I hope you've all read the Aschenbrenner paper from 2024.

https://situational-awareness....

Never mind Trump's rambling speaking style. He's aware of it and he likes it.

We know that people in the Trump admin have, at minimum, been briefed on the Aschenbrenner paper. I assume some of them have read the whole thing.

The point he's making - that we're on the cusp of ASI, and the USA MUST not get there wildly behind, for example, China, is correct. And that the USA should not be shackled by an international framework that rival nations are going to ignore anyway.

He's directionally correct, even if you think he's too stupid to know what he's agreeing with.

No. I think hollywood has always been subversive and run by foreign pedophiles. For example, look for the interview with Shirley Temple about what they tried doing to her as a _child_,

I think it has produced enough pro-American-MIC films every now and then to stay out of more government trouble.

You usually don't realize (at the time) that the media you watched as a child was subverting you (and your parents desires). And unless you revisit those films a generation later with a critical eye, you may not realize it ever.

But that's how the ratchet effect works. The newer media that is now visibly odious to me is only visibly odious to me because it is targeting the edge of an overton window that has continued moving since my own youth. The leading edge of socially allowable media subversion continues to advance until a historical reset event sets it back somewhat. Or, sometimes, when there is sufficient market rejection.

In the case of hollyweird, the concentration of power has significant drawbacks; destroying that concentration of power will probably be a net benefit. (to be clear, I think It will amplify other problems instead).

In general, I think evil seems to be more effective when it is centralized and powerful, with captured institutions, while maintaining the ability to operate openly, and has de-facto monopoly control over the domain in which it operates, and when most people do not understand what is being done to them.

If Trump had promised to destroy hollywood, I would have voted for him 10x harder.

(And i expect I would be disappointed because he wouldn't actually follow through with it)

Anyway, hopefully, AI gets the job done and finally kills that wretched industry. I look forward to further democratization of movie making.

(fwiw, my knee jerk reaction is to oppose the merger.)

The current generation of these smartglasses devices will fail and disappear.

Let me show my work:

1. women cannot use these smart glasses to take selfies.
2. therefore, women will not wear them.
3. therefore, the only people who wear them will be men
4. anything that men do but which women do not do is probably criminal, but certainly creepy, a red flag, or a cause of the ick
5. therefore, men will be shamed (or arrested) into not wearing them either

QED.

I don't think training a model with copyrighted data is any kind of gray zone at all.

Running inference against such a model _might_ be infringing.

But I don't see the legal argument that model training would be.

Think of model training as lossy data compression. You provide an input, it produces a compressed artifact, and it can no longer reproduce the original when you uncompress it. It can produce _something_. It cannot reproduce the original.

On slashdot, we all agree that format shifting copyrighted works should be allowed and unrestricted, right?

If there is applicable case law here about how lossy a "reproduction" can be before copyright has something to say about it, that would be relevant. Do you know of any?

I think you're repeating something that feels emotionally valid but in my experience, isn't factually (or legally) accurate.

I have found AI models to be frustratingly _obedient_ of copyright.

I'll be in a situation where I ask a specific question about what a document says, and the AI repeatedly says the work is copyrighted and it can't just tell me what it says _verbatim_, but it can answer specific questions for me in its own words (while telling me to check the original).

Two examples from my life are procedural questions about what Roberts Rules of Order would require in a given situation, and, what ASD STE-100 says about how to name/word things.

The applicable US law would appear to be USC 17 Sec 106 and 107, which on one hand limits derivative works, but on the other, allows fair use for purposes of teaching, scholarship, or research.

(USC references provided by AI, btw. Which I haven't read)

I used to agree with you, and then oddly enough, about 25-30 years ago, I came across this signature on another regular slashdot posters postings:

"The law, in its majestic equality, forbids the rich as well as the poor to sleep under bridges, to beg in the streets, and to steal bread."

(AI tells me the attribution is "The Red Lily", Anatole France, 1894)

I think the only Premium TVs left are the business TVs that give you meaningful mechanisms to not have intrusive "Smart" features.

Is there a meaningful difference between a Sony TV that harvests data and won't let you opt-out of "smart" features, and a Wal-mart TV that harvests data and won't let you opt-out of "smart" features?

I guess I am blessed to not be an audiophile and not have flawless supervision :)

FWIW, I have:
- a 20 yo 720p dumb 42" plasma
- a 20 yo 1080P dumb 50" plasma
- a 1yo 4k Samsung 65" TheFrame TV

That last one was a splurge I wanted because the "Art Mode" is just too beautiful, and at the time, Samsung really had the only coherent offering. (I guess there are now "off brand" ArtTV attempts from HiSense and others.. i have no experience with them.)

