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Submission Summary: 0 pending, 10 declined, 5 accepted (15 total, 33.33% accepted)

Music

Submission + - Loudness Wars Coming to an End? (cepro.com)

Stowie101 writes: "The first major step towards the elimination of heavily-compressed music could be the International Telecommunications Union’s (ITU) ITU-R BS.1770-2 standard recommendation for the measurement of loudness that was introduced in 2006 and revised in 2011.

Following the ITU’s recommendations, the European Broadcasting Union (EBU) released its Loudness Recommendation EBU R128 in August of 2010. Acting to rectify the problem on the broadcast side of the issue, many European and Asian broadcasters are adopting loudness standards that are based on the criteria first introduced by the ITU.

Here in the U.S., the federal government has also been proactive to improve the quality of broadcast television. By the end of 2012, the broadcast community will have to follow the Commercial Advertisement Loudness Mitigation (CALM) Act that requires commercials to be played at the same volume as broadcast television.

In terms of music and recording, these broadcast standards do not apply. But Shepherd theorizes the measurement standards will be applied to the production of music.

“Measuring loudness, in general, isn’t easy. Now the ITU has agreed on a new ‘loudness unit:’ the LU. You can measure short- and longer-term loudness over a whole song. They’ve also agreed on guidelines for broadcast; what the average loudness should be and how much you can vary it. The recommendation has been made law in the U.S. for advertisements and is also being adopted in the U.K. and all over the world. All the major broadcasters here — Sky, the BBC, ITV — have agreed to follow the standard."

Submission + - Dolby's TrueHD 96K Upsampling to Improve Sound on Blu-rays (cepro.com)

Stowie101 writes: "The audio on most Blu-ray discs is sampled at 48kHz. Even the original movie tracks are usually only recorded at 48kHz, so once a movie migrates to disc, there isn’t much that can be done.

Dolby’s new system upsamples that audio signal to 96kHz at the master stage prior to the Dolby TrueHD encoding, so you get lossless audio with fewer digital artifacts.

The “fewer digital artifacts” part comes from a feature of Dolby’s upsampling process called de-apodizing, which corrects a prevalent digital artifact known as pre-ringing. Pre-ringing is often introduced in the capture and creation process and adds a digital harshness to the audio. The apodizing filter masks the effect of pre-ringing by placing it behind the source tone — the listener can’t hear the pre-ringing because it’s behind the more prevalent original signal."

Music

Submission + - Mastering Engineer Explains Types of Compression, Effects on Today's Music (cepro.com) 1

Stowie101 writes: "Today is Dynamic Range Day, which is an event to educate the public about the “Loudness Wars” that are compressing and harming the quality of today’s music.

Ian Shepherd, a mastering engineer and founder of Dynamic Range Day, explains why music lovers should avoid MP3 files.

"The one that springs to mind is to avoid MP3, especially if it’s 128 kbps. Apple uses a more advanced technology called AAC, but if someone can get lossless files like FLAC that’s a better place to start."

Shepherd says it’s actually harder to make a good “lossy” encode of something that has been heavily musically compressed. Very heavy dynamic compression and limiting makes MP3s sound worse, so the loudness wars indirectly make MP3s sound worse.""

DRM

Submission + - Ruling Prohibits Kaleidescape from Selling, Supporting Movie Servers (cepro.com)

Stowie101 writes: "Looks like Kaleidescape has lost its drawn-out legal battle with the DVD CCA. A judge has just issued an injunction that prohibits the sale and support, including product updates, of existing DVD movie servers.

"As part of the injunction, Kaleidescape and its dealers can no longer offer technical support for products that are already in the field, meaning existing servers can receive no updates or repairs."

Kaleidescape has filed an appeal and “believes that under California law the injunction order should not come into effect unless the California Court of Appeal affirms Judge Monahan's decision.""

Music

Submission + - Apple Mastered for iTunes No Different than AAC-encoded Music (cepro.com)

Stowie101 writes: "British master engineer Ian Shepherd is ripping Apple's Mastered for iTunes service, saying it is pure marketing hype and isn't different than a standard AAC file in iTunes.

Shepherd compared three digital music files, including a Red Hot Chili Peppers song downloaded in the Mastered for iTunes format with a CD version of the same song, and said there were no differences.

Another example of crappy iTunes music. Apple or someone else needs to step it up here and offer some true "CD quality downloads.""

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