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Submission + - SingularDTV: using Ethereum for DRM on a sci-fi TV show about the Singularity (rocknerd.co.uk)

David Gerard writes: SingularDTV is an exciting new blockchain-based entertainment industry startup. Their plan is to adapt the DRM that made $121.54 for Imogen Heap, make their own completely premined altcoin and use that to somehow sell two million views of a sci-fi TV show about the Singularity. Using CODE, which is explicitly modeled on The DAO ... which spectacularly imploded days after its launch. There's a white paper, but here's an analysis of why these schemes are a terrible idea for musicians.

Comment File-sharing, fair use etc (Score 2, Interesting) 515

I find that for every track I get for free from an artist, I tend to want to reward the artist fairly. This weekend just gone, I came across the CASH music site, linked to from Kristin Hersh's blog (http://www.throwingmusic.com/blog). I downloaded both the tracks she'd put up there, though "Hey, this is pretty good..." and decided to do the 3 dollar one-off donation that they ask for but don't force from you. Then as the tracks grew on me I thought "I could do with more of this..." so I went & bought her latest album from iTunes. The point being that for a lot of people, file-sharing is merely like a form of advertising, a free sample or loss-leader that gets the customer into the metaphorical showroom so they can buy more. Kristin's doing a great thing by releasing her work under a Creative Commons attributable, changeable share-alike license - people are free to remix it, mash it up, change the lyrics, cover it, do derivative artwork, sculpture or whatever, as long as they link back to their work & publish it under the same license. Her wish is that we regain the sort of musical communities we had back in the heyday of folk & blues, where a song remains after the artist has travelled elsewhere, & it takes on a local aspect, different chords, lyrics etc.

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