On the ArtTV, we watch youtube or DVDs or XBox on it a little of the time, and all that stuff looks fine to me on the 65" Samsung. But the TV is otherwise displaying pretty artwork almost all of the time, and whatever Samsung has done with the screen, dimming control, bezel, etc, really does work and really is lovely. And you don't need a service or an app to get the experience - just stick a USB full of public domain masterpieces into the TV.

Even so, the Samsung ecosystem is pretty annoying. I can have it show my images in ArtMode, but i cannot have the "real" experience you'd get with a subscription - with Art XML metadata and stuff (artist, date, etc). We don't always remember what a piece is or who painted it when it comes up..

Anyway, AFAIK, the only way to get TVs that aren't enshittified spyware is a business SKU, right?

In my house, we use Steam to play "windows-only" games on:
- Devuan with XFCE
- Devuan with Cinnamon
- Arch with hyprland
- bone stock Ubuntu 24
- ubuntu 25 laptop w/ second GPU

From my POV, there's not much need to port games to Linux. With the heroic efforts of Valve, most Windows games now just work. Win32, DX, D3D, and whatever else windows game devs have been using seems to have become the defacto reference gaming API on Linux.

Steam makes it work on every linux distro we've tried.

In writing this, it occurs to me: The F/OSS ecosystem does a very good job of re-implementing someone else's API/products (WINE, Proton, LibreOffice, etc)

The F/OSS ecosystem does a comparatively poor job at independently developing its own technology and then standardizing/universalizing those choices. E.g. the transition from X11 to Wayland; the systemd "situation(s)", desktop environments... gui greeters, audio muxers...

I think Valve has done the right thing. They made existing games work on Steam; they made Steam work on most linux distros.

Making everyone use a reference linux platform seems to be a total non-starter.

We already have a reference gaming platform: Windows 7 thru 10. And what we learned in 2025 is that Steam on nearly _any_ Linux often implements that windows reference gaming platform better than Windows 11 does.

It's not e-ink, but the screen is tiny and a low resolution. In addition, it only comes on when you plug something in or push a button and turns off automatically after about 5 seconds.

I haven't noticed any meaningful impact on the battery, although I don't continually mash the button to keep the display on.

I have an Anker charger with a tiny screen that tells me how much charge I have, how much charging time I have left, the time it'll take to recharge to full and whether low power 5W charging is enabled.

Whilst I don't disagree that some companies appear to be going completely overboard with features, I don't think a small screen showing useful charging related information should be automatically seen as a bad thing.

Actually, this is also why I stopped using Waze. Coming back from Heathrow once, I could have just taken the M4 and South Circular, but Waze claimed it would save me more than seven minutes on 25-35 minute journey, so I thought I'd give it a go. It took me through Hounslow and the back streets of Isleworth before crossing the A316 bridge in to Richmond. It ended up taking at least 15 minutes longer than the easy route and a vast amount more effort, in the dark. Much of that extra time was either reversing in to a gap between parked cars to let somebody by, or waiting for an oncoming car to do the same for me.

This has been one of my biggest frustrations with Waze for years - it has no understanding of how difficult a road is to drive. It'll happily send you off an easy, fast, well-lit motorway onto a difficult, narrow, unlit B road if it thinks it can save two minutes on a two-hour trip.

The stupid thing is that in the UK, road types already hint at how easy or hard they are to drive. Motorways (M roads) are the easiest, then A roads, then B roads. You could even go further by looking at the number of digits - single-digit routes tend to be simpler than three-digit ones. Sure, there would be exceptions (like the M25 compared to the M6), but overall it would make routing far more sensible than what Waze does now.

Whilst the headline is amusing, it's worth noting that the tribunal found in her favour because the company didn't follow the correct process in sacking her.

In other words, if you call your boss a dickhead and they dismiss you properly, you won't have a case to argue..

If they win any sizeable market share, their prices will go right up.

I don't think that is an issue. If the prices become uncompetitive then someone else (even Apple) is free to step in and offer a cheaper alternative.

The whole reason Apple got away with charging so much was because they set the App Store rules so no-one could offer an alternative.

This reminds me of the story about American Airlines in the 1980s concluding that three-quarters of their passengers were not eating the olive that came with their dinner salad. They cut it, saved $40,000 in a year, and concluded that it lost not a single passenger.

I suspect the lack of Apple sticker in the box of your shiny new iDevice is pretty much the same thing.