anything new. But it's fantastic to hear the stories from the people themselves. Episode 2 is very sensibly about the rise of Mario, next Wednesday."

ScentCone writes "The Telegraph covers a New Scientist report about two US cosmologists who suggest that, a la Schrodinger's possibly unhappy cat, the act of observing certain facets of our universe may have shortened its life . From the article: 'Prof Krauss says that the measurement of the light from supernovae in 1998, which provided evidence of dark energy, may have reset the decay of the void to zero — back to a point when the likelihood of its surviving was falling rapidly.'"

stm2 writes "As a long time fan of the stories, I watched as Star Wars transformed from one of the better sci-fi stories told to 'Whedon is my master now.' An article at the TechRepublic blog explores the weakness of the sequel trilogy and states that the Midi-chlorians are the culprit. Was it the Midi-chlorians, Jar Jar Binks, the actors? When did Star Wars jump the shark?. A bonus question: Did George Lucas redeem himself in Episode III?"

a.d.venturer writes "Elite, the Metroid series, Dungeon Siege, God of War I and II, Half-Life (but not Half-Life 2), Shadow of the Colossus, the Grand Theft Auto series; some of the best games ever (and Dungeon Siege) have done away with the level mechanic and created uninterrupted game spaces devoid of loading screens and artificial breaks between periods of play. Much like cut scenes, level loads are anathema to enjoyment of game play, and a throwback to the era of the Vic-20 and Commodore 64 - when games were stored on cassette tapes, and memory was measured in kilobytes. So in this era of multi-megabyte and gigabyte memory and fast access storage devices why do we continue to have games that are dominated by the level structure, be they commercial (Portal), independent (Darwinia) and amateur (Angband)? Why do games still have levels?"

SailorSpork writes "According to a thread on the forums of AnimeSuki, a popular anime bittorent index site, Comcast has begun sending DCMA letters to customers downloading unlicensed fan-subtitled anime shows via bittorrent. By 'unlicensed', they mean that no english language company has the rights to it. The letters are claiming that the copyright holder or an authorized agent are making the infringement claims, though usually these requests are also sent to the site itself rather that individual downloaders. My question is have they really been in contact with Japanese anime companies, or is this another scare tactic by Comcast to try and reduce the bandwidth use of their heavier customers now that their previous tactics have come under legal fire?"

Microsoft is not directly mentioning Vista demand while they brag about how much money they made last quarter, because sales fell. "[Microsoft] shipped approximately 28 million copies of Vista in the latest quarter ended September, or 9.3 million copies per month. Though the Windows developer pointed to 27 percent growth in business licenses and noted that many home users were buying the more lucrative Vista Home Premium or Ultimate editions, the rate represents a decline from the 10 million per month reported early in summer."

Billosaur writes "The New England Patriots sued on-line ticket re-seller StubHub (a subsidiary of eBay) to obtain the list of names of people who tried to buy or sell Patriots tickets using the service. StubHub lost an appeal in Massachusetts state court last week, and was compelled to hand over the list of 13,000 names. It is currently not clear what the Patriots organization intends to do with the names, but they have intimated that they may revoke the privileges of any season ticket holders on the list. The Center for Democracy and Technology, a Washington D.C.-based advocacy group, said the court order to turn over the names infringes on the privacy rights of Patriots fans. At issue is whether using the on-line service allows an end-run around team rules and Massachusetts state law, by allowing ticket holders to charge extreme mark-ups on their tickets." How does this ruling apply to other pieces of transient property?

TechDirt is reporting that the band Radiohead has apparently chosen the path less traveled when it comes to the release of their new album. They are offering two very unique methods of purchase for their new music, the ability to name your own price for a digital download or the ability to purchase a special "discbox" which will contain the album on CD and vinyl in addition to a horde of goodies. Will be interesting to see how this new model works out for them and what it might do to more traditional methods.