mrneutron2003 writes "With this past week's announcement by Warner to release its entire catalog to Amazon in MP3 format with no Digital Rights Management, you would think that the organization that represents them, The RIAA, would begin changing its tune. Instead, they are pressing on in their campaign against consumers by suing individuals who merely rip CDs they've purchased legally. 'The industry's lawyer in the case, Ira Schwartz, argues in a brief filed earlier this month that the MP3 files Howell made on his computer from legally bought CDs are "unauthorized copies" of copyrighted recordings.'"

News.com is reporting that the next version of Ubuntu will see KDE unsupported, but only for the time being. Because of the dramatic changeover from KDE 3.5 to 4.0, Ubuntu sponsor Canonical is unwilling to initially support the popular Linux GUI. Gnome will still be supported, and the company expects to return support to kubuntu soon. "Developer interest is focused on KDE 4.0, but it's not mature enough yet to use in the next KDE-based variation of Ubuntu, called Kubuntu, Scott James Remnant, leader of the Ubuntu Desktop team, said in an explanation to a Kubuntu mailing list. But most Kubuntu developers adding features "upstream" of today's products are focused on KDE 4.0, meaning that it's risky to release a long-term support version based on 3.5."

Ponca City, We Love You writes "Rolling Stone has an interesting story on how record producers alter the way they mix albums to compensate for the limitations of MP3 sound. Much of the information left out during MP3 compression is at the very high and low ends, which is why some MP3s sound flat. Without enough low end, 'you don't get the punch anymore. It decreases the punch of the kick drum and how the speaker gets pushed when the guitarist plays a power chord.' The inner ear automatically compresses blasts of high volume to protect itself, so we associate compression with loudness. After a few minutes, constant loudness grows fatiguing to the brain. Though few listeners realize this consciously, many feel an urge to skip to another song."