Maybe so, but you get a lot more culture when people can do it full-time, as a profession than if everyone has to work day-job as plumbers and builders, and try to knock up 'the matrix' at weekends and evenings.
I guess in the anti-copyright nirvana it wouldn't matter, because we could all just copy old movies and claim they were new ones anyway...
Still doesn't sound ideal to me.
Obviously most artists need to make some money off their creations to pay the rent and to give them the incentive to make more of their art. Just as obviously, if no one can see/hear their work, no one is going to buy it and allow them the freedom to create more art. Sony is defending a business model which supplies Door #2 to the vast majority of artists. Further, their efforts come at the expense of developing a system which maximizes exposure while creating a revenue stream from the works. Would most artists gladly trade their profit from 10,000 downloaded songs for the profit from an extra 1,000 seats sold at live venues? A lot of artists are doing this, and from the interviews I have heard, many are quite happy with the model.
All Finagle Laws may be bypassed by learning the simple art of doing without thinking.