Comment Moar Contrast! (Score 3, Interesting) 124
The image from the press release reminds me of an anecdote from a cinematography manual from a few decades ago. In the story, a cinematographer spent hours using fog machines and lens filters to give a scene a mysterious, dreamy look. Later, in the editing suite, a video engineer "corrected" the black levels, undoing all the cameraman's work.
In the "before" picture from the press release, the fog naturally lowers the contrast in the background. I imagine the artists involved celebrated when they got the sodium street lamps to subtly tone the atmosphere. With "DLSS 5 On", everything is uniformly high contrast, a much clearer day in a city that was never meant to be clear. Similar aesthetic in some of the other demos: DLSS 5 seems to apply an overcooked tone-mapping that makes everything uniformly contrasty.
They've built a very expensive video engineer that corrects things that aren't wrong.