I used a 48sx in collage and it has one hell of a learning code. You had to know how to use it which is not simple and you had to know how to translate albergaic entry to rpn.

RONTHFLMFASO x 10^42 power

the gov dose not need this app trump does.

I use cursor a lot for being just a fast tyrpwiter. and it make fucking garbage but it can still out type me.
This shit is so common i am suprised it did not liek a few times this say yea i fucking lied nin nionin boo boo.
ay least it does not commit sucicide any more.

sfdg sg g sdg fdg fdg sfgd s g sfdg sfgd dsfg gs fdg gs sg sg g ggf fdgs sdfg dgj jyb

this and the ne2000 were littlery the gold standard to get a isa based machine on a network.

have you actauly used cursor.
It is awful i can kinda do web based stuff.
raw HTML
but i hve been using for 6 months and it has yet to maek code tht actaully compiles.

a dfs asdf asdf asdf asdf asdf asdf

yea sure

How much more ai slop do we need to endure before some one just say its ALL BULLSHIT. If even one of the fields it has been deployed to showed something other than the slop all the other have mayby. but these systems all generate the same level of garbage.

AI is just a way to close source it. To late AI already knows all the code and can duplicate it.

not completely true. DAT was big then but analog was very much alive in the professional and small band space. It was on it way out but stillt here.

almost ever live show you have seen is mono, its just a physics thing. The difference between the stacks si so large it you sound awful..\

A lot of bands back them allowed recording of concerts. Most had a rule you cant sell it.

Greatful dead actualy set aside space near the mixer booth and nade a feed for them to plug in.

By the mid 80s even a mid range deck could record 30-18k no issues and had SN 70db and dynamic ranges in the 30db with dolby C you lost a little high end and got compression. But a modern DSP and software could easily fix that.
I have a deck form the 90s now that can do 20-22k on metal tape and has 78db SN and over 50db of dynamic ranges. They easly sound better than 320br MP3.

by 2000 you get a teac that would do 15-25k metal tape and 80+ and 60db of dynamic range with almost zero noise.
If you wen hi fi VHS you get et 100db and 80db of range and almost 50db channel seperation with zero noise since the singles was FM encoded on the tape with a carrier wave around 10mhz