Comment Re: Farm pasture versus concrete buildings? (Score 2) 66
Yes, it's a pre-print, but calling it "slop" is hardly warranted.
Also, the middle man are why the artist even have a venue to play at. The venue chooses to go with ticketmaster so they don't have to deal with that aspect. Without ticketmaster, we could very well have an app per venue. What a headache that would be.
BULL. FUCKING. SHIT.
The venues existed LONG before Ticketmaster/LN did, and they did just fine booking acts and selling tickets. And they did it without apps of any kind. Just because you are too lazy to pick up the phone and call the box office to purchase a ticket doesn't mean that everyone else is, too.
But wait, you can't do that anymore because LN, in the same contracts they use now in most cases contractually REQUIRES venues to sell exclusively through LN with their fees even at the box office. And that's only in the venues that aren't owned outright by LN, usually as the result of predatory and coercive tactics used to acquire them. And these days, that's most music venues that are larger than a bar and smaller than an arena.
LN is also so vertically integrated that even in venues they don't own, they prohibit independent concessioneers and even parking. And LN sets the prices for ALL of that.
And oh yeah, did I forget to mention that they also typically require the acts that sell tickets through them to sign exclusivity contracts as well? It's a devil's bargain - either sign with us or forget about 90+% of the venues out there. This means that acts that fall anywhere between local bar/college hoppers and Taylor Swift/Pearl Jam, essentially have to sell through Live Nation, or they simply can't put on a tour.
This is the definition of monopolistic, predatory behavior.
"Oh what wouldn't I give to be spat at in the face..." -- a prisoner in "Life of Brian"