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New Anti-Forensics Tools Thwart Police 528

rabblerouzer writes "Antiforensic tools have slid down the technical food chain, from Unix to Windows, from something only elite users could master to something nontechnical users can operate. 'Five years ago, you could count on one hand the number of people who could do a lot of these things,' says one investigator. 'Now it's hobby level.' Take, for example, TimeStomp. Forensic investigators poring over compromised systems where Timestomp was used often find files that were created 10 years from now, accessed two years ago and never modified."

Feed Will The RIAA Sue USB Drive Makers Next? (techdirt.com)

While the RIAA continues its strategy of suing the very people it should be courting as customers, a recent study points out that so-called "social ripping" now makes up 37% of all music consumption. This is things like friends ripping CDs and sending the files to other friends, or sharing files through a USB drive. Unlike P2P file sharing, this type of file sharing is simply untraceable by the RIAA. Of course, it's not like this wasn't predicted when the RIAA went after Napster. Plenty of people pointed out that for every avenue the RIAA shut down, new ones would spring up -- and each new one would be further underground than the previous ones. Taking the internet out of the equation altogether certainly seems like one way to do exactly that. So, what's next? Will the RIAA start suing USB drive manufacturers for "inducing" infringement? At what point does the industry realize that there's a better way that doesn't involve suing the people who are most interested in your products?

Comment Re:I Don't Doubt the Story... (Score 1) 178

I'm actually familiar with several fanfic writers who have made the leap to commercial publishing. One of them with a recent publication is Maria Lima ("Matters of the Blood").

The reason a lot of people read fanfic is because it tends to be better written and, often, more interesting, than the crap that passes for "professional fiction" nowadays. In case you've somehow missed it, I'd point you to the craptastic yet (somehow) critically acclaimed "Voyage of the Narwhal" by Andrea Barrett. From a purely technical standpoint, for example, in one chapter she spends 3 paragraphs in the cook's point of view in order to tell (not show) the reader what the captain is feeling. This is not only bad writing, it's lazy. My 12 year old could write three paragraphs from the captain's point of view and "show" me what he's feeling without having to resort to a singular, unnecessary, and rambunctious point-of-view shift.

Feed Encyclopaedia Britannica's New Business Model: Sue For Patent Infringement (techdirt.com)

Just as many are starting to question Encyclopaedia Britannica's ability to survive in the Wikipedia world, it appears that the company has come up with a new business model: suing completely unrelated businesses for patent infringement. Apparently, the company is suing navigation device makers TomTom and Magellan for infringing on a bunch of patents having to do with a computerized map system. A quick stroll through the patent files shows a number of such patents, with this one being a recent one. If you're in the business of providing mapping and navigation systems, this seems like a fairly obvious progression of the art, rather than something that deserves patent protection -- but apparently the lawyers at Britannica don't agree. Yet another example of companies whose traditional lines of business are being challenged relying on patents not to further innovation, but to hold it back.

Feed iTunes Plus: Minus DRM, But Plus Price And Tracking Info (techdirt.com)

As was announced last month, Apple finally has started selling some EMI tunes through iTunes without DRM, but with an additional $0.30 in the price. Apparently there are some glitches, but perhaps that's not too surprising. A more interesting point, however, was submitted by John, who notes that while the DRM is gone, in its place is metadata about who bought the song. In other words, should you take a non-DRM'd file bought at iTunes and pass it on to someone else or put it on a file sharing network, it would be possible for someone to track you down (though, there would be no evidence that you purposely distributed the file). It's basically a poor-man's DRM, like watermarking technology, that is designed to scare you off from sharing the music. Not too surprising, really, but continues to show how the industry is confused about the promotional value of its own music.
GNOME

Syncing Music Players In Linux? 278

Daengbo writes "I recently sold my old laptop to a friend, and she asked me to keep Ubuntu on it rather than installing Windows for her. To help her with the transition, I wrote two intro lessons for her, but we've hit a stumbling block. The iRivier Clix (4GB) she's been using syncs with Windows Media Player. My research shows that the model has both an MTP for the sync and a UMS mode which acts as a mass storage device. Rhythmbox's 'Scan Removable Media' doesn't pick up anything from the USB mass storage device, and although Syncropated claims to support these types of devices, it doesn't find any supported devices. Unless you use an iPod, this appears to be a real weak point in the Linux desktop. Do you sync your mass storage devices and music players? What do you use?"

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