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Comment Re:Why just there? (Score 5, Insightful) 60

"there is no right or expectation of privacy in public"

I agree (UK so different laws, but the principle is the same). However I increasingly feel this needs to be revised somehow. I'll admit up front I don't have all the answers here, but just intuitively it feels to me that this principle predates the era of cheap, automated mass surveillance whether government or private.

In the UK, privacy is protected via the Human Rights Act and UK GDPR. It provides for some level of protection, but it really seems to me that specific rules to address this kind of blanket recording need to start coming in. The definition of 'commercial', for instance. Is it commercial use if I record you on my glasses and then post it to Youtube? Arguably yes, since YouTube is a company and derives revenue from that. Same for Meta. But it's very, very far from clear to me if that claim has enough weight to prevail. A specific set of rules to address what is essentially a new phenomenon needs to be brought in.

Recording is not new. Photographing is not new. But the ease and scale via which it can be achieved, manipulated, tracked...that is new.

Comment Re:Golly that kettle is dark! (Score 2) 92

The thing here is that there isn't "Apple". There is Apple-the-parent-company, and Apple UK. From the perspective of law, Apple-the-parent is a supplier to Apple UK. Apple UK will have been ordered not to disclose information, including its suppliers. Therefore nothing restricts Apple-the-parent other than its contract as a supplier to Apple UK.

Yes I'm aware that sounds odd, but I deal with these situations fairly regularly (although am not any form of lawyer, this is absolutely not legal advice etc.). Contracts between international entities are common, and Apple US would not be in breach of US law but would be in breach of contract and would place Apple UK in breach of UK law by doing so.

Am not taking the UK government's side on this - I personally think the order is nuts and yep, I'm British. I'm just trying to show why the relationship would be more complex. Legally Apple US could disclose of course. However I'll bet you it has a supplier contract with Apple UK, a legally distinct entity, that says something like "the terms of this agreement will be bound by UK law". Hence it would be in breach of contract, and that could place Apple UK at legal risk in the UK.

Comment The first 'big box' game - Sabre Wulf (Score 3) 39

I remember the very first big box game in the UK. It was Sabre Wulf, from Ultimate Play The Game. At the time, games were around £5.99 to £7.99 - Sabre Wulf was the first £9.99 game in the UK and they part justified it by having a bigger box.

Since everything at that point came on cassette, this was annoying as hell because you couldn't fit it into your cassette holders that you definitely, definitely had as an 8 bit gamer in the UK. No stranger to later price gouging, Ultimate became Rare and was bought by Nintendo. I still think Nintendo is lord of the overpricing, at least these days (in ye olden times there was the NeoGeo charging £300 for a game back in the early 1980s. I think PC Engine charged a fortune too. But absolutely nobody had these in the UK).

Comment British news is slightly different (Score 4, Interesting) 105

I'm British, and have been following this from the other side of the story. In the UK it's more fragmented - this year England is up, but Scotland and Wales are down and in some cases quite significantly. Wales seems to have taken a hell of a hit in reading for instance.

It's better news in maths and science but we're still behind where we were five-seven years ago except for science. Definitely a mixed bag, though all improvements are welcome of course.

Comment Re:Audacity 1.2.6 was the peak (Score 1) 31

I prefer OBS for live production.

I have Adobe Audition, but I use FOSS Audacity 1.2.6 or Adobe Premiere Pro to edit recorded audio. Premiere Pro has such awesome effects available with a click or three, and I'm used it its interface. I wish Audition was just a subset of Premiere Pro.

Comment Re:Or they are giving a discount... (Score 2, Informative) 165

It's how all Teslas work, and honestly it's no hassle at all. The speed is still shown directly in the driver's view (top-right of the central display in the UK, I guess top-let in left-hand drive markets). It's also far from a new idea, my 1970s Mini 1000 had this design as well.

Personally I like it and find a lot of the "more physical controls!" crowd to be vastly overstating things. Tesla are always held up as the example, but they have physical controls on the steering wheel for most things you actually use. They did take a wrong turn with this ridiculous yoke and dropping one of the indicator stalks, but they've backed out of all of that and gone back to normal. The only truly daft omission for me is the lack of button on the glovebox - that one I'll give you is truly silly.

Comment Re:Yes, but let me simplify this. (Score 1) 245

Meanwhile I also own a Tesla, and am using a CarPlay adapter with it. Maps is better, particularly lane guidance and actually telling me which motorway junction number I'm coming off at. I can share an ETA with my contacts. I can listen to subscriber-only (paid) Podcasts. I can use WhatsApp (via voice of course), something sadly essential in the UK as the vast majority use that. I can listen to audiobooks from other than Audible. I can use the BBC Sounds app. I can...

You get the idea. I agree with you about integration - the time I will use the built-in map is if I'm on a longer journey that needs charging on the way, or if the journey is so short that none of the above really matters.

Personally I hope the rumours about CarPlay integration being worked on by Tesla are true, although I'd be surprised I must admit. But for me - works well.

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