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The Science of Caddyshack 55

astroengine writes "Thirty years after the release of the cult classic comedy Caddyshack, Discovery News has geeked out and gone on the hunt for any trace amount of science they can find in the movie (video). From gopher territoriality to seismic deformation, from pool poop bacteria to the color of lightning, it turns out there's quite a lot of science to talk about..."

Apple Orders 10 Million Tablets? 221

Arvisp writes "According to a blog post by former Google China president Kai-Fu Lee, Apple plans to produce nearly 10 million tablets in the still-unannounced product's first year. If Lee's blog post is to be believed, Apple plans to sell nearly twice as many tablets as it did iPhones in the product's first year."
Businesses

Inside Factory China 135

blackbearnh writes "While China is attempting to pull its industry up out of mere manufacturing mode, for now the country is the production workhorse of the consumer electronics industry. Almost anything you pick up at a Best Buy first breathed life across the Pacific Ocean. But what is it like to shepherd a product through the design and production process? Andrew 'bunnie' Huang has done just that with the Chumby, a new Internet appliance. In an interview with O'Reilly Radar, he talks about the logistical and moral issues involved with manufacturing in China, as well as his take on the consumer's right to hack the hardware they purchase."
Hardware Hacking

Stop-Motion Modbook Upgrade Video 14

Brian Northway writes "This funny, stop-motion, photo-animated video shows the process of converting an Apple MacBook to an Axiotron Modbook tablet, in one minute and fifty-nine seconds — viewable in standard quality or high-definition (720p), for exceptional detail. It's the latest installment a series of light-speed technical videos that I've created, wihich include the explorational disassembly of a PSP-3000, a unibody MacBook Pro, a MacBook Air, an iPhone, and many other Apple devices."
The Courts

Submission + - I violated copyright law. Now what?

An anonymous reader writes: I am US-based and have recently been doing part-time subcontracting work for a friend in the UK who runs her own small marketing firm. She sells a complete branding/identity plan and if that includes a web site refresh, she calls me. The clients do not know who or where I am, or even that the work is being subbed. Like many designers, I often use Corbis and other photo merchants to mock up layouts for review. It is legal to download images ("comps") from Corbis to use offline for the this purpose. If the client likes the design/images, I get a quote from the photo vendor and the client has the option to purchase. If the price is too high, which it often is with Corbis, I turn to less expensive or free alternatives.

One of her clients, for whom I recently designed a site, just received a $25,000 invoice from a law firm in London representing Corbis, who claimed their content was on the client's site. The client of course was frantic when they received the bill and called my marketing friend, who called me. I investigated and sure enough, there were images on the site that were rightfully the property of Corbis, which I put there. In this instance I neglected to swap out the comps with legal images I purchased for the client from another online source before I made the site live. As a designer I respect content rights and did not, would not, maliciuosly steal images. The client and my friend had no idea.

I moved quickly to correct the situation — scrubbed the site and looked through other clients' sites to make sure nothing else had gotten through. I called Corbis and told their legal department what happened and they told me I would have to deal with the law firm, who handles "all our overseas affairs." I then sent a certified letter to the law firm telling them what happened in an attempt to exonerate the client, and by default, my friend. That was today.

I quoted the images in question on the Corbis site and the total would have been about $800. I did my due-googling and in the spectrum of copyright infringement, I want to believe I'm closer to the speeder than I am the serial-killer. Other photo houses (Getty) send out cease and desist letter and it's done. There is mention of similar situations on some forums, especially in the UK, but I can't seem to find any precedent as to what my fate might be. Does anyone have any idea? I made about $1,000 for the site about a year ago, and as much as it would pain me, would be willing to give that up to make this go away. But something tells me this is going to get ugly.
Privacy

Submission + - Canada Rejects Anti-Terror Laws

Coryoth writes: "The Canadian parliament has voted against renewing anti-terror laws that had been introduced after September 11, 2001. The rejected laws included provisins to hold terror suspects indefinitely, and to compel witnesses to testify, and were in some sense Canada's version fo the PATRIOT Act. The laws were voted down in the face of claims from the minority Conservative government that the Liberal Party was soft on terror, and despite the fact that Canada has faced active terrorist cells in their own country. The anti-terror laws have never been used, and it was viewed that they are neither relevant, nor needed, in dealing with terrorist plots. Hopefully more countries will come to the same conclusion."
Printer

Submission + - New Details on Xerox Inkless Printer

Iddo Genuth writes: "Xerox is developing a new printing technology which does not require ink of any kind. The new technology includes reusable paper which can be printed and erased dozens of times and has the potential to revolutionize printing. New details on this upcoming technology, which was first reported on September 2006, are now revealed."
Books

Submission + - The Principles of Beautiful Web Design

Trent Lucier writes: "NOTE TO EDITORS: Hello, my name is Trent Lucier. I've reviewed several books for you in the past. This is a review of a new book that would probably be of interest to some of your readers. If you need to reach me, my email is spacerook@gmail.com. Thanks!

