If you think Hollywood is suddenly "woke" then you haven't been paying attention to movies for a good 70 years.
No, you dumbass, the whole idea here is that with Ellison taking over Skydance / Paramount, the idea is that there is some balance being injected into the business.
After all, as you point out, Hollywood has been a woke dumpster fire since the beginning.
There needs to be a balance. For every Leftist billionaire funding sedition and division, there must be a Rightist billionaire pushing unity and deporting the abject filth being imported into this country since the mid 60's but hugely accellerated under Biden's teunure of 2020-2024.
Deport them all.
Let's see one of you rich, pasty white motherfuckers try to sneak into Mexico or Russia with no papers. Let's see how well those two countries treat you.
Don't like it? Get the fuck out. Leave. Go live where you're happy, wherever that may be.. but not here.
Right, let's cut through the noise. There is a significant political dimension to this story that's been buried under a mountain of speculation. The Trump administration is openly favoring David Ellison's bid for WBD, with officials stating that the owner of WBD is highly important to the administration. This political interest is underscored by a recent, controversial event. Paramount paid Trump $16 million to settle a lawsuit over a Kamala Harris interview, and their merger was approved shortly afterward. Now, three senators are investigating whether Ellison cut a side deal with Trump, raising legitimate corruption concerns. Ellison's own political history paints a picture of strategic opportunism. He is a self-described social liberal who gave nearly a million dollars to Biden's campaign. Yet, he began appearing at UFC fights with Trump precisely when he needed regulatory approval. Furthermore, under his leadership, CBS dissolved its race and culture unit, laid off women disproportionately, and fired the Gaza correspondent. This isn't ideological balance; it's strategic positioning for business advantage. The real story here is that the Trump administration appears to be using antitrust power to reward friendly billionaires and penalize others. As the Writers Guild noted, we are handing the keys to the media kingdom to entities primarily motivated by maximizing short-term returns. This is a genuine scandal about the antitrust process being compromised by political favouritism and billionaires acquiring media influence through political connections. David Ellison isn't correcting decades of Hollywood ideology. He is simply demonstrating that paying the right people and making the right promises gets regulatory approval.
You can feel the difference between Microsoft products made by competent US-teams, like VSCode, and the outsourced Indian slop, like Windows 11 and especially Explorer.
This comment is a textbook example of American exceptionalism divorced from reality. VS Code isn't made by 'competent US-teams' and it never has been. The core development has been led by teams in Zürich, Switzerland and Seattle, with the Zürich team under Erich Gamma driving the project since its inception. The Monaco editor that powers VS Code was developed in Europe, not the United States. The suggestion that US engineering teams are inherently superior to those working elsewhere is not only factually wrong but contradicts Microsoft's own organisational structure. Microsoft's India Development Centre in Hyderabad is the company's largest software development centre outside Redmond, and these teams focus on strategic and IP-sensitive product development, and hardly what you'd expect if the work were considered 'outsourced slop'. Major American tech companies deliberately establish world-class engineering centres across Europe and Asia precisely because that's where exceptional talent is concentrated. The notion that quality software can only come from American teams ignores decades of evidence: from ARM's British origins revolutionising mobile computing, to the Nordic countries' contributions to telecommunications, to the extraordinary engineering coming out of India, Taiwan, South Korea, and beyond. The distributed, international nature of modern software development, drawing on diverse perspectives and round-the-clock productivity across time zones, is a strength and not a weakness. Dismissing entire regions' contributions with crude stereotypes says far more about the commenter's prejudices than it does about engineering quality.
The Tao is like a glob pattern: used but never used up. It is like the extern void: filled with infinite possibilities.