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Comment It is most definately a copyrightable work (Score 4, Informative) 402

The Electric Slide is made up of 1 unit of choreagraphy known as a phrase. Mostly these "phrases" are meant to match a specific phrase structure of a particular set of music. In general a phrase is 32 beats of music. The electric slide is a 32 beat phrase with an extra 4 beat rhythm break. Through the process of doing the dance the dancer starts facing one wall. At the end of the phrase the choreagrapher incorporated a 90 degree turn. So that by the time you have completed the phrase 4 times you will end up facing the same wall that you started in. Rinse and Repeat till the song ends. It is the dancing equivalent of a for loop.

Whoever choreagraphed this little peace of nostalgic heaven did a brilliant job. The dance is so easy that any grandma can do it in only a few minutes. She feels as if she is dancing just as well as the rest of the cool and hip people on the dance floor. She is getting exorcise. The younger set gets a lot of chances to be creative within the dances structure, yet still be part of a group.

In the late 70's and mid 80's a concurrence of events in American pop-culture created an environement that made this dance popular. The late 70's marked the end of the "hustle-era" and the mid 80's marked the "urban-cowboy" era. Line dancing was not extremely popular with the hustle dancing set but was just catching on when "Disco" was collectively pronounced dead by the American zeitgest. About the same time John Travolta again made a splash with his movie Urban Cowboy and a new dancing fad was born. Two-stepping and Line-dancing at the local "honky-tonk" was all the rage. The easiest of all the dances to learn was the Electric Slide. Soon after this confluence of events every budding dance teacher across the country rushed to put out content on the new hot medium of the day... Video Tape. I still see the dance prominently displayed on DVD's in the dollar bin at Half Priced Books all the time. The Electric Slide was in the right place at the right time to become the most popular line dance in history.

In my mind there is no question that the choreagraphy is indeed something worthy of being copyrighted. On the other hand it is quite debatable whether or not it has any real value. I don't know copyright law. But I can say that if I was faced with the decision of paying a liscence fee to the choreagrapher, I will just make up my own 32 beat phrase with a 1 quarter turn at the end and call it The Erotic Bump instead. It isn't that hard to do. For an overview of where line dancing is today view this link.... http://www.ucwdc.org/competition/linedances.shtm where you will find that not one of the choreagraphers is paid for their efforts. In the meantime Im going to go out to the salsa club and do the Macarena

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