Fellow programmers, beware! Graphic designers have been invading our territory. A flood of books have been released aimed at artists who want to learn web development skills. Oh, it starts innocently enough, usually with CSS and XHTML. But soon they are learning JavaScript, PHP, and even SQL! What have we techies fought back with? What material is there for us to boost our artistic right-brain power? Sadly, our motley collection of Gimp tutorials alone will not win this battle. We need something stronger. We need to understand the principles of graphic design. But the shelves have been empty of books that make this topic accessible to tech-minded people. Well, empty until now, that is.

The Principles of Beautiful Web Design by Jason Beaird is aimed at developers who want to learn how to make websites look more attractive. The 5 chapters each cover one of the pillars of graphic design theory: Layout, Color, Texture, Typography, and Imagery. Full-color and packed with lots of great examples, the book contains screenshots from dozens of modern websites to illustrate graphic design principles. A cumulative case-study ends each chapter, where the author shows you how the theories he just explained can be applied to a real site he is developing for a client.

Except for some CSS sprinkled here and there, the book contains no code. Don't look for tips on creating 3-column layouts or other stylesheet wizardry, because you won't find it here. The author assumes that you know how to take an image mock-up and convert it into an HTML/CSS document. This is a strong point of the book, since the focus can remain on graphic design techniques and not unnecessary code listings Additionally, there isn't much discussion of tool usage. A few examples use Photoshop, but the book focuses mostly on theory and case studies, not step-by-step program tutorials.

The book starts with Layout and Composition. If you have ever wondered why some websites just look better organized than others, this chapter will explain why. Beaird discusses the concepts of grid theory, and how using the golden ratio to divide page elements can improve the visual appeal. Plenty of examples are given that illustrate the principles of balance, unity, and emphasis.

The Color chapter contains my favorite example, where Beaird uses different versions of the same drawing to describe monochromatic, analogous, and complementary colors. As with the previous chapter on layout, this part of the book does an excellent job of teaching you how to learn from attractive websites, instead of mindlessly imitating them. Color is a hard topic to understand, but there are some good tips here that teach readers how to create an appealing palette for a website.

Relying solely on solid colors and grid layouts can make a website look flat. The Texture chapter discusses ways to use style and make your designs much more eye catching. This chapter is probably the most "Web 2.0" chapter in the book. Gel buttons, gradients, and backgrounds are all discussed.

To the dismay of typophiles everywhere, font support on the web is very poor. There are very few "web safe" fonts that designers can safely assume are on all computers. The Typography section shows readers how to make the most out of this situation by understanding letter spacing, justification, and font usage. Beaird also discusses the sIFR technique (Scalable Inman Flash Replacement), which uses Flash and Javascript to display fonts that may not be on the user's computer. The sIFR method is accessible and degrades gracefully. While the book does not discuss the specific implementation details of this method, just bringing it to my attention taught me something new.

Imagery is the subject of the final chapter, and the book ends on a disappointing note. Very little of this section is about the graphic design principles behind imagery. Rather, precious pages are dedicated to discussing various license agreements and tips on finding stock photos. This is useful information, but it should have been relegated to a sidebar at the most. The chapter focuses almost entirely on images as content and not as design elements. If you want to know how to make images in a blog post look pretty, there are some ideas here (drop-shadows, borders). But there is no information about how to work images into a page header or navigation menu. How do I determine if an image matches my color scheme? How can images spice up a design without going overboard? These were just some of the questions I had going into this chapter that were left unanswered. The Texture chapter hinted at these ideas with examples, but I wanted to see a deeper explanation of the underlying principles.

The book is a little short at 180 pages, but that's not as bad as it may seem. Those of us accustomed to reading 800-page tomes on programming tend to forget how much content can be packed into a book when the author doesn't have to waste 300 pages listing code, 200 pages on the API, and 150 pages on an index.

The Principles of Beautiful Web Design is a good book to kick start your graphic-design journey. The biggest benefit that I got from this book is the knowledge to learn from great designs as opposed to just admiring them in a state of awe. The book could have been a little longer, and some of the topics could have been discussed in more detail. This book won't teach you everything, but it's a good place to start and it will leave you excited about learning more.

Trent Lucier is a software engineer. He is the creator of ChessUp, a tool for creating chess diagrams online."
Software

Submission + - Lightroom vs. Aperture

Nonu writes: Adobe has officially released its Aperture killer, Lightroom, and the reviews are starting to pop up. Ars looks at Lightroom and concludes that it's a better choice for those without bleeding-edge hardware. 'Aperture's main drawback is still performance as it was designed for bleeding edge machines. On a quad Core 2 Duo Xeon, it is very usable but Lightroom just feels faster for everything regardless of hardware. Since Aperture relies on Core Image and a fast video card to do its adjustments (RAW decoding is done by the CPU), it's limited to what the single 3-D card can do. Lightroom does everything with the CPU and so it is likely to gain more speed as multicore systems get faster.'

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