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Comment Re:Gerstmann Was Nothing More Than A Halo Fanboy (Score 2, Insightful) 79

Parent should be modded troll. First of all, Halo 3 was praised by pretty much every reviewer, not just Gerstmann. Gerstmanns score, 9.5, is just 0.1 above the average on Metacritic. Every reviewer out there is an Xbox fanboy? Right. And besides, Gerstmann could hardly be considered a Halo fanboy. Citing Gerstmann's personal blog:

If you had told me a year ago that I'd be sitting here, telling anyone who will listen that Halo 3 is one of the year's best games, I'd call you a liar. Then I'd kick you in the stomach, because that's what liars get. Between its cliffhanger ending and its asshole-filled multiplayer, I had a real disdain for Halo 2 and saw no real reason for Halo 3 to be any different. Back when the multiplayer beta came out, it looked like it was just going to be more Halo--exactly what the Halo faithful wanted, but not really the sort of thing that's going to change anyone's mind. ...

Parent post is full of misinformation. All evidence points to the conclusion that Gerstmann was fired because he was too harsh on high profile games such as Kane & Lynch, not because he was a Xbox 360 fanboy. If you have any evidence to the contrary, you should put it forward.

The Courts

Submission + - Fair Use for YouTube & MySpace Users

NewYorkCountryLawyer writes: "A few years back, documentary filmmakers didn't know what copyrighted clips they could safely include in their films as a "fair use". Now there's a well-accepted set of "best practices" that establishes rational, predictable rules. Well the same folks who brought rationality to the world of documentary filmmaking are about to work their magic in the user-generated online content space, including user-created videos on YouTube and user-created music on My Space. They said : "Nonprofessional, online video now accounts for a sizeable portion of all broadband traffic, with much of the work weaving in copyrighted material....A new culture is emerging — remix culture, an unpredictable mix of the witty, the vulgar, the politically and culturally critical, and the just plain improbable..... What's fair in online-video use of copyrighted material? The healthy growth of this new mode of expression is at risk of becoming a casualty of the efforts of copyright owners to limit wholesale redistribution of their content on sites like YouTube, and of videomakers' own uncertainties about the law.""

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